Lalu Purnama Zulkarnaen
Program Studi Seni Rupa, Fakultas Budaya, Manajemen, dan Bisnis, Universitas Pendidikan Mandalika, Jalan Pemuda Nomor 59A, Mataram, Nusa Tenggara Barat 83125, Indonesia

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Medan Makna Aktifitas Mulut dalam Bahasa Sasak Dialek Meno-Meni Desa Sakra, Lombok Timur Lalu Purnama Zulkarnaen; Sri Sukarni
Panthera : Jurnal Ilmiah Pendidikan Sains dan Terapan Vol. 6 No. 2 (2026): April
Publisher : Lembaga Pendidikan, Penelitian, dan Pengabdian Kamandanu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/panthera.v6i2.1297

Abstract

This study describes the types of meaning fields of oral activity lexemes found in the expression of the Sasak language in Sakra Village, East Lombok Regency, Meno-Meni dialect. The theory used in this study is the semantic theory that describes the form and components of meaning it contains. The population in this study is the language-using area in Sakra Village, Sakra District. Data collection used a random sampling technique (random sample selection) with informant selection criteria. The data collection method was carried out by the listening method with the tapping technique and the listening technique involving conversation and note-taking. The use of these methods was adjusted to the research field. In data analysis, a qualitative descriptive study was used that had intralingual and extralingual equivalent methods. The presentation of the results of data analysis in this study used formal and informal methods. Based on the results of data analysis, in the Sasak language of Sakra Village, East Lombok, Meno-Meni dialect used to express oral activity, namely the oral activity lexeme of the Sasak language of the Meno-Meni dialect of Sakra Village amounted to 27 lexemes. These lexemes are classified into oral activities based on their function, thus creating five subfields of meaning from four oral activities: the oral activity of eating, which has eight lexemes: delat, mangan, emet, anget, kritik pecak, nyak-nyak, and kaken; the oral activity of drinking, which has two lexemes: begeleg and serut; the oral activity of speaking, which has twelve lexemes: nyemperaq, bekoeh, peseq, becerite, bewaran, ngeraos, muni, tomes, rancik, bejelemetn, gerumun, and nyempate; the oral activity of smoking, which has one lexeme: ngudut; and the oral activity of vocalizing, which has two lexemes: meok and besuit.
Analisis Makna Semantik pada Puisi Bahasa Sasak “Presean” Karya Syaiful Bahri Lalu Purnama Zulkarnaen; Sri Sukarni; Akmaluddin Akmaluddin
Panthera : Jurnal Ilmiah Pendidikan Sains dan Terapan Vol. 5 No. 4 (2025): October
Publisher : Lembaga Pendidikan, Penelitian, dan Pengabdian Kamandanu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/panthera.v5i4.758

Abstract

This study aims to analyze the Sasak poem entitled "Presean" by Syaiful Bahri using a semantic study that includes lexical meaning, grammatical meaning, referential meaning, and figurative meaning. The method used in this study is a descriptive method. The research data is in the form of a Sasak poem text "Presean" by Syaiful Bahri. The data analysis technique includes three stages, namely data reduction, data presentation, and conclusion or verification. These stages are carried out starting from data collection, formulation, presentation of analysis results in the form of tables to verification. The results of the study show that in the Sasak poem "Presean" by Syaiful Bahri, the most common meanings found are lexical and grammatical meanings, while figurative meanings are not found explicitly. However, based on the implied meaning, the poem describes the traditional game of the Sasak tribe which functions as entertainment as well as a form of ritual of asking for rain. This can be seen in the verse "Pinaq daraq jari ujan" (making blood rain) which is a figurative form, as if the blood that appears from the game of Presean is a symbol of asking for rain. Thus, it can be concluded that a literary work will be more interesting if it is decorated with the use of figurative words, because it can expand the meaning and enrich the aesthetic value of the work.