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Prasetyo Adhitama
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Journal of Visual Art and Design
Published by Institut Teknologi Bandung
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Arts Humanities
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 8 Documents
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Search results for , issue "Vol. 7 No. 2 (2016): Journal of Visual Art and Design" : 8 Documents clear
Issues and Problems in Malaysian Contemporary Visual Arts Mohamad Faizuan Mat; Mohamad Nasir Baharuddin
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2016.7.2.4

Abstract

In Malaysia, there is a question in term of intellectualism activities in the context of visual epistemology. Therefore, this paper revealed the problems that linger in the Malaysian contemporary visual art scene. In fact, Malaysian contemporary artists appear to have insufficient intellectualism values and less discourse activities. The lacks of scholars in the field of visual arts create a gap in the visual arts scene in Malaysia. The question of this study was to uncover the main problems in Malaysian visual arts that led to the problem of art intellectual development. In addition, this paper presents the awareness of the valuable contributions in the intellectual development that able to enhance the communication in the art object.Keywords: art knowledge; art object; contemporary art; interpretation; perception;
Ragam Hias “Sepak Bola” pada Pakaian Batik: Antara Komodifikasi dan Estetika Michael H.B. Raditya
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2016.7.2.5

Abstract

Dewasa ini, perkembangan batik semakin masif dalam keberadaannya. Di satu sisi eksistensinya semakin terjaga, di sisi lain terjadi perubahan pada batik. Dua tahun terakhir, Pakaian Batik dengan ragam hias sepak bola muncul, dan menjadi komoditas lain oleh para perajin batik. Kemunculan batik cetak dengan ragam hias sepak bola ini turut memancing pro dan kontra dalam keberadaannya. Persoalan estetika dan komodifikasi muncul terkait tujuan dari perubahan ini. Terlebih mempertanyakan esensi dan eksistensi dari batik tersebut. Pada artikel ini, pakaian batik dengan ragam hias sepak bola akan ditelaah berdasarkan esensi dan perubahan. Pembahasan esensi pada batik akan ditelaah dengan estetika dan komodifikasi. Hal ini dimaksudkan untuk melihat esensi dari ragam hias sepak bola pada batik tersebut. Telaah yang didapat, bahwasanya pada batik ragam hias sepak bola lebih mengedepankan komodifikasi dibanding estetika batik itu sendiri. Telaah ini menjadi refleksi terhadap masyarakat atas batik secara khusus, dan seni secara umum. Kata kunci: batik; sepak bola; perubahan; komodifikasi; estetika. “Football” Patterns on Batik Shirts: Between Commodification and Aesthetic Nowadays batik is going through a massive development in its existence. On the one hand its position has become stronger, but on the other hand its character is changing. About two years ago, a batik football pattern gained popularity and was adopted as a commodity by batik artisans. The football pattern had positive and negative effects on batik. Issues of aesthetics and commodification emerged as a result of this development. Moreover, it put the essence and character of batik itself into question. In this research, the batik football pattern was investigated in relation to the essence of batik and the way it has been affected. The essence of batik was particularly analyzed from the perspective of its aesthetics and commodification, with the aim to find out how they were influenced by the football pattern. The conclusion of the research was that the batik football pattern has put more emphasis on the commodification of batik in stead of its aesthetics. This analysis shows how batik specifically and art in general are influenced by society. Keywords: batik; football; changed; commodification; aesthetic.
Kain Songket Palembang dengan Penerapan Teknik Batik sebagai Produk Fesyen Nadina Sukma Salim
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2016.7.2.2

Abstract

Minimnya perkembangan motif Songket Palembang dan menghadapi kemunculan 'songket' mesin yang harga jualnya jauh lebih murah membuat beberapa pengrajin tenun songket asli menggunakan material alternatif, seperti sutera campuran, benang emas campuran, dan lain-lain untuk tetap bertahan. Semaraknya tren batik di Indonesia sejak UNICEF menetapkan batik sebagai warisan tak benda asli Indonesia, namun banyak masyarakat dalam dan luar Palembang yang tidak kenal dengan Batik Palembang. Kenyataannya, karena ketidakpahaman ini dan karena sisi ekonomis menyebabkannya sebagian masyarakat terpaksa memilih tekstil hasil industri pabrik dibanding karya asli daerah. Akhirnya, kepentingan untuk mempopulerkan motif batik Palembang yang mulai terlupakan juga menjadi kepentingan penelitian ini, selain kebutuhan akan variasi baru kreasi kain Songket Palembang. Hubungan dengan Cina dan India memberikan pengaruh dalam beberapa ragam hias dan warna pada kain Songket Palembang. Kesultanan Palembang Darussalam membeli benang emas dari Cina untuk ditenun menghiasi Songket Palembang sebagai pakaian  mewah kalangan bangsawan wanita. Berdasarkan kuantitas benang dan motif yang diterapkan di dalamnya, kain songket berbeda bagi golongan penggunanya. Diketahui, sebagai komoditi dagang dari Jawa, batik juga dikenakan oleh masyarakat Palembang. Motif-motif tertentu digemari dan menjadi ciri khas motif Palembangan hingga kini. Batik Palembang tidak dibuat di Palembang melainkan di Pesisir Jawa. Oleh karena itu, motifnya merupakan paduan ragam hias flora fauna Palembang dan corak songket selain motif India dan daerah pembuatnya. Akhirnya, salah satu solusi yang ditawarkan untuk keragaman variasi ini adalah menerapkan teknik batik di atas permukaan kain Songket Palembang sebagai salah satu cara menghias permukaan kain. Penerapan ini dapat dilakukan karena kain terbuat dari benang sutera alam. Menggunakan mode kualitatif, data-data didapat melalui literatur, wawancara dan observasi non partisipatoris di tempat pengrajin songket dan batik. Menggunakan metode triangulasi data didukung pendekatan berbagai disiplin terkait untuk menghasilkan karya eksperimentatif, penelitian ini bertujuan untuk memberikan variasi baru pada kain Songket Palembang dengan penerapan teknik batik di atasnya, sebagaimana belum pernah ada yang pernah melakukan hal seperti ini sebelumnya. Proses berkarya dimulai dari perancangan yang mengangkat motif-motif batik Palembang mengikuti estika karya Palembang yang repetitif dan geometris terukur. Hasilnya teknik batik dapat diterapkan di atas permukaan kain songket dengan memperhatikan jenis pewarna batik yang cocok untuk selanjutnya diterapkan sebagai produk fesyen. Kata Kunci: Batik Palembang; penerapan; ragam hias; Songket Palembang; variasi. Kain Songket Palembang with Batik Technique Implementation for Fashion ProductLess variation on motifs and facing the low cost production of machine woven Songket has make the Songket Palembang crafters are trying to use alternative materials, like synthetic silk, cheap threads et cetera. In the middle of the batik trend in since UNICEF announced Batik as intangible heritage from Indonesia, many people inside and outside Palembang do not know about what is Batik Palembang. Sadly, lack of knowledge about this, the community tends to choose machine woven textiles upon their own traditional folk art such as hand woven textiles. Therefore, reintroducing Palembang batik that is almost forgotten and the need for a new variation in kain Songket Palembang creation become one of the goals in this research. Songket has influences from China and India especially its color and motifs. A rich city as Palembang in the past has made its Kingdom can afford to buy gold threads from China to decorate Songket as the cloth for their royal women costume. The users are ranked divided to its quality and the motifs of the Songket. At the same time, batik is also used by Palembang citizens for it was known as trading matters. The Palembangan motifs had a lot of absorbance from not only floral and animals of Palembang, songket motifs, but also from Indian and places where they are made in Pesisir Jawa. One of the solutions offer is by implementing batik technique upon kain Songket Palembang. As an act of decorating cloth surface, this technique is surely can be done for this textille is made of silk thread. Using a qualitative mode, the data were collected through literatures, interviews and non-participate observation at Songket Palembang and Batik crafters' studios. With multidiscipline approaches for inspiration in creating the artworks, the datas were united for their analysis. The artwork process began by researching the aesthetical matters from Palembang to the designs for developing Batik motifs. The result is Batik technique can be implemented to the Songket survace with the adequate batik dyeing technique into become a suitable fashion product. Aiming to give a new variation, this will give a new look on Songket Palembang which none has ever done it before. Keywords: Batik Palembang; implementation; ornaments; Songket Palembang; variations.
Cross Sectional Attitudes of Public Sculpture Matrix in Southwestern Nigeria Moses Akintunde Akintonde
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2016.7.2.1

Abstract

Public outdoor sculpture practice in the Southwestern Nigeria entails different types of attitudes. These attitudes are discernable from the stage of commissioning of work, its conceptualization to the display and uses in the public sphere generated diverse fundamental, constant technical issues. Some are explicitly alluring while others are absurd, fleeting and injurious to the practice. However, whatever attitude advanced in the public outdoor sculpture practice, it has not been discussed cross sectionally. The inadequate scholarship attention on the attitudinal issues in outdoor sculpture certainly created art historical gap apt to make the study of contemporary Nigeria art incoherent. Apparently, attitudinal studies certainly involve psychological measurement - a type of instrument that does not required descriptive survey. For this reason, the study was based on qualitative methods. The study categorised various attitudes in outdoor sculpture practice in the studied area into pre-unveiling, unveiling and post unveiling stages and critically examined them. Some attitudes in the practice of the art were observed to be stimulant for advancement; invariably others are clearly incongruous to the spirit of typical Yoruba societal value orientation in orderliness, therefore degrading and detrimental to the development of the outdoor sculpture in the public sphere.Keywords: Art patron; cross sectional attitude; outdoor sculpture; post-unveiling; pre-unveiling; public art; Southwestern Nigeria; unveiling.
Socio-Psychological Impact of Outdoor Sculptures in Nigeria Urban Cities Allan Francis Ebunola Oladugbagbe
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2016.7.2.3

Abstract

One major element that finds expression at road intersections, parks, gardens, square and open spaces in the urban landscape are outdoor sculptures. Of great significance is the historical information they disseminate, the visual impressions they convey and the aesthetic value they add to the quality of the city. From 1960s and after the civil war, the uses of sculptures for embellishments in public places have increased tremendously in Nigeria. However, outdoor sculpture for the purpose of recreation and relaxation in our built environment has not been adequately addressed scholastically in Nigeria. This paper, therefore, focuses on the social values derivable from the use of sculpture in urban design and the losses that could accrue to the social system if not adequately managed. The values of these sculptures to the socio-psychological development of Nigerians and the beautification of the urban environment are equally emphasized. The study shows that incorporating sculptures into public places without doubt will heighten public appreciation and aesthetic perception and make Nigerian cities unique and vibrant.Keywords: Nigeria urban cities; socio-psychological impact; outdoor sculptures.
Cover Vol. 7 No. 2, 2016 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Front Matter Vol. 7 No. 2, 2016 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Back Matter Vol. 7 No. 2, 2016 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 7 No. 2 (2016): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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