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Morika, Doni
Bina Nusantara University
Humanities

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Estetika Simbolik pada Desain Bangunan Komersil di Kawasan Perdagangan Cihampelas Morika, Doni
Humaniora Vol 3, No 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3348

Abstract

The notion of aesthetics so far did not produce a conclusion crystallized from various points of view offered by observer. It came from the standpoint of behavioral and psychological environment to obtain the aesthetic sense which was based on the notion of meaning, perception, and aesthetic experience. In the philosophy of beauty "aesthetic experience" was in the view of phenomenology of the aesthetic experience of the "thing". Sensory aesthetic experience was based on observations at the same time with the whole soul of the human body and produced a feeling of participating bound, carried away, and enticed her feelings toward an aesthetic pleasure and experience. The question raised then is how these symptoms that could affect the behavior settings in the broad sense. Good answers to these questions will be able to make designers better understand the behavior of the users as well as empower designers to contribute to the environment.  
Kebudayaan Sebagai Suatu Komitmen Kesadaran Diri untuk Mengangkat Tradisi sebagai Konsep Contemporary Vernacular pada Interior dan Arsitektur Morika, Doni
Humaniora Vol 2, No 1 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i1.3109

Abstract

Humans are part of the natural environment or, in the context of human culture to use reason and mind to be able to coexist with nature. But the more advanced capabilities of human thought and the further development of technologies that make, the pattern of human origin in order to live in harmony with nature the more degenerate into an attempt to conquer nature. Associated with the times, 'needs' and 'demand' from the user will be higher, both in terms of function and aesthetics. A design must be able to also follow the movement pattern of the trend that occurred in the community to be recognized. Through discourse Contemporary Vernacular Architecture in the Interior and revealed in some design work, as object of study is the existence of a work done by several designers and architects in Indonesia as a commitment to self-awareness to lift a tradition contained in Sundanese culture. 
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