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All Journal RETORIKA: Jurnal Ilmu Bahasa CMES (Center of Middle Eastern Studies) Lisanudhad: Jurnal Bahasa, Pembelajaran, dan Sastra Arab
Misbahus Surur
UIN Maulana Malik Ibrahim Malang
Education Languange, Linguistic, Communication & Media

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Tragedi dalam Relasi Ayah dan Anak dalam Film Farha (2021): Kajian Psikoanalisis Jacques Lacan Ishlah Rodiyah Assufi; Misbahus Surur
RETORIKA: Jurnal Ilmu Bahasa Vol. 11 No. 2 (2025)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.11.2.2025.363-374

Abstract

The film Farha (2021) tells the story of a deep emotional relationship between a father and his daughter against the background of the Israeli occupation of Palestinian settlements, in a major event that gripped and became a dark memory of the Palestinian people known as the Nakba. Farha's movie provides rich interpretative potential related to identity formation in the psychoanalytic realm. This research aims to reveal the emotional relationship between Farha and her father, in forming the objectivity structure of the main character through Lacan's miror stage concept. The research method was descriptive qualitative, employing Jacques Lacan's psychoanalytic approach. Data were collected through repeated viewings of the film, noting key scenes, dialogue, gestures, and symbols. Data were then analyzed by grouping the scenes into the Imaginary, Symbolic, and Real domains, in accordance with Lacan's theory. The results of this study show that the father figure in the film functions double: as a mirror of ideal identity and ego (the realm of the imaginary), as a representative of symbolic norms and laws (the realm of the symbolic), and as a source of existential wounds in traumatic experiences (the realm of the Real). This finding implies that cinematic works such as Farha's film are effective as a reflective field to understand individual psychological dynamics shaped by family, symbolic and trauma forces, and supports the development of interdisciplinary studies based on humanities and psychoanalysis.
DEPICTION OF NATURALISM IN THE NOVEL TAFṢĪL THĀNAWĪ BY ADANIA SHIBLI Misbahus Surur; Aulia Putri Oktaviani
CMES (Center of Middle Eastern Studies) Vol 18, No 2 (2025)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.18.2.102936

Abstract

Unlike realist novels, whose characters can resist certain authorities, characters in naturalist novels cannot do so freely. Instead, they are often portrayed as swept up in pessimism and powerlessness. This study aims to explore the aspects of naturalism in the novel Tafṣīl Thānawī (Minor Detail), which depicts the condition of Palestine under Israeli occupation following the Nakba tragedy, using Zola’s naturalism as its theoretical lens. The research employs a descriptive–qualitative design: the novel is the primary source; secondary sources are books and journal articles on Shibli and Zola. Data were collected through close reading and note-taking, and analyzed via data reduction, data display, and conclusion drawing. The findings indicate five aspects of naturalism in Tafṣīl Thānawī, including determinism: impaired rational judgment, and a persistent focus on minute details. Settings: the Negev Desert, the hut of the Israeli military commander, and Ramallah. Pessimism: the Bedouin girl’s inability to resist and anxiety about traveling beyond her territory. Objectivity: third-person narration, the commander’s directives to soldiers, and the stark depiction of the girl’s burial. Plot twists: the Bedouin girl’s murder and the female journalist’s successful entry into Israeli territory.
Analysis Of The White Lily Metaphor As A Representation Of Inner Conflict In جندي يحلم بالزنابق البيضاء Mahmoud Darwish’s Poem Sabrina Azzindani Putri; Misbahus Surur
Lisanudhad: Jurnal Bahasa, Pembelajaran dan Sastra Arab Vol. 12 No. 2 (2025): Lisanudhad: Jurnal Bahasa, Pembelajaran, dan Sastra Arab
Publisher : Department of Arabic Teaching, Faculty Tarbiyah, Universitas Darussalam Gontor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/lisanudhad.v12i2.45

Abstract

This article analyzes Mahmoud Darwish’s poem جندي يحلم بالزنابق البيضا through Viktor Shklovsky’s concept of defamiliarization within the framework of Russian Formalist theory. The poem reveals the inner conflict of a weary soldier who dreams of peace symbolized by the white lily. Using a qualitative descriptive approach, this study explores how Darwish’s poetic language—rich in metaphors, paradoxes, and imagery—transforms conventional meanings of purity and heroism into reflections on trauma, loss, and existential struggle.The white lily, which traditionally represents innocence and peace, becomes a contradictory symbol bridging beauty and suffering, life and death. The findings indicate that Darwish employs defamiliarization techniques to challenge familiar discourses of nationalism and war, compelling readers to reinterpret universal concepts such as “homeland” and “victory” in more personal and human terms. Ultimately, Darwish’s aesthetic strategy not only deepens the reader’s emotional engagement but also encourages critical reflection on the human condition amid conflict.
Co-Authors Aulia Putri Oktaviani Ishlah Rodiyah Assufi Sabrina Azzindani Putri