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INDONESIA
IJCAS (International Journal of Creative and Arts Studies)
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 13 Documents
Search results for , issue "Vol 1, No 2 (2014): December 2014" : 13 Documents clear
Combinatorial Principle in the Use of Drum (Kendhang) Formulae in Gamelan Music of Yogyakarta. From Prescriptive Models to the Interpretation of a Composition: the Case of Kendhang Pinatut. Luca Pietrosanti
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1558

Abstract

In this paper, I address the question to the use of drums (kendhang) in the traditional Gamelan music of Yogyakarta, by presenting some prescriptive models (or formulas). I illustrate how, the use of different prescriptive models in a composition follow what I labeled as “Combinatorial Principle”. In order to describe the essential elements of this principle, I will analyze the modalities of interaction between a very flexible drum formula (known as pinatut) and three other prescriptive models for drum within some exemplary pieces of traditional Gamelan music. The concept of combinatorial principle illustrated in these pages, on the one hand explains the way of interaction between the drum’s rhythmic formulas and their capacity to influence the choices made by the entire orchestra during a performance; on the other hand, through this principle we are able to trace a path that attempts to understand the “deep structures” that are the basics of making music in Gamelan tout court. Through the perspective of the combinatorial principle it is possible to analyze the prescriptive models and techniques of many other instruments of the Gamelan of central Java.
New Research on Indonesian Traditional and Contemporary Arts: An Exchange Between Indonesian and Italian Perspectives Djohan Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.2069

Abstract

The Pleasure of Research, Helsinki: Finnish Academy of Fine Arts by Slager, H. (2012) Barbara Bolt
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.2068

Abstract

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