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Maratovna, Sidikova Aliya
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To the Question of the Origin of the Piano Sonata in Uzbekistan Maratovna, Sidikova Aliya
International Journal on Integrated Education Vol. 4 No. 11 (2021): IJIE
Publisher : Researchparks Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31149/ijie.v4i11.2418

Abstract

The piano sonate has repeatedly become the subject of studies of scientists from different countries. It was analyzed in detail the genre peculiarity of the sonata, its style and composite features found at different historical stages of development. Scientists largely attracted the shaped world of the Sonata of composers of the past and present as an extensive sphere of emotional and spiritual and intellectual embodiment of their own ideas, thoughts and feelings. In the history of modern piano literature, Sonata genre takes a relatively modest place. Few of the composers of the late XX - the beginning of the XXI century regularly refers to this genre and has a large number of Sonate in his "portfolio". It is not an exception and creativity of composers of Uzbekistan, most of their preference to other genres and forms.
To the Question of the Perfoming Fate of Piano Sonatas in Uzbekistan Maratovna, Sidikova Aliya
International Journal on Integrated Education Vol. 4 No. 11 (2021): IJIE
Publisher : Researchparks Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31149/ijie.v4i11.2422

Abstract

Questions of musical and performing interpretation of the Sonata genre did not receive sufficient and thorough studies in modern music. This is especially true of the prosuses of the last decades created by Uzbek composers. There is a real need to analyze and understand what place the piano sonata is occupied in the composer work and in the executive practice of modern Uzbekistan, which the stable parameters of the genre appeared, and where the desire of domestic authors would connect to the national musical traditions and the experimental trends in Western Music of Postmodern Epoch. But the main thing is that the problem of the executive destiny of Uzbek piano sonata remains relevant, its further prospects to be, to sound on the concert scene, to gain their listeners and connoisseurs.
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