Aisultanova Karlygash Abdukalykowna
Al-Farabi Kazakh National University

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When the machine writes back: generative AI, literary agency, and the reconfiguration of digital authorship Aisultanova Karlygash Abdukalykowna; Syaiful Islam
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 2 (2026): Meta-literature: between authorship and machine-mediated literary creativity
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/y9tsnr38

Abstract

Background: Generative artificial intelligence has destabilized conventional literary authorship by separating textual production from ownership, responsibility, and institutional recognition across digital publishing environments. Objective: This study examines how human writers, generative systems, editors, publishers, platforms, and cultural institutions redistribute literary agency, attribution, disclosure, and legitimacy. Method: Using a qualitative comparative corpus design, this study analyzed 42 public documents published between 2021 and 11 July 2026, comprising 15 primary, 13 secondary, and 14 contextual sources through distributed-authorship mapping, workflow-chain analysis, and paratextual governance analysis. Results: Human actors retained legal, editorial, and ethical primacy, although machines increasingly occupied visible roles in drafting, stylistic production, and symbolic co-authorship. Literary agency operated across prompting, generation, selection, revision, arrangement, performance, and publication rather than residing exclusively in sentence production. Disclosure functioned constitutively, legitimizing experimentation in some contexts while enabling suspicion, restriction, or prohibition in others. Implication: Digital authorship should therefore be evaluated as a governed attribution network in which distributed creativity remains asymmetrical because accountability continues to rest with identifiable human and institutional actors. Novelty: This study integrates literary texts, creator accounts, publisher paratexts, media reception, platform rules, and policy documents within one auditable framework connecting attribution, workflow, and governance across contemporary transnational literary ecosystems.
When the machine writes back: generative AI, literary agency, and the reconfiguration of digital authorship Aisultanova Karlygash Abdukalykowna; Syaiful Islam
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 2 (2026): Meta-literature: between authorship and machine-mediated literary creativity
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/y9tsnr38

Abstract

Background: Generative artificial intelligence has destabilized conventional literary authorship by separating textual production from ownership, responsibility, and institutional recognition across digital publishing environments. Objective: This study examines how human writers, generative systems, editors, publishers, platforms, and cultural institutions redistribute literary agency, attribution, disclosure, and legitimacy. Method: Using a qualitative comparative corpus design, this study analyzed 42 public documents published between 2021 and 11 July 2026, comprising 15 primary, 13 secondary, and 14 contextual sources through distributed-authorship mapping, workflow-chain analysis, and paratextual governance analysis. Results: Human actors retained legal, editorial, and ethical primacy, although machines increasingly occupied visible roles in drafting, stylistic production, and symbolic co-authorship. Literary agency operated across prompting, generation, selection, revision, arrangement, performance, and publication rather than residing exclusively in sentence production. Disclosure functioned constitutively, legitimizing experimentation in some contexts while enabling suspicion, restriction, or prohibition in others. Implication: Digital authorship should therefore be evaluated as a governed attribution network in which distributed creativity remains asymmetrical because accountability continues to rest with identifiable human and institutional actors. Novelty: This study integrates literary texts, creator accounts, publisher paratexts, media reception, platform rules, and policy documents within one auditable framework connecting attribution, workflow, and governance across contemporary transnational literary ecosystems.
After the boats disappear: forced migration, statelessness, and precarious belonging in Southeast Asian refugee narratives Aisultanova Karlygash Abdukalykowna
Indonesian Journal of Politics and Literary Studies Vol. 1 No. 2 (2026): Literature, political futures, and contested lives in Indonesia
Publisher : CV Narasi Khatulistiwa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.67490/ijpl.v1i2.927

Abstract

Background: Forced migration in Southeast Asia increasingly reveals that maritime escape, rescue, or resettlement does not end refugee precarity when citizenship, documentation, and social recognition remain suspended. Objective: This study examines how Southeast Asian refugee narratives represent forced migration, statelessness, and precarious belonging after boats disappear from immediate public and humanitarian attention. Method: Using qualitative textual analysis, this study analyzes 19 publicly accessible documents consisting of refugee narratives, oral-history archives, humanitarian stories, public history materials, visual-documentary pages, and contextual institutional sources. Results: Findings show that maritime routes operate as narrative thresholds rather than closed episodes, because boats, camps, shelters, archives, and diasporic spaces form a continuous geography of unfinished displacement. Findings also indicate that statelessness is narrated through documentation absence, legal limbo, mobility restriction, humanitarian dependency, and intergenerational exclusion rather than through juridical language alone. Implication: Findings further demonstrate that testimony, family memory, digital archives, and visual representation function as fragile but meaningful practices through which refugees negotiate voice, history, and belonging. Novelty: This study contributes a narrative-spatial and legal-cultural framework that connects route, protection status, memory, and belonging, thereby repositioning Southeast Asian refugee narratives as critical sites for understanding post-arrival precarity.