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All Journal Jurnal Pendidikan dan Kajian Seni
Yahfenel Evi Fussalam
Pascasarjana ISBI Bandung
Arts Humanities Education

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Kajian Heuristik dan Hermeneutik Lirik Lagu “Gala Bunga Matahari” Karya Sal Priadi Rano Hidayat; Jaeni Jaeni; Yahfenel Evi Fussalam
JPKS (Jurnal Pendidikan dan Kajian Seni) Vol 11, No 1 (2026)
Publisher : Universitas Sultan Ageng Tirtayasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62870/jpks.v11i1.38243

Abstract

In the world of Indonesian music, Sal Priadi is one of the Indonesian musicians who stands out for his unique ability to create song lyrics that not only serve as melodic accompaniment, but also as works of literary art rich in meaning and aesthetics. As a singer and songwriter, he is known for his ability to transform everyday language into poetic and profound expressions, creating a listening experience that not only touches the heart but also provokes thought. The lyrics in a song are crucial for literary aesthetics, not only regarding the depth of the lyrics, but also the connection of the meaning of the lyrics themselves to the audience, so that the meaning of a song reaches the audience. Of course, the task of songwriters is to understand the conditions of their society. Analyzing a work of art certainly requires a methodical approach to provide perspective on the work so as to be able to provide an objective explanation. In this methodological approach, the author uses the semiotic approach of Michael Rifatere using heuristic and hermeneutic studies.
Transformasi Praktik Angklung di Era Digital: Audio, Visual, dan Instrumen Virtual Fahmi Insanul Kamil; Jaeni Bwastap; Yahfenel Evi Fussalam
JPKS (Jurnal Pendidikan dan Kajian Seni) Vol 11, No 1 (2026)
Publisher : Universitas Sultan Ageng Tirtayasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62870/jpks.v11i1.37894

Abstract

This study is motivated by the increasing digitalization of traditional music, which has not been specifically examined in the context of Angklung, particularly regarding shifts in form, practice, and cultural meaning. The study aims to analyze the transformation of Angklung in digital practices through audio, visual, and virtual instrument formats. A qualitative descriptive-analytical method was employed through literature review and non-participatory observation of Angklung-related content across digital platforms. The analysis is grounded in cultural transformation theory and an interpretive approach inspired by Clifford Geertz. The findings reveal three main forms of digitalization: audio-based practices that expand musical distribution and arrangement, visual-based practices that reshape performance and collaboration, and virtual instrument development that represents Angklung within digital music production systems. These transformations indicate a shift from collective, place-based practices toward more flexible and technology-driven forms. This study contributes to the development of arts scholarship by positioning digitalization as a process of cultural transformation and reinterpretation in traditional music.
Co-Authors Fahmi Insanul Kamil Jaeni Bwastap Jaeni Jaeni Rano Hidayat