Ice Sariyati
Universitas Islam Negeri Sunan Gunung Djati

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

Turn-Taking Strategies in a Political Debate between Mehdi Hasan and Eylon Levy Elisa Sulistiawati; Dadan Rusmana; Ice Sariyati
PROJECT (Professional Journal of English Education) Vol. 9 No. 4 (2026): VOLUME 9 NUMBER 4, JULY 2026
Publisher : IKIP Siliwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines turn-taking strategies in a political debate, focusing on how speakers manage and control interaction. Political debates are inherently competitive, making turn-taking not only a tool for organizing discourse but also for expressing dominance. Using a descriptive qualitative method, the data were taken from a YouTube video entitled “You’re a Sociopath’: Mehdi Hasan vs Eylon Levy on Gaza.” The analysis applies Stenström’s (1994) framework, including taking the turn, holding the turn, and yielding the turn. The findings show that all three types are used, with holding the turn being the most dominant, and Mehdi Hasan dominating the interaction.
Representing Angst and Authenticity: A Sartrean Study of Existential Crisis in Lala Bohang’s Trilogy Raisha Srikandi Sekartaji; Ice Sariyati; Agry Pramita
Jurnal Ragam Pengabdian Vol. 3 No. 2 (2026): Mei-Agustus, Sustainable Development Goals (SDGs): Multidisciplinary Perspectiv
Publisher : Lembaga Teewan Journal Solutions

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/amzm6663

Abstract

This study examines the representation of existential crisis in Lala Bohang’s trilogy The Book of Forbidden Feelings (2016), The Book of Invisible Questions (2017), and The Book of Imaginary Beliefs (2019). Bohang’s trilogy presents fragmented reflections that portray an individual’s confrontation with freedom, uncertainty, and the burden of personal choice. This research aims to analyze how Sartrean concepts of angst and authenticity are represented in Bohang’s works. Using a qualitative descriptive method, the study applies Jean-Paul Sartre’s existentialist framework, focusing on the concepts of angst, authenticity, and bad faith. The analysis is conducted on selected textual excerpts that depict the subject’s responses to existential pressure and social expectations. The findings reveal that existential angst emerges from the subject’s awareness of radical freedom and the inevitability of choice. Authenticity is reflected when the subject acknowledges this freedom and accepts responsibility for their decisions without seeking external justification. However, certain moments also suggest the possibility of bad faith when responsibility is displaced onto circumstances or external forces. In conclusion, Bohang’s trilogy illustrates the dynamic tension between angst and authenticity, showing how individuals negotiate freedom and responsibility in their search for meaning.