cover
Contact Name
Indarti
Contact Email
journalfashion@unesa.ac.id
Phone
+6281218448862
Journal Mail Official
journalfashion@unesa.ac.id
Editorial Address
Jurusan PKK, Fakultas Teknik, Kampus Ketintang, Jalan Ketintang, Surabaya 60231 Universitas Negeri Surabaya
Location
Kota surabaya,
Jawa timur
INDONESIA
BAJU: Journal of Fashion and Textile Design Unesa
ISSN : 27472574     EISSN : 27472574.     DOI : https://doi.org/10.26740/baju
Core Subject : Humanities, Social,
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
Articles 2 Documents
Search results for , issue "vol 7 no 2 (2026)" : 2 Documents clear
Penciptaan Busana Avant-Garde dengan Sumber Ide Dewi Artemis Mey Surya Mada; Urip Wahyuningsih
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 2 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to explore the application of manipulating fabric ruffles in avant-garde fashion using Artemis from Greek mythology as the source of inspiration. Artemis was selected due to her representation of strength, independence, and elegance, which aligns with the fundamental principles of avant-garde design. The research employs the Double Diamond Model, consisting of the discover, define, develop, and deliver stages. The design process begins with an exploration of the symbolism and character of Artemis, followed by the development of design concepts through moodboards, silhouette determination, material exploration, and the application of ruffles as the main design element. The final garment is then evaluated by three experts in fashion design. The results indicate that the application of manipulating fabric ruffles successfully creates dynamic volume, texture, and movement, while effectively representing the visual and conceptual character of Artemis. Therefore, this technique is considered effective and appropriate for avant-garde fashion as a medium of innovative and meaningful artistic expression.
Transformasi Ornamen Palais Garnier dengan Teknik Laser Cut dan Iluminasi LED pada Busana Avant-Garde Futuristik Faldzah Syadwina Putri Prasetya; Irma Russanti
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 2 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v7n2.p85-102

Abstract

The development of avant-garde fashion that integrates art, architecture, and technology encourages the exploration of transforming historical architectural ornaments into futuristic, conceptual, and experimental fashion works. This study aims to examine the design process and final outcome of an avant-garde futuristic garment through the transformation of Palais Garnier architectural ornaments using laser cut techniques and LED illumination. This research employs a quantitative descriptive approach with the Double Diamond design method, consisting of the discover, define, develop, and deliver stages. Data were collected through expert evaluations using a Likert-scale questionnaire covering 13 assessment indicators and analyzed using descriptive statistics. The results indicate that the design process was carried out systematically and achieved a very good level in accordance with the Double Diamond stages. Furthermore, the overall quality of the final garment obtained an average score of 3.28 out of a maximum scale of 4. The findings demonstrate that the transformation of Palais Garnier ornaments through laser cut techniques and integrated LED illumination effectively enhances the futuristic, artistic, and theatrical character of avant-garde fashion.

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