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All Journal Panggung Anima Rupa: Jurnal Animasi
I Made Hendra Mahajaya Pramayasa
INSTITUT SENI INDONESIA BALI
Arts Humanities Education

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PERAN FILM TOY STORY DALAM TRANSFORMASI ANIMASI DIGITAL DAN PERKEMBANGAN INDUSTRI ANIMASI GLOBAL Gusti Made Agung Narendra Putra Darma; Labib fauzi; Dionisius Hamonangan Siboro; I Made Hendra Mahajaya Pramayasa
Anima Rupa Vol 4 No 1 (2026): Anima Rupa: Jurnal Animasi
Publisher : Pusat Penerbitan LPPM ISI Bali

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Abstract

Toy Story (1995) is an animated film produced by Pixar Animation Studios that became a major milestone in the history of world animation as the first feature-length film created entirely using computer-generated imagery (CGI). This article discusses the history of Toy Story, examines interesting facts behind its production process, and analyzes the film’s impact on the global animation industry. The discussion shows that Toy Story not only introduced technological innovation but also established new standards in animated storytelling by emphasizing emotional depth and character development. Facts such as the inspiration for Buzz Lightyear from astronaut Buzz Aldrin, changes in Woody’s character design, and the role of Pixar’s short film Tin Toy in the creation of Toy Story highlight the complexity of Pixar’s creative process. The success of Toy Story encouraged a major shift from traditional animation to digital animation and had a long-lasting influence on production styles, visual quality, and narrative approaches in modern animated films.
Makna Simbol Rangda Sebagai Bentuk Kedigdayaan Perempuan Bali Arya Pageh Wibawa; I Gede Agus Indram Bayu Artha; I Made Hendra Mahajaya Pramayasa
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.3683

Abstract

This study examines the symbolism of Rangda in Balinese culture, focusing on the representation of female power reflected in texts and visual cultural expressions. Rangda, often depicted as an evil figure in Calonarang performances, reflects the duality of transformative feminine power, encompassing both destructive and protective aspects. As a manifestation of the Goddess Durga, Rangda represents feminine energy maintaining the balance of the universe, creating harmony between good and evil through the concept of Rwa Bhineda. This study employs a qualitative, descriptive-analytical approach to explore the symbolic meaning of Rangda across mythological and contemporary contexts. The results show that Rangda is not merely a symbol of evil power but a sacred entity that plays a vital role in maintaining Bali’s cosmic order. The representation of Rangda in visual art and religious rituals enriches the understanding of the role of femininity in maintaining the social and spiritual balance of Balinese society.
Co-Authors Arya Pageh Wibawa Dionisius Hamonangan Siboro Gusti Made Agung Narendra Putra Darma I Gede Agus Indram bayu Artha Labib fauzi