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All Journal International Journal of Literature and Language Studies
Rajabova Gulkhanim Bekmirza qizi
1st year Master’s degree student. Department of Foreign Languages and History. Asia International University
Languange, Linguistic, Communication & Media

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PHILOSOPHICAL AND AESTHETIC INTERPRETATIONS OF THE IMAGE OF THE PROTAGONIST IN OSCAR WILDE'S THE HAPPY PRINCE Rajabova Gulkhanim Bekmirza qizi
International Journal of Literature and Language Studies Vol. 5 No. 6 (2026): International Journal of Literature and Language Studies
Publisher : International Journal of Literature and Language Studies

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Abstract

This article examines the philosophical and aesthetic dimensions of the protagonist in Oscar Wilde's fairy tale The Happy Prince. The study explores how Wilde constructs the image of the Happy Prince as a complex symbolic figure embodying aesthetic beauty, moral consciousness, social responsibility, and spiritual transformation. Using philosophical hermeneutics, aesthetic criticism, and textual analysis, the research investigates the interaction between Victorian aestheticism and ethical humanism represented in the protagonist's character. The findings reveal that the Happy Prince undergoes a significant transformation from a passive symbol of material beauty into an active agent of compassion and sacrifice. The study demonstrates that Wilde challenges the doctrine of "Art for Art's Sake" by integrating ethical values into aesthetic experience. Through symbolism, allegory, and Christian motifs, the protagonist emerges as a multidimensional figure whose identity transcends conventional fairy-tale archetypes. The research concludes that the image of the Happy Prince represents Wilde's synthesis of beauty, morality, and social criticism, contributing to broader discussions in literary aesthetics and philosophical criticism.
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