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All Journal Gorga : Jurnal Seni Rupa Journal of Aesthetics, Creativity and Art Management
I Gede Yudarta
Institut Seni Indonesia Bali, Indonesia
Arts Education

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A Composition Titled “Sriya Dasami” I Made Andika Candra Wigraha; I Gede Yudarta; I Gde Made Indra Sadguna
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.68028

Abstract

This study aims to describe and understand the process of creating the Karawitan Sriya Dasami Composition Work, to find out the form and structure of the Karawitan Sriya Dasami Composition Work, to know and understand the value contained in the Karawitan Sriya Dasami Composition Work. The process of creating Sriya Dasami's Karawitan Composition Works is carried out through imaginative and systematic artistic methods, involving six main stages: inspiration, imagination, exploration, formation, refinement, and presentation. This method is rooted in conceptual needs, traditional approaches, contemporary reinterpretations, as well as the empirical experience of creators. The application of this method allows the work to be formed in its entirety with a strong philosophical and musical foundation, and manifested in the form of a presentation based on cosmic symbolism. The creation process is carried out with a musical and visual approach, and utilizes instruments from Gong Kebyar gamelan as a medium of expression. The form and structure of the work are divided into four main sections, which represent the four phases in the astronomical system of the same period. Each piece contains its own musical character with different durations, creating a unique flow dynamic. The main value in this work lies in the efforts of the creator in formulating a new compositional system through the partition of the number ten, as well as the processing of the playing technique that is sourced from the slow but with a contemporary perspective, which reflects the artistic and spiritual identity of the creator.
The Impact of Information Overload on Art Appreciation Patterns in the Digital Era Putri Gracia Simatupang; I Gede Yudarta; Ni Wayan Ardini
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6213

Abstract

The phenomenon of information overload arising from the flood of data in the digital era has impacted almost all aspects of life, including patterns of art appreciation. This article aims to examine how information overload, particularly through social media and digital spaces, is changing the way society understands, evaluates, and enjoys works of art. This study uses a qualitative approach with literaturea analysis and a critical examination of contemporary visual culture phenomena. The results show that art appreciation, which was previously reflective and in-depth, has shifted toward a consumerist, instantaneous, and digital popularity-based pattern. The appreciation process is now more often determined by algorithmic logic, virality, and the speed of information distribution, rather than the aesthetic value and intrinsic meaning of the artwork itself. This change poses a challenge for artists and art institutions to maintain the quality of art appreciation amidst the rapid flow of digital information.
Co-Authors I Gde Made Indra Sadguna I Made Andika Candra Wigraha Ni Wayan Ardini Putri Gracia Simatupang