Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Sintesa Saber: Jurnal Teknik Informatika, Sains dan Ilmu Komunikasi
Andi Fyqri Hanyfa Lemppa
Universitas 17 Agustus 1945 Surabaya
Humanities Computer Science & IT Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
FRAMING DAN REPRESENTASI GENDER DALAM MUSIK VIDEO DAN LIRIK LAGU "OSHIBE TO MOSHIBE YORU NO CHOUCHOU" JKT48: ANALISIS KRITIS Ferdy Salsabilla; Bagas Rachmad Eka Putra; Andi Fyqri Hanyfa Lemppa
Sintesa Vol. 5 No. 01 (2026): Jurnal Sintesa Volume 5 No 01 Januari 2026
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/sintesa.v5i01.133033

Abstract

Music videos, as products of popular culture, function not only as a form of entertainment but also as sites of meaning production that represent social relations, including gender constructions. This article examines gender representation in the music video (MV) “Oshibe to Moshibe” by JKT48, one of Indonesia’s most prominent idol groups. Employing a framing analysis approach in conjunction with Standpoint Theory and Muted Group Theory, this study highlights how women’s experiences and expressions are shaped and constrained by an idol industry that remains dominated by a male perspective. The findings indicate that although the MV presents a female-centered narrative with non-heteronormative sexual themes, its representation remains framed by masculine industry standards, resulting in women’s voices being rendered muted and incomplete. The controversies surrounding the MV reveal the challenges involved in negotiating the boundaries of gender expression within Indonesian popular culture, while simultaneously provoking broader discussions on gender fluidity and audience perception.Furthermore, the choreography and bodily gestures are c haracterized by softness and restraint, yet are imbued with strong emotional significance. The female body is represented as the primary medium for articulating inner conflict, while gender relations are naturalized through biological metaphors that position desire as something inherent and inevitable. This study also finds that visual framing and lyrical narratives tend to reproduce traditional gender constructions, in which women are positioned as bearing the moral burden within romantic relationships. Thus, the music video and its lyrics not only reflect emotional experiences but also contribute to the maintenance of dominant gender discourses, particularly those originating from the Japanese idol industry and reproduced within the Indonesian music industry.Keywords: Gender Representation, Idol Industry, JKT48, Music video, Male gaze, Standpoint Theory, Muted Group Theory, Gender Fluidity, Indonesian Pop Culture.
Strategi Komunikasi dan Adaptasi Kebun Binatang Surabaya dalam Mempertahankan Eksistensi sebagai Destinasi Wisata Warisan Andi Fyqri Hanyfa Lemppa; Mohammad Insan Romadhan
SABER : Jurnal Teknik Informatika, Sains dan Ilmu Komunikasi Vol. 3 No. 3 (2025): Juli : SABER : Jurnal Teknik Informatika, Sains dan Ilmu Komunikasi
Publisher : STIKes Ibnu Sina Ajibarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59841/saber.v3i3.3080

Abstract

As one of the oldest heritage tourism sites in Indonesia, KBS (Kebun Binatang Surabaya) faces challenges in sustaining its relevance and competing with other modern tourism offerings. The sustainability of KBS is largely influenced by the image communication strategies used to market the zoo and attract family tourists. This study aims to assess the communication strategies along with social media promotion, as well as the tourists’ experience regarding their visit. The data collection technique was field observation, digital documentation analysis, and interviews using a semi-structured format which was analyzed descriptively qualitatively. Research findings indicate that KBS has social media and stakeholder collaboration as main promo media and, education as the fundamental pull factor. Moreover, despite its strengths, KBS suffers from gaps in destination branding and lack of innovation in digital on-site experience. A competitive repositioning by building a unique identifiable brand through, integrated and comprehensive communication strategies was proposed for the use of KBS as a family-friendly competitive educational tourism site.
Co-Authors Bagas Rachmad Eka Putra Ferdy Salsabilla Mohammad Insan Romadhan