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INDONESIA
Jurnal Arbitrer
Published by Universitas Andalas
ISSN : 23391162     EISSN : 25501011     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
ARBITRER Jurnal Masyarakat Linguistik Indonesia, merupakan jurnal ilmiah yang menyajikan artikel orisinil tentang pengetahuan dan informasi penelitian atau aplikasi penelitian dan pengembangan terkini dalam bidang ilmu bahasa (linguistik). Jurnal ini merupakan sarana publikasi dan ajang berbagi informasi keilmuan terkait dan pengembangannya di bidang humaniora khususnya linguistic, yang diterbitkan oleh program studi Linguistik Unand. Pemuatan artikel di jurnal ini dialamatkan ke alamat editor. Informasi lengkap untuk pemuatan artikel dan petunjuk penulisan artikel tersedia di dalam setiap terbitan. Artikel yang diterbitkan telah melalui proses seleksi oleh editior dan reviewer. Jurnal ini terbit secara berkala sebanyak dua kali dalam setahun (April dan Oktober). Artikel yang lolos seleksi akan dipungut biaya guna keberlanjutan jurnal, sedangkan pengiriman naskah tidak dipungut biaya. Diharapkan ARBITRER Jurnal Masyarakat Linguistik Indonesia cabang Universitas Andalas dengan tampilan baru ini akan terbit berkelanjutan dan terakreditasi.
Arjuna Subject : -
Articles 11 Documents
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Search results for , issue "Vol. 12 No. 3 (2025)" : 11 Documents clear
Visual and Verbal Rhetoric in Islamicate Manuscripts: A Semiotic and Multimodal Perspective Khadjimetov, Bekhzod B.; Madraimov, Abdumadjid; Djumaniyazov, Shixnazar; Kalbaeva, Maftuna Kh.; Rakhmatullaeva, Asalkhon G.; Askarova, Zilola A.
Jurnal Arbitrer Vol. 12 No. 3 (2025)
Publisher : Masyarakat Linguistik Indonesia Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/ar.12.3.437-451.2025

Abstract

This article presents a series of reflections on the visual and verbal rhetoric of Baburite art, with a particular emphasis on the interplay between visual and textual elements in Islamicate manuscripts. It particularly critiques the semiotic and multimodal methods employed to decipher the artistic customs of the period, specifically the reign of Zahiruddin Muhammad Babur and his descendants. The work offers a psychological analysis of miniatures, calligraphy, and inscriptions as powerful rhetorical tools to disseminate the imperial message, establishes cultural and national identity through their connection with various religions, and fosters political legitimacy. The paper itself also highlights Babur’s impact on the evolution of Indian painting, particularly his role in importing Persian and Central Asian art practices that would meld with regional styles in India to form a distinct Mughal visual culture. As a result of cultural hybridity, Babur’s artistic contribution informed the art direction of Mughal viceroys for their visual and literary narratives. This article highlights several key themes, including Persian, Central Asian, and Indian influences, and focuses on the significance of considering Baburite art as a vehicle for artistic representation and propaganda. The paper advocates for a more unified approach to considering Baburite art as a simultaneous cultural expression and imperial communication.

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