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Suryo Tri Widodo
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Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta, Jl. Parangtritis Km. 6,5 Sewon, Bantul, D. I. Yogyakarta, 55188, Indonesia
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Ars: Jurnal Seni Rupa dan Desain
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18297412     EISSN : 25807374     DOI : https://doi.org/10.24821/ars.v27i3
Core Subject : Humanities, Art,
Arts Humanities
Ars: Jurnal Seni Rupa dan Desain merupakan jurnal ilmiah berkala yang diterbitkan oleh Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta. Jurnal ini bertujuan memublikasikan karya ilmiah berupa hasil penelitian, penciptaan, pengkajian, serta studi pustaka di bidang seni rupa, kriya, dan desain. Ars: Jurnal Seni Rupa dan Desain terbit tiga kali dalam setahun, yaitu pada periode Januari–April, Mei–Agustus, dan September–Desember. Sejak volume 21 tahun 2018, Ars telah terakreditasi Sinta 4, dan seluruh artikel yang diterbitkan telah dilengkapi dengan DOI (digital object identifier).
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "No. 7/Januari - April 2008" : 6 Documents clear
P0S7-KALIGRAFI: TEROBOSAN SENI KALIGRAFI (ARAB) DI TENGAII PERKEMBANGAN SENI KONTEMPORER DI INDONESIA Vfikke Susanto
Ars: Jurnal Seni Rupa dan Desain No. 7/Januari - April 2008
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.265

Abstract

Postmodernism has indeed provided a priceless contribution in how the world o f Arabic calligraphy isenjoyed. This article is attempting to re-examine calligraphy by observing the various styles in Indonesia.By doing this. Arabic calligraphy itt Indonesia which was considered a dying art can hopefully be rebuilt.An important concluding note is the reawakening o f the attitude to discover local ability, including how todevelop a stance towards the internationalisation o f art.Keywords: locality, post-calligraphy, postmodernism
TINJAUAN PERKEMBANGAN, KONDISI SOSIAL DAN KREATIVITAS PERAJIN KERAMIK DI KIARA CONDON G BANDUNG Ayoeningsih Dyah W.
Ars: Jurnal Seni Rupa dan Desain No. 7/Januari - April 2008
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.266

Abstract

The centre o f the traditional ceramics!pottery industry established in Java spread out across only a fewareas, including Kasongan (Yogyakarta). Plered (West Java), and Kiara Condong (Bandung, West Java).The ceramics/pottery produced by craftsmen o f Kiara Condong possesses unique characteristics; i.e. whiteclay material, low temperature o f burning, and a shiny glazed texture because o f load meni being one o f theingredients.Viewed from the aspects o f shape and pattern o f the ornament, the craftsmen o f Kiara Condong oftenadopt the m otif and ancient decorative style from the Vereenigde Oost-Indische Compagnie (VOC) era and/or o f the Chinese dynasties. The ornamental nature o f the products is not their only distinctive characteristicbut also the unique identity o f ceramics/pottery o f Kiara Condong. The inclination o f the choice o f style andmotif can be considered one o f the efforts in protecting them from the flood o f imported ceramics/pottery.However, some people consider that what they have done is merely copy old creations and that creativityis not required. This phenomenon is worth observing, considering the many factors which became causeo f the problem; such as environmental condition, labour, as well as the high level o f competition betweenfactories (owners).Keyzvords: ceramics/pottery, Kiara Condong, factor, social condition
GAMBAR INFORMASI M. Umar Hadi
Ars: Jurnal Seni Rupa dan Desain No. 7/Januari - April 2008
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.267

Abstract

/Is an applied art, Visual Communication Design is expected tobe able to deliver information effectively.When understanding the issue, a designer would realise that drawing is not merely presenting beauty butshould be o f meaning to the audience. Depicting information is not an easy matter because its spirit is toprovide a service to the public through an easily absorbed sign ur visual language.Each target group has a different background such as geography, psychography, social status, etc.,which influences their absorptive capability towards an oltject. This becomes a subject fo r those who studyat the Visual Communication Design department so as to be able to present appropriate information. Ir.fact, Otto Net/rath - with his ISOTYPE - has inspired them to design effective symbols for the publicUsing a simple form, representing objects appropriately can make a picture become more informative.Keywords: picture, information
RUANG GENDER PADA RUMAH TINGGAL: KAJIAN TRANSFORMASI BUDAYA DALAM KEBUDAYAAN JAWA Martino Dwi Nugroho
Ars: Jurnal Seni Rupa dan Desain No. 7/Januari - April 2008
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.268

Abstract

hi general discourse, it is nut possible to discuss "gender" without bringing out the man-womanrelation features. The enthusiasm on the discussion increases, following the people awareness concerning togender relation and position. Javanese culture maintains a unique family interrelation system. Inside thisarrangement, we can explore the position and role o f a person inside the community as well as the man andwoman interrelation.This research describes the system as the gender relation. The Javanese is a patriarchy community,xoho sets certain gender-related boundaries to show man domination over woman within the society.From the historical background, the gender relation inside Javanese community roas represented on thearchitectural spacc. The rcscarch reveals the layout concept o f traditional Javanese house from previousera, whereas the space concept is still initiated by the gender boundary. Architecture as the product ofhuman culture implements the community socio-cultural condition and psychology. The same situationalso occurred on the gender separation from the social environment and community psychology. In presenttime, the modernization, woman emancipation and the penetration o f western culture are the basis forthe transformation o f gender position and relation to be occurred inside the Javanese community. Thetransformation itself is pointed out to equal man and woman status and position more. The transformationpattern o f gender relation, especially occurred within the Javanese family, slowly shifted the gender conceptinside the house. The transformation o f the gender concept could be generalized and derived into significantpatterns o f room function and organization transformation, the intention o f space and also the orientation.Jit this era, the transformation also alters the pattern o f room layout to a more neutral space.Keywords: gender, interior, transformation, Javanese culture
IKLAN DAN M1TOS MODERNITAS Hcsti Rahayu
Ars: Jurnal Seni Rupa dan Desain No. 7/Januari - April 2008
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.264

Abstract

To become modem and prosperous is the dream o f all people, indeed every nation. However, it is noteasy, and it often does not fit with the facts. The advertisement is considered the most effective and efficientway to infuse the image o f modernity and prosperity.By applying Roland Barthes' theories on semiology, this paper invites the readers to pay close attentionand at the same time to be critical towards advertising as well as other visual phenomena in the mass media.An advertisement as purl o f visual communication design is supposed to be used as a means o f to formpositive awareness so that people won’t be trapped in the Dutch colonial system which used advertisingnot only to market the product but also to inject the idea (in a form o f a myth) o f national identity andmodernity through technology.Keywords: advertisement, myth, modernity
SPIRIT ANGKA PADA BRANDNAME Hartono Karnadi
Ars: Jurnal Seni Rupa dan Desain No. 7/Januari - April 2008
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i2.269

Abstract

When numbers are applied as a merchandise brand, it is unique. There are many symbolic meaningscontained within. For several people, especially those who are involved in business, such an issue -"petungan" ("calculation" in the Javanese language) including feitg shui - is familiar. In this case, thenumbers mostly function to generate the spirit o f success.Keywords: number, brand, mystery, myth and spirit

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