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All Journal Jurnal Ragam Pengabdian
Mochammad Usman Wafa
Music Art Education, Semarang State University
Environmental Science Social Sciences Other

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Implementation of a Virtual Acoustic Room in the Digital Music Mixing Process Noval Ardhian Pranata; Mochammad Usman Wafa
Jurnal Ragam Pengabdian Vol. 3 No. 1 (Spesial Issue) (2026): "Dharma Samudera"
Publisher : Lembaga Teewan Journal Solutions

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/mh9zte16

Abstract

Advancements in digital technology have driven a shift in music production from physical studios toward Digital Audio Workstation (DAW)–based production supported by virtual acoustic rooms capable of digitally simulating spatial characteristics. This phenomenon enables the engineering of spatial perception, depth, and sound quality without reliance on real acoustic spaces, while also supporting production efficiency, the formation of sonic identity, and the integration of traditional and modern electronic music. This study employs a descriptive qualitative approach with a case study method to examine the application of virtual acousticrooms in the digital music mixing process, with the research subjects consisting of works by Enggar Ardiandi and a comparative mixing result of the song Melangkah by audio practitioner Ridho. Data were collected through literature review, work analysis, observation of the mixing process, and evaluations by listeners and practitioners, then analyzed descriptively and analytically by linking field findings with relevant theories, while data validity was ensured through source triangulation. The results indicate that the application of virtual acoustic rooms in the works of Enggar Ardiandi and Ridho positions virtual reverb as a primary element in shaping spatial perception, depth, and sonic cohesion in digital music mixing, with a comprehensive and immersive approach in Enggar’s work and a selective and controlled approach in Ridho’s work, underscoring the flexibility of this technology in accommodating aesthetic needs, workflow efficiency, and overall audio quality enhancement.
Internalization of Islamic Da'wah Values through Sholawatan in the Kresendo Drumblek Art Performance in Kaliwungu, Kendal Regency Muhammad Maftuh Ahnan Al Mimbar; Mochammad Usman Wafa
Jurnal Ragam Pengabdian Vol. 3 No. 2 (2026): Mei-Agustus, Sustainable Development Goals (SDGs): Multidisciplinary Perspectiv
Publisher : Lembaga Teewan Journal Solutions

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/61jwwg24

Abstract

The Drumblek Kresendo art performance in Kaliwungu, Kendal Regency combines drumblek percussion rhythms with the chanting of sholawatan, creating a performance that serves as a medium for conveying Islamic da'wah values to the community. This study aims to examine the process of internalizing Islamic da'wah values through sholawatan within the Drumblek Kresendo performance art. The research employed a qualitative approach with a descriptive design. Data were collected through observation, interviews with group leaders, performers, and audience members, as well as documentation, and were analyzed through data reduction, data presentation, and conclusion drawing using source and technique triangulation. The findings indicate that sholawatan in drumblek performances functions as a form of cultural da'wah that internalizes religious values through the introduction of values via sholawat chanting, community participation in sholawatan activities, the appreciation of collective religious experiences, and the reinforcement of the religious identity of the Kaliwungu community through performance practices in various religious and cultural events.
Co-Authors Muhammad Maftuh Ahnan Al Mimbar Noval Ardhian Pranata