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English Study Program, Faculty of Humanities, Universitas Andalas Jl. Mohammad Hatta, Limau Manis, Pauh, Kota Padang, Sumatera Barat, Indonesia
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Linguistika Kultura: Jurnal Linguistik Sastra Berdimensi Cultural Studies
Published by Universitas Andalas
ISSN : 19786646     EISSN : 30249376     DOI : https://doi.org/10.25077/jlk
Core Subject : Education,
Languange, Linguistic, Communication & Media
Linguistika Kultura is a journal by English Study Program, Faculty of Humanities, Universitas Andalas, Padang. It is a double blind review journal that is peer reviewed and open access. The journal seeks to become an open access publishing platform that publishes and disseminates concepts and research findings related to language and literature beginning in 2021. Articles from this journal may be downloaded, copied, distributed, printed, and used in any legal way following the lisence used in this journal. Languages, linguistics, literary studies, and cultural linguistics are just a few of the fields that the journal is open to submissions. The goal is to publish the findings of theoretical and critical study of language and literature, conceptual thinking, ideas, innovation, and book reviews written either in English or Indonesian. The journal will be released twice a year, in June and December. From 2007 to 2020, the issues were published in printed version and start to published in electronic version since 2021.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 5 Documents
 1 
Search results for , issue "Vol 10 No 1 (2021)" : 5 Documents clear
The Perception of Totalitarianism and Authoritarianism in Various Universitas Andalas Students: A Reader-Response Criticism of George Orwell's Nineteen Eighty-Four Amanda Aisyah; Edria Sandika
Linguistika Kultura Vol 10 No 1 (2021)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.10.1.1-10.2021

Abstract

This research studies the readers' responses to George Orwell's Nineteen Eighty-Four regarding their perception of totalitarianism and authoritarianism in various Universitas Andalas students as based on the said novel. This research focuses on how the novel's readers understand totalitarianism and authoritarianism after reading Nineteen Eighty-Four. Furthermore, this research also investigates the readers' answer on why they relate those mentioned concepts to their lives based on the novel Nineteen Eighty-Four. In analyzing the readers' responses, we apply a reader-response theory that focuses solely on the object's extrinsic elements, that is, in this case, the readers. As for the study method, we utilize the quantitative mixed with the qualitative method and library research.
Pemberontakan Satsuma dan Puisi “Battotai” Karya Toyama Masakazu Anggia Ariska
Linguistika Kultura Vol 10 No 1 (2021)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.10.1.11-17.2021

Abstract

The Satsuma Rebellion is one of many historical events that have occurred in Japan. Japan is a country that has a very long history, known as a country that has gone through various ages, one of which is the Meiji era or known as the Meiji Restoration. In a work of poetry “Battotai” by Toyama Masakazu can be seen a battle called the “Satsuma rebellion.” In a poem that describes the brave troops of the government army against the enemy using the sword in the Meiji period/Meiji Restoration. The purpose of this writing is to find out and explore the history of Japan through a work of poetry “Battotai.” To reveal the history in the poem used descriptive qualitative research methods. The results of this study find that in the poem "Battotai" the brave troops of the government army against the enemy using swords during the Meiji/Meiji Restoration period were the battle in the Satsuma rebellion. Soldiers of government forces used samurai symbols such as swords. The sword is a symbol of the status of the samurai and courage is a symbol of the ethics/moral principles of the samurai as the code of ethics of the Japanese samurai called Bushido.
Gender Issues in Barbara Baynton’s Bush Studies Donny Syofyan
Linguistika Kultura Vol 10 No 1 (2021)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.10.1.18-25.2021

Abstract

This research attempts to address how an Indonesian critic would interpret gender in postcolonial Australian literature in Bush Studies, a short story written by Barbara Baynton. Using French feminism, this writing focuses on how Indonesian critics regard gender issues in postcolonial Australian literature and how Indonesian critics understand it. Furthermore, how Baynton's and Franklin's works challenge the status quo is investigated, and how Indonesian and Australian points of view deal with class and gender concerns when reading these works. For that purpose, close reading becomes a literary research method to understand the very details of the short story. The original contribution that this research would make to this field of expertise will involve exploring how different cultures examine literature and media from cultures not their own, especially as Indonesia and Australia, though both patriarchal, are very different cultures that approach gender differently.
Menyisir Daerah Rantau Minangkabau Berdasarkan Naskah Randai Galombang Dunie Karya Jamaluddin Umar Fahmi Fahrozi
Linguistika Kultura Vol 10 No 1 (2021)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.10.1.26-33.2021

Abstract

Banyak orang Minangkabau pergi merantau sehingga membentuk wilayah batasan teritorial rantau Minangkabau. Menyisir daerah rantau adalah untuk memantau daerah rantau Minangkabau. Orang Minangkabau merantau disebabkan beberapa faktor antara lain untuk merubah perekonomian keluarga, menempuh pendidikan, melibatkan diri atau menghindari masalah politik dan hal lainnya. Di Minangkabau banyak budaya dan tradisi yang masih bertahan hingga saat ini. Salah satu kesenian yang masih bertahan adalah seni Randai. Kesenian randai memiliki naskah sebagai bahan acuan. Banyak tema inspiratif yang dituliskan oleh pengarang untuk mengetahui tata cara dan peradaban orang Minangkabau. Salah satu tema yang tak pernah habis untuk diceritakan adalah kisah merantau. Naskah randai Galombang Dunie karya Jamaluddin Umar bertemakan merantau. Dalam naskahnya, tokoh utama pergi merantau ke Pekanbaru untuk memperbaiki kehidupan ekonomi keluarga. Berangkat dari naskah randai ini pembahasan batasan wilayah rantau Minangkabau akan dijelaskan serta diuraikan. Metode penelitian yang digunakan untuk melihat wilayah rantau Minangkabau, yaitu dengan analisis deskriptif. Kemudian, hasil yang didapatkan, yaitu wilayah rantau Minangkabau berada di sepanjang pantai barat pulau Sumatra, Sumatra bagian tengah, hingga ke negeri Sembilan Malaysia. Wilayah ini menjadi daerah perantauan Minangkabau dari dahulu kala, sehingga bukan tidak mungkin pada saat sekarang ini, wilayah rantau Minangkabau tersebar luas ke penjuru nusantara.
Cerita Oey Se Sebagai Refleksi Struktur Sosial Indonesia Era Kolonial Gindho Rizano
Linguistika Kultura Vol 10 No 1 (2021)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.10.1.34-39.2021

Abstract

Chinese-Indonesian literature in Malay have been outshined by the canonized and goverment-backed Balai Pustaka. However, an analysis of a representative book using a proper theory allows us not only to take a glimpse of the social dynamics of the colonial time, but also to see its literary worth. This paper applies mainly Georg Lukacs’ idea of reflection theory to Cerita Oey Se, a novel about the rise of a Chinese merchant of Indonesian colonial time and his subsequent personal problems. The main findings are: (1) The work reflects the socio-political condition of Indonesian colonial time in its ‘totality’along with its inherent contradictions. (2) The work functions as an implicit critical discourse toward the colonial and the capitalist social structure. (3) The idea that Indonesian-Chinese literary works are of little value is groundless, since this work among others, fits the criteria of good literary in its capacity to reflect the essential structure of Indonesian society of the late 1800s.

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