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All Journal Islamika Inside: Jurnal Keislaman dan Humaniora
Ahmad Yasir Amrulloh
UIN Kiai Haji Achmad Siddiq Jember
Religion Arts Humanities Social Sciences

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Aesthetic Reception of the Qur'an on the Ayaatcontest Account on Instagram (Karl Mannheim's Sociology of Knowledge Perspective) Nurun Najmatul Ulya; Ahmad Yasir Amrulloh; Ahmad Danish Hakimi bin Shufiady
Islamika Inside: Jurnal Keislaman dan Humaniora Vol. 11 No. 2 (2025)
Publisher : Fakultas Ushuluddin, Adab dan Humaniora (FUAH) UIN Kiai Haji Achmad Siddiq Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35719/islamikainside.v11i2.296

Abstract

The development of social media also develops new actors and practices in socio-cultural phenomena, including the reception of the Qur’an. This study aims to dig deeper into the aesthetic reception of the Ayaatcontest Instagram account through the perspective of Karl Mannheim's Sociology of Knowledge, who formulates three meanings of human behavior, namely objective, expressive and documentary meanings. By using the netnographic research method, this study draws the conclusion that the meaning of the reception of the Qur’an in the Ayaatcontest account is formed by the organizers and participants. The objective meaning of the organizers is that the social space of the UAE country which is in the Middle East has a passion for preserving the art of Islamic calligraphy or khat, the expressive meaning in the form of selected verses of the Qur'an are verses related to tauhid and social verses, as well as prizes worth 12,000 UAE dirhams, and the documentary meaning as an ongoing effort to maintain the Arabian Peninsula as a 'home' for khat art. While the objective meaning of the participant’s is the process of learning khat which has been carried out for a long time so that they are used to participating in khat competitions. The expressive meaning is the various styles of khat used, starting from Naskhi, Ta'liq, Tsuluts, Diwani, Kufi, and so on, and the meaning of the participant's documentary is the preservation of khat art, as well as existence and self-branding in the world of khat writing, both in social media and in the social sphere of society.
Maghribi Mabsut Khat in Indonesia: History and Acceptance Factor Analysis Nurun Najmatul Ulya; Ahmad Yasir Amrulloh; Feri Budiantoro
Islamika Inside: Jurnal Keislaman dan Humaniora Vol. 9 No. 2 (2023)
Publisher : Fakultas Ushuluddin, Adab dan Humaniora (FUAH) UIN Kiai Haji Achmad Siddiq Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35719/islamikainside.v9i2.242

Abstract

Islamic calligraphy or khat is the oldest Islamic art found in Indonesia and has experienced a long phase in its development. The peak phase is in Musabaqah Tilawatil Qur'an (MTQ) which includes a khat competition branch Musabaqah Khattil Qur'an (MKQ). MKQ has given many influences to the art of khat, one of which is to ground the seven styles of khat used practically by Indonesian khattat, namely Naskhi, Thuluth, Diwani, Diwani Jali, Farisi, Riq'ah, and Kufi. But, the development of khat in Indonesia does not stop here, 2010 there are Indonesian khattat who managed to achieve international achievements in the branch of the competition for writing khat Maghribi Mabsut, a type of khat from Morocco that has never been recorded in the Indonesian khat universe. The acceptance of this khat continues to expand, as evidenced by the emergence of khat}t}a>t who also managed to make their achievements in the international arena. This study was conducted to answer two questions (1) how is the process of introducing Indonesian khattat to the Maghribi Mabsut khat type? (2) what are the factors that encourage the acceptance of Maghribi Mabsut khat among Indonesian khattat By using field research methods and sociocultural approaches, the results of this study are (1) Maghribi Mabsut khat is known in Indonesia through Indonesian students studying in Egypt (2) there are three factors of acceptance of Maghribi Mabsut khat, namely: education factor, technology adaptation factor and the breadth of opportunity factor.
Co-Authors Ahmad Danish Hakimi bin Shufiady Feri Budiantoro Nurun Najmatul Ulya