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p-Index From 2021 - 2026
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This Author published in this journals
All Journal International Journal of Nusantara Islam International Journal of Nusantara Islam
Henrycus Napitsunargo
Parhayangan Catholic University, Bandung, Indonesia
Religion Arts Humanities Social Sciences

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Religious Soundscape and Intercultural Identity: A Study of the Sound of the Adhan, Church Bells, and Gamelan in Bandung, West Java Henrycus Napitsunargo
International Journal of Nusantara Islam Vol 14 No 1 (2026): International Journal of Nusantara Islam
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/ijni.v14i1.55348

Abstract

This study analyzes how Bandung's religious soundscape—the call to prayer, church bells, and gamelan—shapes spatial identity, religious experience, and intercultural relations in a pluralistic urban environment. Religious sounds here function beyond ritual: they generate social meaning and mediate everyday interfaith interactions. Using a qualitative case study design, the researchers collected data through soundscape observations, audio documentation, and in-depth interviews with diverse city residents. The analysis employed thematic analysis grounded in a posthuman acoustic framework. The findings suggest that religious soundscapes function as shared markers of time, space, and social identity. The call to prayer serves as a collective temporal marker; church bells reinforce historical spatial identity; gamelan embodies a sense of belonging to a local culture. Together, these auditory elements create a collective acoustic environment that fosters intercultural identification in urban space. The study also reveals shifts in sonic meaning driven by technological mediation: digital amplification, recording, and circulation can diminish perceptions of sacredness, transforming some sounds into functional rather than purely sacred sounds. By situating sound as a site of encounter, this research advances contemporary religious studies and the study of everyday religiosity. Its originality lies in integrating post-human soundscape and acoustic perspectives into the study of Indonesian Islam and in centering sound as a medium of religious-cultural interaction in a pluralistic urban context.
Religious Soundscape and Intercultural Identity: A Study of the Sound of the Adhan, Church Bells, and Gamelan in Bandung, West Java Henrycus Napitsunargo
International Journal of Nusantara Islam Vol 14 No 1 (2026): International Journal of Nusantara Islam
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/ijni.v14i1.55348

Abstract

This study analyzes how Bandung's religious soundscape—the call to prayer, church bells, and gamelan—shapes spatial identity, religious experience, and intercultural relations in a pluralistic urban environment. Religious sounds here function beyond ritual: they generate social meaning and mediate everyday interfaith interactions. Using a qualitative case study design, the researchers collected data through soundscape observations, audio documentation, and in-depth interviews with diverse city residents. The analysis employed thematic analysis grounded in a posthuman acoustic framework. The findings suggest that religious soundscapes function as shared markers of time, space, and social identity. The call to prayer serves as a collective temporal marker; church bells reinforce historical spatial identity; gamelan embodies a sense of belonging to a local culture. Together, these auditory elements create a collective acoustic environment that fosters intercultural identification in urban space. The study also reveals shifts in sonic meaning driven by technological mediation: digital amplification, recording, and circulation can diminish perceptions of sacredness, transforming some sounds into functional rather than purely sacred sounds. By situating sound as a site of encounter, this research advances contemporary religious studies and the study of everyday religiosity. Its originality lies in integrating post-human soundscape and acoustic perspectives into the study of Indonesian Islam and in centering sound as a medium of religious-cultural interaction in a pluralistic urban context.
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