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IJCAS (International Journal of Creative and Arts Studies)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 5 Documents
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Search results for , issue "Vol 10, No 2 (2023): December 2023" : 5 Documents clear
Binaural Audio and 360 Video: Immersive Method of Preserving Banten's Culture and History Jason Obadiah
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 2 (2023): December 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i2.9460

Abstract

Visual media is an easy-to-use medium for documenting events, discoveries, and even the culture of a particular country. It's different with audio media, where audio media is very difficult to describe something like a culture without someone having had experiences related to that culture. Binaural audio is an audio system where the system allows a person to record audio that can represent the auditory results of the ear organs. If a person is presented with a binaural audio of a cultural performance, then the audio can simulate a person's perception as if he is at that cultural performance. Over time, the preservation of culture and history is needed so that Indonesian culture and history remain known in this increasingly modern era. The combination of visual media such as 360 Video with binaural audio media is expected to attract people to be more curious about Indonesian culture and history and appreciate it more as well as open the possibility for people with disability to experience the historical location through 360 video or Virtual Reality. This research is a means to documenting and preserve the Chinese Indonesian shrine across Indonesia’s island starting from Banten province.Binaural Audio dan Video 360: Metode Imersif Melestarikan Budaya dan Sejarah Banten Abstrak Media visual adalah media yang mudah digunakan untuk mendokumentasikan peristiwa, penemuan, dan bahkan budaya suatu negara tertentu. Berbeda dengan media audio, di mana media audio sangat sulit untuk menggambarkan sesuatu seperti budaya tanpa seseorang memiliki pengalaman yang berkaitan dengan budaya tersebut. Audio binaural adalah sistem audio di mana sistem tersebut memungkinkan seseorang untuk merekam audio yang dapat mewakili hasil pendengaran organ telinga. Jika seseorang disajikan dengan audio binaural dari pertunjukan budaya, maka audio tersebut dapat mensimulasikan persepsi seseorang seolah-olah dia berada di pertunjukan budaya itu. Seiring berjalannya waktu, pelestarian budaya dan sejarah sangat dibutuhkan agar budaya dan sejarah Indonesia tetap dikenal di era yang semakin modern ini. Kombinasi media visual seperti 360 Video dengan media audio binaural diharapkan dapat menarik minat masyarakat untuk lebih penasaran dengan budaya dan sejarah Indonesia dan lebih mengapresiasinya serta membuka kemungkinan bagi penyandang disabilitas untuk merasakan lokasi bersejarah tersebut melalui video 360 atau Virtual Reality. Penelitian ini adalah sarana untuk mendokumentasikan dan melestarikan kuil Cina Indonesia di seluruh pulau Indonesia mulai dari provinsi Banten.
Family Photography as Object and Practice in Independent Comics in Indonesia Terra Bajraghosa; Budi Irawanto; Seno Gumira Ajidarma
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 2 (2023): December 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i2.11166

Abstract

One small element that is rarely put in the comics’ scene setting is photographic imagery, commonly a portrait of a person or a family photograph. It is assumed that once a family photograph is presented in a comic, it definitely has a particular function. This study will examine how the family photograph as an object and practice is depicted and present the signification of the story meaning in independent comics. The research object is a drawing that represents a family photograph in a panel, or series of panels – consecutive or non-consecutive -in the independent comic "Pupus Putus Sekolah" (2022) and “Phagia” (2016) as the case study. This research uses a comic studies approach based on qualitative methods. The first analysis process is to pay attention to the presence of family photographic images in comic stories. In the following analysis stage, family photographs are treated as an object defined by social practices based on a semiological/discursive approach, especially the Doing Family Photography approach introduced by Gillian Rose. The study revealed that photographic images in independent comics were shown using the same artistic drawing style as the characters and objects in the story. The inclusion of family photographs in comics aims to present a portrayal of the 'evidence,' 'truth,' and 'indexicality' as the genuine authenticity of the photographed moments in photography while also serving as a symbolic picture in storytelling. The readers' comprehension of the indexical nature of the family photograph is inherently linked to the manner in which the photographic imagery is portrayed and organized with other elements in the sequential composition of comics.Foto Keluarga sebagai Objek dan Praktik dalam Komik Independen di Indonesia Abstrak Salah satu elemen kecil yang jarang dimasukkan ke dalam adegan komik adalah citra fotografi, biasanya potret seseorang atau foto keluarga. Diasumsikan jika foto keluarga disajikan dalam komik, pasti memiliki fungsi tertentu. Penelitian ini akan mengkaji bagaimana foto keluarga sebagai objek dan praktik digambarkan dan menyajikan signifikasi makna cerita dalam komik independen. Objek penelitian adalah gambar yang merepresentasikan foto keluarga dalam sebuah panel, atau rangkaian panel—berurutan atau tidak berurutan—dalam komik independen "Pupus Putus Sekolah" (2022) dan "Phagia" (2016) sebagai studi kasus. Penelitian ini menggunakan pendekatan studi komik berdasarkan metode kualitatif. Tahap analisis pertama adalah memperhatikan citra fotografi keluarga dalam cerita komik. Pada tahap analisis berikutnya, foto keluarga diperlakukan sebagai objek yang didefinisikan oleh praktik sosial, berdasarkan pendekatan semiologis/diskursif, terutama pendekatan Doing Family Photography yang diperkenalkan oleh Gillian Rose. Studi ini mengungkapkan bahwa gambar fotografi dalam komik independen ditampilkan menggunakan gaya gambar yang sama dengan karakter dan objek dalam cerita. Pencantuman foto keluarga dalam komik bertujuan untuk menyajikan penggambaran 'bukti', 'kebenaran', dan 'indeksikal' sebagai keaslian asli dari momen yang difoto dalam fotografi sekaligus berfungsi sebagai gambaran simbolis dalam bercerita. Pemahaman pembaca tentang sifat indeksikal foto keluarga secara inheren terkait dengan cara di mana citra fotografi digambarkan dan diatur dengan unsur-unsur lain dalam komposisi komik yang berurutan.
Portrayal of Difficult Topics in Indonesian Crossover Picturebook's Illustrations Refita Ika Indrayati
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 2 (2023): December 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i2.11254

Abstract

Over the past decade, Indonesian picturebook industry has experienced rapid growth, offering an increasingly diverse range of topics for young readers. This diversity has given rise to a new genre of children’s books known as crossover picturebook, which are inclusive narrative form that transcends age limits. This reasearch sought to understand how difficult topics for children are portrayed in this new genre of picturebook. Forty-eight samples of picturebook which contains cross-generational aspects were taken from different categories, including government, non-profit organizations involved in children's education in Indonesia, and award-winning commercial books. All of these samples covered challenging subjects such as cultural differences, disabilities, environmental changes, physical and mental health, death, and social issues. The findings revealed that difficult topics are illustrated using Metaphors and layout compositions such as characters, settings, and activities that divert readers from challenging subjects are strategies employed by illustrator to soften images.Penggambaran Topik Sulit dalam Ilustrasi Buku Anak Lintas-Generasi di Indonesia Abstrak Industri buku cerita anak Indonesia terus mengalami perkembangan yang pesat dalam satu dekade terakhir. Topik-topik yang ditawarkan juga semakin beragam, mulai dari yang cukup mudah hingga yang kompleks. Keberagaman topik ini memunculkan satu genre buku anak baru yaitu buku anak lintas generasi yang merupakan media anak inklusif yang menembus batas umur pembacanya. Penelitian ini berusaha untuk mengungkap bagaimana topik sulit untuk anak diilustrasikan dalam media buku cerita lintas generasi di Indonesia. Sampel ilustrasi diambil dari 48 buku cerita anak dari tiga kategori penerbit; pemerintah, organisasi nirlaba yang bergerak dalam edukasi anak, dan buku komersial yang memenangkan penghargaan. Seluruh sampel buku mengandung muatan topik sulit spesifik seperti perbedaan kultur, disabilitas, perubahan lingkungan hidup, kesehatan jasmani dan rohani, kematian serta isu sosial. Temuan dari analisis mengindikasikan ilustrator Indonesia masih menggunakan pendekatan tidak langsung ketika menggambarkan adegan dengan topik sulit. Adanya penghalusan ilustrasi dengan cara metafora dan komposisi objek seperti penempatan karakter, aktivitas, dan setting membantu mendistraksi pembaca saat menjabarkan topik sulit.
Open Observing Users to Gain Insight in Lanna Mural Paintings with Responsive Website for Education Tawipas Pichaichanarong
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 2 (2023): December 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i2.9235

Abstract

One of the major effects of Covid-19 upon the entire world from December 2019 onwards were the severe restrictions placed upon global and domestic movements. Adhering to lockdown measures, most individuals around the world were unable to travel, either within their own country or abroad. However, during this unprecedented period, the researcher addressed the issue and devised an alternative opportunity for those wishing to visit the temple Wat Phumin in Nan province, Thailand based on previous research. The outcome was funded by the Office of Contemporary Art and Culture (OCAC), Thailand in 2017 to develop Lanna mural paintings and the narratives they depicted into moving images, with the focus on the tales of the Jataka (a body of literature relating to the Buddha’s previous lives). In addition to using the findings of previous research in this study, the researcher designed for use the images of Lanna mural paintings and the moving images of the Jataka tales of Khatthana Kumara Jataka and Nimi Jataka in cooperation with responsive websites to gain a better understanding of Lanna mural paintings at Wat Phumin in Nan province through different platforms. In addition, in the context of distance education design, the use of responsive websites to facilitate the exploration and understanding of Lanna mural paintings at Wat Phumin presents a unique and innovative approach. For methodology, open observation and qualitative study were used by interviewing selected participants.This research study has determined that responsive websites are an effective alternative tool for individuals worldwide to explore and deepen their understanding of Lanna mural paintings at Wat Phumin in Nan province. The accessibility of these websites has become especially valuable during a period of limited travel and restricted mobility experienced in recent years. By utilizing responsive websites, visitors can now gain valuable insights into the rich artistic heritage of Lanna mural paintings, transcending physical limitations and geographical boundaries. This educational resource opens up new avenues for cultural exploration and promotes global appreciation of Wat Phumin's remarkable artistic treasures.Pengguna Observasi Terbuka untuk Menambah Wawasan Lukisan Mural Lanna dengan Web Responsif untuk Edukasi Abstrak Salah satu dampak besar Covid-19 terhadap seluruh dunia mulai bulan Desember 2019 dan seterusnya adalah pembatasan ketat terhadap pergerakan global dan domestik. Karena penerapan lockdown, sebagian besar orang di seluruh dunia tidak dapat melakukan perjalanan, baik di dalam negeri maupun ke luar negeri. Namun, selama periode yang belum pernah terjadi sebelumnya ini, peneliti mengatasi masalah tersebut dan merancang peluang alternatif bagi mereka yang ingin mengunjungi kuil Wat Phumin di provinsi Nan, Thailand berdasarkan penelitian sebelumnya. Hasil penelitian ini didanai oleh Kantor Seni dan Budaya Kontemporer (OCAC), Thailand pada tahun 2017 untuk mengembangkan lukisan mural Lanna dan narasi yang digambarkannya ke dalam gambar bergerak, dengan fokus pada kisah Jataka (kumpulan literatur yang berkaitan dengan kehidupan Buddha sebelumnya). Selain menggunakan temuan penelitian sebelumnya dalam penelitian ini, peneliti merancang untuk menggunakan gambar lukisan mural Lanna dan gambar bergerak kisah Jataka Khatthana Kumara Jataka dan Nimi Jataka bekerja sama dengan website responsif untuk mendapatkan pemahaman yang lebih baik tentang Lukisan mural Lanna di Wat Phumin di provinsi Nan melalui berbagai platform. Selain itu, dalam konteks perancangan pendidikan jarak jauh, pemanfaatan website responsif untuk memudahkan eksplorasi dan pemahaman lukisan mural Lanna di Wat Phumin menghadirkan pendekatan yang unik dan inovatif. Untuk metodologi, observasi terbuka dan studi kualitatif digunakan dengan mewawancarai partisipan terpilih. Studi penelitian ini menentukan bahwa situs web responsif adalah alat alternatif yang efektif bagi individu di seluruh dunia untuk mengeksplorasi dan memperdalam pemahaman mereka tentang lukisan mural Lanna di Wat Phumin di provinsi Nan. Aksesibilitas situs web ini menjadi sangat berharga selama periode terbatasnya perjalanan dan terbatasnya mobilitas yang dialami dalam beberapa tahun terakhir. Dengan memanfaatkan situs web responsif, pengunjung kini dapat memperoleh wawasan berharga tentang kekayaan warisan seni lukisan mural Lanna, yang melampaui keterbatasan fisik dan batas geografis. Sumber daya pendidikan ini membuka jalan baru untuk eksplorasi budaya dan mempromosikan apresiasi global terhadap kekayaan seni Wat Phumin yang luar biasa.
Leila Ahmed’s A Border Passage (2012) and Nawal Saadawi’s A Doctor’s Memoir (2012) as a Model of Creative Nonfiction Walid Abdallah
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 2 (2023): December 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i2.11020

Abstract

Memoir is a creative literary device of recording memories that can generate narrative immersion because of their aesthetic and literary techniques. Memoirs are written in a figurative language tackling real life experience, they are also a form of creative nonfiction which represents a real-life event in a literary style. This study focuses on memoirs as a form of nonfiction recently gaining more interest among writers and expanding in publication arena. Moreover, it aims at illustrating two important aspects: how creative nonfiction has the same narrative and dramatic effect as fiction, though it differs from it, and how Leila Ahmed’s A Border Passage (1999) and Nawal Saadawi’s A Doctor’s Memoir (2012) employ literary techniques in their memoirs to convey their messages in a compelling creative style. The two works are tackled from a postcolonial ecocritical perspective which illustrates the far-reaching effect of both colonization and environment on the shaping of the two writers’ awareness and ideology.A Border Passage karya Leila Ahmed (2012) dan Memoar Seorang Dokter Karya Nawal Saadawi (2012) Sebagai Model Nonfiksi Kreatif Abstrak Memoar adalah perangkat sastra kreatif untuk merekam kenangan yang dapat menghasilkan narasi yang mendalam karena teknik estetika dan sastranya. Memoar ditulis dalam bahasa kiasan yang membahas pengalaman kehidupan nyata, juga merupakan bentuk nonfiksi kreatif yang merepresentasikan peristiwa kehidupan nyata dalam gaya sastra. Kajian ini berfokus pada memoar sebagai salah satu bentuk nonfiksi yang akhir-akhir ini semakin banyak diminati oleh para penulis dan semakin meluas dalam kancah publikasi. Selain itu, artikel ini bertujuan untuk mengilustrasikan dua aspek penting: bagaimana nonfiksi kreatif memiliki narasi dan efek dramatis yang sama dengan fiksi, meskipun berbeda dari fiksi, dan bagaimana A Border Passage (1999) karya Leila Ahmed dan A Doctor's Memoir (2012) karya Nawal Saadawi menggunakan karya sastra. teknik dalam memoar mereka untuk menyampaikan pesan mereka dalam gaya kreatif yang menarik. Kedua karya ini diambil dari perspektif ekokritik pascakolonial yang menggambarkan dampak luas kolonisasi dan lingkungan terhadap pembentukan kesadaran dan ideologi kedua penulis.

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