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Runtas: Jurnal Fesyen dan Wastra Nusantara
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Runtas: Jurnal Fesyen dan Wastra Nusantara its contributions from academics and practitionerresearchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domainspecific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. Scope of the journal includes: • Cultural, historical, and anthropological studies of Nusantara textiles • Contemporary fashion design inspired by traditional textiles • Techniques, innovation, and technology in fabric and clothing manufacturing • Creative economy, entrepreneurship, and locally-based fashion industry • Analysis of local and global fashion trends related to Nusantara culture • Preservation, revitalization, and documentation of traditional fabric • Sustainable fashion and ethics in the textile industry • Identity, gender, and representation in traditional fashion and fabrics • Cross-disciplinary collaboration in the development of Nusantara fashion and textiles
Articles 14 Documents
Search results for , issue "Vol. 1 No. 2 (2023)" : 14 Documents clear
TUMPENG MEGANA AS A SOURCE OF IDEAS CREATION MOTIVE BATIK ON CLOTHES CASUAL Arifah, Hesti Nur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5338

Abstract

Abstract Tumpeng megana is a traditional Indonesian culinary served at the event thanksgiving birth baby or commemorate day born. Presentation tumpeng megana as form symbolic as a delivery of gratitude and supplication or pray. Characteristic features tumpeng megana is rice white form cone And surrounded side dish pauk And vegetables around the rice and there are sticks of eggs, shallots, and chilies on top of the rice. The rice white color which symbolizes a purity and vegetables which symbolize hope or prayer request in living life for the child someday, whereas the stab symbolize roundness embroidery Which full Spirit in face challenges in later life. The purpose of creating this work is to introduce back to the culinary archipelago that was almost lost amidst the incoming foreign culinary and develop in Indonesia. Poured into the exists work motive batik on fashion casual . Casual clothing is clothing that is suitable for everyday use and casual needs made with the comfort of the wearer in mind. The foundation of creation on the process The creation of this final project adheres to SP Gustami's creation method with 3 stages namely the exploration stage, the design stage, and the embodiment stage. Motive design selected with the source of ideas from tumpeng megana created through the process of batik and unplug color. Batik write is process incision Evening on cloth with use canting which aims to block the colors. In the process of making batik using dyes remasol And unplug color with use sulfurite. 
READY TO WEAR CLOTHING WITH BATIK MOTIFS INSPIRED BY CISADANE LENGGANG DANCE Zanira, Zahra Alfina
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5349

Abstract

The work on the final project batik motif with the source of the idea of Dance Lenggang Cisadane for clothing Ready to Wear. The purpose of this final project that is, creating Batik motifs dance Lenggang Cisadane with the main motive in the dance movement that rests on the four elements of culture in dance Lenggang Cisadane. The method used in the process of creating this work is Gustami method which is divided into three methods, namely starting from the exploration stage, by making direct observations at the location of the dance studio and digging for data through interviewing. The second stage is the design, starting with alternative designs to be selected as batik motifs applied to ready-to-wear clothing. Starting from the process of pattern, shading, batik, coloring, melorod, sewing to finishing. The results in the creation of this work in the form of four ready to wear clothing. His attributes are softie, beauty, agility and cheerfulness. The creation of fashion works that raise the motif of Dance Lenggang Cisadane can be known more widely in the general public, especially the younger generation who are less aware of traditional dance culture.           
ARWANA FISH BATIK MOTIF IN CASUAL CLOTHES Desinta, Vania Vicky
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5357

Abstract

Arowana fish, a protected species due to its dwindling population, became the inspiration for this work. The aims of this work are: (1) to develop a batik motif design inspired by the arowana fish; (2) designing casual clothes with arowana fish batik motifs; and (3) the use of arowana fish-inspired batik motifs on casual clothing. SP Gustami's theory is used in the work production process, which consists of three stages of six steps: investigation, design, and embodiment. The investigation stage includes finding as much information as possible about the arowana. The design stage comes next, when many factors are taken into account, including functional characteristics, materials, processes, aesthetics and ergonomics. The embodiment step, which involves turning a design into a work, is the final phase. The dab method using Remasol dye is used for colorin fish g. The final product consists of four casual wear items with the names Antarrazka, Sraddha, Upeksha and Antarsukha. The design is inspired by arowana fish.
PITHECANTHROPUS ERECTUS BATIK FOR HAUTE COUTURE CLOTHES: A BLEND OF PRIMITIVE AND MODERN STYLES Hermawati, Dwi Puji
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5387

Abstract

ABSTRACTThe source of the idea for the creation of this final project is the discovery of the Pithecanthropus Erectus fossil which is enshrined in the Song Terus Pacitan museum, this discovery is one of the earliest evidences of human evolution in prehistoric times. Phitechanthropus Erectus is an ancient human species that lived 1.9 million years ago. The characteristics of ancient humans, Phitechanthropus Erectus, had a more robust body than their predecessors. The purpose of making this work is to 1. Create a written batik motif design with the source idea of Pithecanthropus Erectus with a blend of primitive and modern styles 2. Create a haute couture fashion design with a source of batik ideas from pithecanthropus erectus combining primitive and modern styles 3. Apply the Pithecanthropus written batik motif Erectus into Haute Couture fashion design. The method in creating this work uses the principle of 3 stages, namely Exploration, Design and Realization. The final work produced is in the form of 5 Haute couture clothing with abstract coloring techniques on batik motifs. The finished batik cloth is combined with brocade and toyyobo fabrics which are applied to haute couture clothing. The motif title for this work is "Primi Hominis" which comes from the Greek language which means the First Man. The resulting work consists of 5 batik consisting of 5 batik motif designs, namely (1) Pusering jagat Batik Motif Design (2) Pawonan Batik Motif Design (3) Hanguripi Batik Motif Design (4) Riba mburu Batik Motif Design (5) Batik Motif Design ancient stone, which has the main motif of pithechanthropus erectus and 5 Haute couture clothing, namely (1) Spelaiotai (2) Synergasia (3) Agrotikos (4) Dimiourgikos (5) Kainotomos. This batik will be mixed and matched with haute couture clothing. In every haute couture fashion has a different form.

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