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Prasetyo Adhitama
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Journal of Visual Art and Design
Published by Institut Teknologi Bandung
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Arts Humanities
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 8 Documents
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Search results for , issue "Vol. 7 No. 1 (2015): Journal of Visual Art and Design" : 8 Documents clear
Potensi Limbah Padat sebagai Benang Gintir Berbasis Sistem Interlacing Nisa Fardani; Achmad Haldani Destiarmand; Andar Bagus Sriwarno
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2015.7.1.2

Abstract

Sistem pengelolaan sampah di tempat pembuangan sampah menjadi masalah lingkungan yang besar seiring dengan pertumbuhan industri pulp dan kertas di Indonesia. Konversi limbah padat menjadi bahan bakar pelengkap untuk industri kertas juga tidak memberikan hasil yang signifikan untuk memecahkan masalah pencemaran udara pada saat karbon aktif dibebaskan dari proses pembakaran. Masalah ini secara khusus menuntut sistem pengelolaan sampah yang maju dan efektif secara terus-menerus. Baru-baru ini, optimasi pemanfaatan serat-limbah menjadi alternatif khusus untuk mengurangi tumpukan sampah di tempat pembuangan sampah. Namun, tidak semua dapat didaur ulang. Karakteristik limbah padat berserat dari industri kertas tisu cenderung menurun gramaturnya, sehingga sangat disayangkan pemanfaatannya akan berkurang bahkan setelah proses daur ulang. Di sisi lain, struktur kimianya yang telah rusak selama proses produksi tampaknya menjadi semangat baru bagi industri tekstil di masa depan dalam mengembangkan teknologi daur ulang limbah padat berserat, yang menghasilkan benang tekstil generasi baru. Fokus dalam penelitian ini ditekankan pada penemuan tas yang terbuat dari bahan serat-limbah menggunakan metode eksperimental. Identifikasi karakteristik serat-sampah berbasis padat dikembangkan melalui teknik eksplorasi multi-ply yarns berdasarkan sistem interlace. Hubungan antara penciptaan produk dan forecasting  tren pada tahun 2013 akan menjadi analisis berikutnya sebagai salah satu cara untuk memecahkan masalah sampah.Kata Kunci: limbah; multi-ply yarns; sistem interlacing.The Potential of Solid Waste as Multiply Yarn Based on Interlacing SystemsSolid-waste disposal in landfills is becoming a massive environmental problem as a result of the growth of the pulp and paper industry in Indonesia. The conversion of solid waste to complementary fuel for the paper industry is also not giving any significant results to solve air contamination, as active carbon is released into the atmosphere by the burning process. This particular problem demands an advanced and effective continuous waste management system. Recently, optimized waste-fiber utilization has come forward as a promising alternative to reduce the waste pile in landfills. However, not all of it can be recycled. Fibered solid waste from the tissue-paper industry tends to decrease its grammage, which unfortunately will eventually reduce its utilization after recycling. On the other hand, its chemical structure, which has already been damaged during the production process, appears to be giving inspiration for a future textile industry based on the development of fibered solid-waste recycling technology, resulting in a new generation of textile yarns. In this research, the focus is on the invention of a handbag made from fiber-waste material using experimental methods. Solid-based fiber waste characteristics identification was developed through a multi-ply yarn exploration technique based on an interlacing system. The relationship between product creation and the trend forecasting for 2013 will be our next goal as one way of solving Indonesia's waste problem.Keywords: interlacing system; multi-ply yarns; waste.
Narasi Reverse bagi Kemajuan Seni Lukis Theo Frids Hutabarat; Asmudjo J. Irianto
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2015.7.1.3

Abstract

Seni lukis pernah menjadi medium bagi perkembangan dan kemajuan seni rupa. Namun setelah Narasi Besar ditinggalkan, praktek seni lukis tidak lagi berjalan berdasarkan narasi atau paradigma tertentu. Seni lukis sekarang berjalan tanpa paradigma tunggal, dilakukan dengan membangun narasi subject matter individual, dan menjadi salah satu faktor produksi dalam seni rupa kontemporer. Kemajuan sekarang ditemukan pada gerak maju proses kerja melukis atau produktifitas penciptaan lukisan (yang berhubungan dengan rekognisi dan demand terhadap praktek tersebut). Karya ini mempersoalkan 'kemajuan' yang terjadi pada praktek seni lukis sekarang, dengan 'membalik' kerja tiga orang pelukis yang berada di tengah mekanisme produksi-konsumsi seni rupa kontemporer: Radi Arwinda, R.E. Hartanto, dan J.A. Pramuhendra. Dengan persetujuan yang mereka berikan, kerja melukis mereka 'dibalik', dengan melabur lukisan mereka sampai kembali menjadi kanvas kosong. Narasi reverse hadir dalam video rekaman proses melabur yang diproyeksikan ke lukisan yang sudah menjadi kanvas kosong. Proses ini bisa dilihat sebagai perjalanan mencapai 'kanvas kosong' yang menggambarkan kepenuhan potensi dalam seni lukis, yang terbuka bagi kerja dan persepsi yang di-'proyeksi'-kan kepadanya.Kata kunci: kemajuan seni; kerja melukis; narasi; penciptaan seni; proyeksi; reverse.Reverse Narrative for the Advancement of ArtPainting was once become a medium for the development and advancement of the art world. However, after the Big Narrative being left, the practice of painting is no longer running by a particular narration or paradigm. Painting now practiced without any single paradigm, it is done by constructing a narrative of individual subject matter, and became one of the production factors in contemporary art. The progress is now found on forward movement of the painting working process or painting creation productivity (which is related to the recognition and demand for such practices). This work questioned the 'progress' that occurs in the practice of painting nowadays, by 'reversing' the work of three painters who were in the middle of the contemporary art production-consumption mechanism: Radi Arwinda, R.E. Hartanto, and J.A. Pramuhendra. With the approval from them, they gave their painting 'reversed', by whitewashing them to get back into a blank canvas. Reverse narrative present in the video that recorded the whitewashing process and then projected onto the painting that had become a blank canvas. This process can be seen as a way to achieving 'blank canvas' that illustrates the potential fullness in painting, which is open for labor and perception projected onto them.Keywords: progress in art; painting labor; narrative; art creation; projections; reverse.
Restoring a Burnt Heritage PTPN X Building in Surabaya Theresia Ratna Darmiwati
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2015.7.1.1

Abstract

The archipelago of Indonesia has lots of historical buildings that were built during the Dutch colonization era, which lasted for approximately 350 years.  In 2011, there were 167 colonial architectural buildings in Surabaya city [1].  Due to their importance to the city as testimony of the history of Surabaya, and are a way to develop heritage tourism in Surabaya, the city government must preserve them.  A thorough research study has been done to support the city government in restoring a heritage building called PT Perkebunan Nusantara X (PTPN X).  It is a state-owned agricultural business office located at Jalan Jembatan Merah, Surabaya, and located among other historical sites. The PTPN X building was burnt down in 2005 with a damage level of about 60%.  In order to be able to build a new one with the original design of its past European architecture and details of its historical relics, the restoration acts require intensive consultations with many people such as the PTPN X employees, academic experts from Institute of Technology Sepuluh Nopember (ITS) and the city's cultural heritage experts who know all about it. In this paper, the approaches and final outcome of the building restoration will be described in greater detail. Keywords: colonial architectural building; heritage building restoration; tourism and education; PTPN X.
Incorporation And Exploration Of Local Imageries And Identities In Malaysia's Graffiti Art Sarena Abdullah; Norshahidan Mohamad
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2015.7.1.4

Abstract

The production of graffiti art in Malaysia can be traced back to the late 1990's. Since then, graffiti art has beenembraced by local municipalities as well as the National Visual Art Gallery (NVAG) in their public programming and activities. Despite these positive developments, how the local graffiti artists infused local imageries and indentities in their work had not been examined. The parallels between graffiti art practices and the development of modern art in Malaysia, made the emergence of forms  and themes that reflect local identity in graffiti art  not a surprise, as these were also the inherent issues explored by local artists in the domain of fine arts. This paper hence, discusses the different approaches taken by Malaysia's graffiti artists, how they incorporate and explored their visual ideas rooted in hip hop culture and the New York City Subway graffiti, with local imageries and identities. This paper will also discuss the history and background of Malaysia's graffiti art as well as how Malaysian graffiti artists employedvarious local imageries and identity.Keywords: graffiti art; local identities; Malaysian graffiti art; urban culture.
Design Criteria in Revitalizing Old Warehouse District on the Kalimas Riverbank Area of Surabaya City Endang Titi Sunarti Darjosanjoto; Setyo Nugroho; R.Winton Danardi
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2015.7.1.5

Abstract

Neglected warehouse buildings along the Kalimas River have created a poor urban façade in terms of visual quality. However the city government is planning to encourage tourism activities that take advantage of Kalimas River and its surrounding environment. If there is no good plan in accordance with the concept of local identity for old city of Surabaya, it will reduce it as a tourist attraction. In reference to the issue above, design criteria needs to be compiled for revitalizing the old warehouse district, which is expected to revive the identity of this district and be able to support the city's tourism. This study was conducted by recording field observations, and the data was analyzed using the character appraisal method. The character appraisal analysis method is presented in the form of street picture data, which is divided into determined segments. The results show that there are five components including place attachment, sustainable urban design, green open space design, ecological riverfront design, and activity support that should be considered in the revitalization of the warehouse district. Those components are divided into two parts: building and open space at the riverbank. There are 13 design criteria for building at the riverbank, while there are 14 design criteria for open space at the riverbank. These design criteria can enrich the warehouse district's revitalization by improving the visual quality of the urban environment.Keywords: design criteria; warehouse district; riverbank; Surabaya; revitalization.
Cover Vol. 7 No. 1, 2015 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Front Matter Vol. 7 No. 1, 2015 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Back Matter Vol. 7 No. 1, 2015 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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