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Cinematology Journal Anthology of Film and Television Studies
Published by Universitas Pendidikan Indonesia
ISSN : 27977099     EISSN : 27979903     DOI : https://doi.org/10.17509/ftv-upi.v0i0
Core Subject : Art,
Arts
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
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Search results for , issue "Vol 6, No 1 (2026): February" : 5 Documents clear
Narratives of Revenge and Identity in the Film Munich (2005): Literary and Political Analysis
Cinematology: Journal Anthology of Film and Television Studies Vol 6, No 1 (2026): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v6i1.90291

Abstract

Steven Spielberg's film Munich (2005) presents a narrative that departs from the tragedy of the 1972 Munich Olympics and Mossad's retaliatory response against the group deemed responsible. The representation of violence in this film has sparked widespread debate in the realm of literary and political criticism, particularly regarding the ethics of revenge, state legitimacy, and the impact of individual and collective trauma. This study aims to analyze how violence and revenge are represented through the storyline, characterization, and cinematic symbolism, while also examining the ethical dimensions debated in public and academic discourse. The research method used is a qualitative study based on a literature review with an interdisciplinary approach, namely literary narrative theory, the ethics of violence representation, and cultural political analysis. Data was obtained from academic journals, film reviews, and literature related to the representation of violence in cinema. The results of the study show that Spielberg refuses to give absolute legitimacy to state violence or individual revenge, but rather opens up a space of moral ambiguity that challenges the audience to reflect. The narrative of revenge in Munich is depicted as an endless cycle that traps perpetrators, victims, and nations in repeated trauma. Finally, Munich serves as a reminder that revenge, no matter how strong the political or emotional motivations behind it, is never free from ethical consequences.
Auditory Narrative: Keroncong Music in the Construction of Cinematic Meaning
Cinematology: Journal Anthology of Film and Television Studies Vol 6, No 1 (2026): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v6i1.92412

Abstract

This article discusses the role of keroncong music as an auditory narrative element that shapes cinematic meaning in Indonesian contemporary film. Music in film functions not merely as an emotional backdrop but also as a bearer of meaning, symbolism, and cultural identity. The focus of this analysis is a scene from “Losmen Bu Broto: The Series” (Episode 3, minute 27:15), which features keroncong music both diegetically and non-diegetically. Using a qualitative-descriptive approach, this study examines how the musical structure of keroncong, its rhythm, harmony, timbre, and nostalgic nuance interacts with the film’s visual and narrative elements. The findings show that keroncong serves as a temporal and emotional marker that strengthens characterization and conveys cultural depth within Indonesian cinema.
The Use of Lexical Hedges by the Main Character in the Film Eighth Grade (2018)
Cinematology: Journal Anthology of Film and Television Studies Vol 6, No 1 (2026): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v6i1.95630

Abstract

This study discusses the use of lexical hedges in the main character’s utterances in the film Eighth Grade (2018). This is shown by the frequent uses of lexical hedges by the main character, who has social anxiety and an introverted personality. The purpose of this study is to analyze the types and functions of lexical hedges used by the main character in the film. This study applies Namsaraev’s (2010) theory to analyze the types of lexical hedges and Coates’ (2013) theory to identify their functions. This research adopts a descriptive qualitative approach. The results show that there are 42 data that can be categorized into four types of lexical hedges, which are modal auxiliary verbs, lexical verbs, adverbs, and fillers. Among these, fillers are the most frequently used type by the main character. In addition, the main character uses hedges to express uncertainty and to search for the right words. Based on the analysis, the most dominant function of hedges is to search for the right words. This study concludes that the use of lexical hedges can be influenced by an individual’s social identity.
MISE-EN-SCENE ANALYSIS IN CONSTRUCTING THE MALE GAZE IN BIGBANG'S BAE BAE VIDEO CLIP (2015)
Cinematology: Journal Anthology of Film and Television Studies Vol 6, No 1 (2026): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v6i1.88548

Abstract

Bae Bae is a song by Big Bang in the Rap and Beat genre which was released on May 1, 2015. The music video raises the theme of sensuality and explores the relationship between love, desire, and vulnerability. The delivery of the concept in the music video is carried out with a detailed approach related to the visual and narrative elements, namely the mise en scene approach. Bordwell stated that mise en scene consists of four components, namely the setting, costume and make-up, lighting, and staging. Mise en scene not only functions to build the aesthetics of the film, but also plays a crucial role in shaping the gender narrative shown in an audiovisual work. One of the gender narratives is the male gaze theory by Laura Mulvey. Mulvey states that the male gaze is a sexual imbalance, in the form of a perspective in the media divided into the view of men as active and women as passive. The phenomenon of the male gaze is the condition of women being depicted with erotic influence so that they conform to what men want. The phenomenon of men as active parties and exploiting women as passive parties to satisfy sexual fantasies seen in the music video Bae Bae by Big Bang will be the focus of this research. In this analysis, the researcher will highlight how the male gaze is displayed explicitly and implicitly in the music video by using the mise en scène approach as a tool to understand and explore the existing visual elements.
Adaptation of the Novel into the Romance of the Three Kingdoms Series (1994)
Cinematology: Journal Anthology of Film and Television Studies Vol 6, No 1 (2026): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v6i1.89466

Abstract

Adaptation is a common phenomenon in the world of cinematography, and one of the most frequently used sources for adaptation is historical novels. As one of the classic Chinese novels, Romance of the Three Kingdoms has been adapted into various media, such as theater performances, films, and television series. Across these adaptations, different portrayals can always be found—whether in terms of narrative, history, or culture. As a result, the reception of each adaptation varies. This study aims to examine how the novel is portrayed in its 1994 adaptation. A qualitative research method with a descriptive approach is used, paired with the theory of ekranisasi (film adaptation theory), to identify the types of modifications that occur. The results show that although many modifications are present, these changes are made carefully without compromising the essence of the original novel. 

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