Article Per Year (5 Year)
p-Index From 2021 - 2026
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This Author published in this journals
All Journal Jurnal Ilmu Sosial, Humaniora dan Seni
Edy Suisno
Program Studi Televisi dan Film, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Padangpanjang
Arts Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Carousel sebagai Metode Narasi Visual dalam Jurnalisme Digital: Analisis Perubahan Format Penyampaian Berita di Platform Media Massa Radit Tri Imansyah; Edy Suisno
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 6 (2026): Mei-Juni
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i6.4757

Abstract

The rapid growth of Instagram news production has created a journalistic problem: news must be delivered in concise, visual, and sequential formats while still maintaining accuracy, context, and editorial coherence. This study aims to analyze how carousel posts function as a visual narrative format in digital journalism and how the format changes the structure of news delivery. This research uses a qualitative approach with qualitative content analysis of 15 carousel news posts uploaded from January to March 2026 by five Indonesian Instagram news accounts: @malakaproject.id, @tempodotco, @cnnindonesia, @ussfeeds, and @totalpolitikcom. The analysis examines the function of opening slides, core slides, closing slides, the relationship between visual elements and short text, and transitions between slides. The findings show that carousel posts do not merely visualize news, but organize information into connected narrative units. Opening slides function as attention hooks, core slides build context and chronology, while closing slides provide summary or interpretive emphasis. The swipe mechanism shapes rhythm, suspense, and continuity. These findings indicate a shift in digital journalism from linear text-based narration toward sequential visual narration that requires active audience movement, careful editorial selection, and stronger control over context so that news remains coherent, complete, and accountable within platform-based communication.
Kesan Visual Make-Up Special Effect sebagai Elemen Penguat Suspense Dalam Film Abadi Nan Jaya Mela Harmalya; Edy Suisno
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 5 No. 1 (2026): Juli-Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v5i1.4903

Abstract

This study aims to analyze the visual impression of special effects makeup as a suspense-enhancing element in Abadi Nan Jaya directed by Kimo Stamboel. This research employs a descriptive qualitative method with a film analysis approach. Data were collected through observation of scenes featuring special effects makeup and supported by relevant literature. The findings reveal that special effects makeup plays a significant role in building, developing, and maintaining suspense throughout the narrative through three main phases: the emergence of threat, the spread of threat, and the experience of loss and despair. In the first phase, the characters’ physical transformations create impressions of abnormality, disturbance, and danger that generate curiosity and anxiety among viewers. In the second phase, visual depictions of wounds, blood, bodily damage, and zombie transformations affecting multiple characters strengthen the perception of a spreading outbreak. In the third phase, the physical deterioration of the main characters creates impressions of loss and despair, increasing the audience’s emotional engagement. Furthermore, visual elements such as open wounds, body decay, and physical deformities produce horror impressions consistent with Carroll’s concept of art-horror, characterized by the presence of something both dangerous and unnatural. Therefore, special effects makeup functions not only as an aesthetic component but also as a cinematic element that contributes to the construction of suspense and enhances the audience’s emotional experience in Abadi Nan Jaya.
Co-Authors Mela Harmalya Radit Tri Imansyah