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Jumantara: Jurnal Manuskrip Nusantara
Published by Perpustakaan Nasional
ISSN : 20871074     EISSN : 26857391     DOI : https://doi.org/10.37014/jumantara
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Jumantara: Jurnal Manuskrip Nusantara menyajikan informasi mutakhir hasil kajian literatur dan penelitian bidang ilmu filologi dan pernaskahan Nusantara, yang mencakup: Kajian kodokologis, Teori-teori filologi, Edisi teks naskah kuno dan analisisnya, Kajian historis kepengarangan naskah kuno dan karyanya, Kajian multidisiplin berbasis naskah nusantara. Objek yang dijadikan kajian secara khusus bersumber pada naskah-naskah kuno Nusantara baik yang tersimpan di wilayah Nusantara maupun di luar wilayah Nusantara. Jumantara: Jurnal Manuskrip Nusantara membuka kesempatan seluas-luasnya bagi peneliti naskah kuno Nusantara dari seluruh wilayah di dunia untuk turut berpartisipasi dalam penulisan artikel ilmiah yang sesuai dengan focus dan scope jurnal.
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 5 Documents
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Search results for , issue "Vol 12, No 1 (2021): Juni" : 5 Documents clear
Perempuan, Mahar, dan Stratifikasi Sosial dalam Naskah Peraturan Bimbang dalam Negeri Bangkahulu Chika Amelia Pektra; Mamlahatun Buduroh
Jumantara: Jurnal Manuskrip Nusantara Vol 12, No 1 (2021): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1582.726 KB) | DOI: 10.37014/jumantara.v12i1.1096

Abstract

This study discusses the relationships between women, dowry and social stratification that are reflected in a manuscript on marriage regulations in Bengkulu entitled Peraturan Bimbang dalam Negeri Bangkahulu held in the National Library of Indonesia, with shelfmark Ml.144. This article considers the position of women in the determination of marriage dowry in the Peraturan Bimbang dalam Negeri Bangkahulu manuscript, and aims to describe the relations between women, dowry and social stratification that prevailed in 1882 and to describe the views of Bengkulu society regarding marital regulations. This research was conducted using descriptive analytical methods and literature study techniques and sociological approaches to examine the interrelation of these three elements. The results show that there are binding rules between women, the dowry and social stratification in the Bengkulu Malay community as reflected in the text. The regulation determines the amount of dowry used as a sign or symbol of women's social status in society, and this concept is still valid in the Malay-Bangkahulu community to this day. However, the regulation experienced a shift in the dowry determination. Specifically, the determination of the amount of dowry in the past was based on the lineage owned by women, whereas at present the education and profession of women are the determining factors that are capable of causing changes in social stratification that develops in society.
Pakubuwana IV Sebagai Maecenas: Tinjauan Kritis Beberapa Teks Pengětan Sejarah Wayang Rudy Wiratama
Jumantara: Jurnal Manuskrip Nusantara Vol 12, No 1 (2021): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1267.035 KB) | DOI: 10.37014/jumantara.v12i1.1241

Abstract

Pakubuwana IV (reigned 1788-1820) despite of his popularity in political history and literature, also considered a founder of the iconography and performance principles of Surakartanese style wayang kulit (shadow puppet) as written in the pengětan (i.e. “memorial”) texts, particularly in Surakarta version. The pengětan text genre as a literary work was rarely studied and only taken for granted by the puppeteers in Java because of its legitimative and semi-mythological nature. It leads to an uncertainty about the facts contained inside and causing a dispute in the society. This article would objectively discover about “how was the real influence of Pakubuwana IV in the Surakartanese style wayang kulit’s history and development?” and “did pengětan text were able to provide objective facts in minor field of historiography, including art history?”  This article aims to discover the real influence of Pakubuwana IV in Surakarta-style wayang kulit history and development through textual approach using pengětan texts comparison as the its method, along with contextual approach with the contemporary wayang artefacts. The result of this research shows that Pakubuwana IV gave a crucial contribution in Surakarta-style wayang kulit. On the other hand, critical readings of pengětan manuscripts are needed to analyze the historical and political nature on its narrative so it could give a much comprehensive facts dealing with art and culture historiography.
Kesejarahan Teks pada Naskah Syair Kupu-Kupu Delima Novitasari; Asep Yudha Wirajaya
Jumantara: Jurnal Manuskrip Nusantara Vol 12, No 1 (2021): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1234.737 KB) | DOI: 10.37014/jumantara.v12i1.1114

Abstract

Manuscript Syair Kupu-Kupu (hereinafter referred to as SKK) is one of the manuscripts that fall into the category of symbolic poetry. This manuscript stored at Staatsbibliothek zu Berlin with the Schoemann V 40 manuscript code. SKK has three version of texts. This manuscript does not have a colophon containing information about the manuscript. SKK manuscripts is included in the category of symbolic poetry because the contents of the SKK text are assumed to represent past events written using animal and plant symbols as character names. This characteristic of symbolic poetry described by GL Koster in his dissertation research. The research on the SKK manuscrips was carried out to determine the history of the emergence of symbolic poetry through the information contained in the text. The theories used in this research are codicology and textology theories. Codicological theory is used to describe the text. Textological theory is used to analyze the history of the SKK text and the reasons for the emergence of symbolic verses. The result of the research on the SKK manuscript was that the SKK manuscript was written at the request of a manuscript collector from Germany named Carl Schoemann while in the Dutch East Indies. In addition, the emergence of symbolic poetry in the Malay region is due to the concept in the Malay community to hide things that are considered taboo to be told. This is in accordance with the agreement of the first Malay king with his people in Malay History.
Unsur-Unsur Kontroversial dan Penghinaan Terhadap Agama Islam dalam Suluk Gatholoco Sumarsih Sumarsih
Jumantara: Jurnal Manuskrip Nusantara Vol 12, No 1 (2021): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (858.888 KB) | DOI: 10.37014/jumantara.v12i1.1142

Abstract

Suluk Gatholoco is a Javanese text classified as the type of suluk which contains the concepts of Islamic mystical teaching or sufism. The text of the Suluk Gatholoco is presented in a very controversial debate between Koran teachers, they are Kasan Mustahal, Kasan Besari, Ki Dul Jalal and Gatholoco. The debate also took place between Gatholoco and Dewi Perjiwati, a woman who lived in Kresna Cemara cave. She later would become Gatholoco’s wife. Suluk Gatholoco is transcripted into Latin script in Javanese. Suluk Gatholoco published in macapat forms by Tan Khoen Swie in 1959. Suluk Gatholoco become very controversial because the content of the text considered contempt for Islam. Translation and interpretation is needed to identify and classify the content of Suluk Gatholoco in order to find out the content which is contempt for Islam. Literary research method used to understand and interpret the text of Suluk Gatholoco is hermeneutic.  Based on this research it can be known that Suluk Gatholoco is proven to contain elements of contempt for Islam.
Babad Awak Salira: Intertekstualitas Naskah Sunda Islami Isep Bayu Arisandi; Titin Nurhayati Ma'mun; Undang Ahmad Darsa
Jumantara: Jurnal Manuskrip Nusantara Vol 12, No 1 (2021): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (830.312 KB) | DOI: 10.37014/jumantara.v12i1.1151

Abstract

This paper shows that the interrelationship between the texts is present in the ancient manuscripts of the archipelago. Babad Awak Salira (BAS) manuscript is a Sundanese manuscript which contains Islamic teachings. The amount of influence contained in Islamic teachings is presented in several stanzas that are bound by rules or meters. The method used in this research is descriptive analysis, with the use of an intertextuality approach in literary works. The analysis using the intertextuality approach shows that the BAS text has links with other texts; Javanese manuscripts and Islamic books. This paper resulted in the findings of several hipogram or text backgrounds that were “borrowed” in the compilation of BAS. At least 11 hipogram were found to be applied, by conversi, expansi, modification, or exerp. This paper shows that an intertextuality approach can be applied to old manuscript objects. Thus, an intertextuality approach will explore and derive borrowed forms from the background text or hipogram. The cultural linkages between Javanese and Sundanese can be recorded in a manuscript. It is seen from the text, that several Javanese macapat metrums are consistently carried over in the BAS manuscript.

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