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All Journal Al-Muyassar: Journal of Arabic Education Multidisciplinary Indonesian Center Journal
Khairawati
University of North Sumatra
Religion Humanities Earth & Planetary Sciences Education Languange, Linguistic, Communication & Media Social Sciences Other

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Structuralism Analysis of the Song Lyrics ‘Ummatī’ by Maher Zain: A Literary Study Khairawati; Suri; Melinda
Al-Muyassar: Journal of Arabic Education Vol 5 No 2 (2026): Al-Muyassar: Journal of Arabic Education
Publisher : Prodi Pendidikan Bahasa Arab, Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31000/dhk3q627

Abstract

This study aims to analyze the intrinsic structural elements found in the lyrics of the song Ummatī by Maher Zain based on the structuralism theory proposed by Muzakki. The objective of this research is to identify and explain the intrinsic elements contained in the song lyrics, namely feeling (al-‘āṭifah), imagination (al-khayyāl), idea (al-fikrah), and form (aṣ-ṣūrah). This research employed a descriptive qualitative method with a library research design. The data source was the lyrics of the song Ummatī by Maher Zain. Data were collected through observation and note-taking techniques and were analyzed using an interpretative analysis approach. The results of the study show that the lyrics of Ummatī contain four intrinsic structural elements. A total of 27 data were identified, consisting of 10 data related to feeling (al-‘āṭifah), 9 data related to imagination (al-khayyāl), 1 datum related to idea (al-fikrah), and 7 data related to form (aṣ-ṣūrah). Among these elements, feeling (al-‘āṭifah) was found to be the most dominant element, reflecting the emotional and spiritual messages conveyed through the song lyrics. In conclusion, the lyrics of Ummatī contain interconnected intrinsic structural elements that contribute to the construction of meaning and strengthen the spiritual and moral messages conveyed in the song.
ANALYSIS OF ILLOCUTIONARY SPEECH ACTS IN THE FILM NORAH Muhammad Nashi Huddin Ubaidillah; Rima Mella; Khusnul Fatimah; Zulfan; Khairawati
Multidisciplinary Indonesian Center Journal (MICJO) Vol. 3 No. 1 (2026): Vol. 3 No. 1 Edisi Januari 2026
Publisher : PT. Jurnal Center Indonesia Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62567/micjo.v3i1.1664

Abstract

This study investigates the forms and functions of illocutionary acts in the film Norah (2023) using a qualitative descriptive approach. The research problem centers on how dialogic interactions and rural Saudi socio-cultural contexts shape the distribution of illocutionary types. Data were collected via observation and note-taking, then classified according to Searle’s five categories (assertive, directive, commissive, expressive, declarative) and analyzed through three stages: data collection, analysis, and presentation. The findings reveal that illocutionary speech acts in the film Norah are dominated by directives in the form of commands, prohibitions, and invitations, which highlight the speaker’s role in controlling actions. In addition, expressive and commissive acts appear in the form of advice, requests, and polite expressions that function to maintain harmony and interpersonal closeness. Overall, the use of illocutionary acts in the film reflects social relations and the dynamics of everyday interaction in rural Arab society.
Co-Authors Khusnul Fatimah Melinda Muhammad Nashi Huddin Ubaidillah Rima Mella Suri Zulfan