Anabella Nuryafitri
Islamic State University Sunan Gunung Djati Bandung

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How Public Figures Use Language to Inspire: A Pragmatic Analysis of TED Talks by Book Writers and Its Implications for Effective Public Speaking Skills in the Digital Age Anabella Nuryafitri; Otong Setiawan Djuharie
Jurnal Ilmiah Literasi Indonesia Vol. 2 No. 2 (2026): JULI-DESEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/15gk8718

Abstract

This study examines how public figures who are primarily known as book authors use language pragmatically to inspire audiences in their TED Talks, and what implications these strategies hold for public speaking instruction in the digital age. Employing a qualitative descriptive design, the study analyzes the transcripts of five widely circulated TED Talks delivered by book writers: Brené Brown's "The Power of Vulnerability," Elizabeth Gilbert's "Your Elusive Creative Genius," Susan Cain's "The Power of Introverts," Chimamanda Ngozi Adichie's "The Danger of a Single Story," and Simon Sinek's "How Great Leaders Inspire Action." The utterances were segmented and coded using Searle's (1976) taxonomy of speech acts, Grice's (1975) Cooperative Principle, and a deictic-marker analysis of person and temporal deixis. Findings show that assertive and directive speech acts jointly account for the majority of coded utterances, that speakers strategically flout the maxims of quantity and relation through extended personal narrative before returning to their communicative point, and that inclusive person deixis ("we," "you") is used at a markedly higher rate than exclusive or distancing forms to build audience solidarity. These pragmatic patterns are then discussed in relation to the demands of digital-age public communication, where short attention spans, algorithm-driven platforms, and parasocial audience relationships require speakers to establish relevance and credibility within the opening seconds of a talk. The study concludes with practical implications for public speaking pedagogy, including the deliberate teaching of narrative-led openings, strategic maxim flouting, and inclusive deixis as trainable pragmatic competencies.
Analisis Semiotika terhadap Representasi Wahyu dan Mukjizat dalam Film Animasi Muhammad: The Last Prophet (2002) Karya Richard Rich Anabella Nuryafitri; Dadan Firdaus; Alya Fadhillah Harahap; Dafi Al Muyassar Sulaeman
Jurnal Ilmiah Literasi Indonesia Vol. 2 No. 2 (2026): JULI-DESEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/yn8p5h20

Abstract

This study aims to analyze the representation of revelation and miracles in Richard Rich’s animated film Muhammad: The Last Prophet (2002) using Roland Barthes’ semiotic approach. The study is motivated by the challenge of visually representing sacred events while adhering to the Islamic aniconic principle that prohibits the depiction of Prophet Muhammad. This qualitative research employs a descriptive-analytical approach through the observation of three key scenes: the first revelation in the Cave of Hira, the command of prayer, and the miracle during the Battle of Badr. The data were analyzed using Barthes’ three levels of signification: denotation, connotation, and myth. The findings reveal that the film constructs the representation of revelation and miracles through the use of light, sound, point-of-view shots, characters’ reactions, and environmental changes as a system of signs that establishes an aniconic pattern of “presence through absence.” This strategy enables metaphysical events to be conveyed coherently within the narrative without violating Islamic theological principles. The study concludes that the film successfully bridges transcendental experiences and visual storytelling through a consistent semiotic construction, preserving the sacredness of the events while making them comprehensible to audiences