Jekmen Sinulingga
Prodi Sastra Batak, Universitas Sumatera Utara, Sumatera Utara, Indonesia

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The Symbolic Meaning of Ulos in Batak Culture Indentity: A Weaving Tradition Perspective Jekmen Sinulingga; Rahel Theresia Rodame Situmorang; Tifany
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 6 (2025): November 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i6.1008

Abstract

This study aims to uncover the symbolic meaning of ulos in the formation of Batak cultural identity through the perspective of the weaving tradition. Using a qualitative approach with text analysis, this study examines weavers' narratives, cultural documents, and representations of ulos motifs and structures as cultural texts containing a network of meanings. The analysis is conducted by interpreting the weavers' creative narratives and linking them to the social, aesthetic, and spiritual functions of ulos. The research findings indicate that ulos has layered meanings that reflect ancestral values, kinship relations, and customary legitimacy. It is produced through a creative process rich in personal experience and collective memory. The weaving tradition serves as an important space for the inheritance of cultural values, as weavers act as cultural agents, maintaining the continuity of ulos symbolism amidst social change. The study also found that the meaning of ulos is not only evident in its use in traditional ceremonies but is shaped throughout the process of motif creation through the weavers' reflection of cultural values. This demonstrates that Batak identity is dynamic and continuously negotiated through practices of cultural representation. The limitations of this study lie in the limited scope of informants and the lack of exploration of the meaning of ulos across all Batak sub-ethnicities. Further research is recommended to broaden the perspectives of users and examine the influence of globalization on motif transformation. This study provides theoretical and practical contributions to the preservation of Batak cultural heritage through a deeper understanding of the symbolism of ulos as a living cultural text.
Development of Batak Weaving Tradition as a Creative Economic Product Based on Local Wisdom Jekmen Sinulingga; Rahel Theresia Rodame Situmorang; Tifany; Arjuna Junifer Siregar
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 6 (2025): November 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i6.1009

Abstract

Developing the Batak weaving tradition as part of the creative economy is a strategic effort to strengthen cultural values ​​while improving the welfare of local communities. This study aims to analyze the preservation, innovation, and utilization of local wisdom in the Batak weaving production process so that it can be developed as a competitive creative economy product. The research method used a qualitative approach using observation techniques, in-depth interviews, and documentation studies of ulos artisans in several regions in North Sumatra who still preserve Batak weaving. The results show that the weaving tradition not only functions as a socio-ritual identity and symbol but also has high economic potential when packaged innovatively. Motif development, product diversification, and the use of natural dyes are key strategies to meet the needs of the modern market without abandoning traditional values. Furthermore, the role of indigenous communities and women weaver groups is crucial in maintaining the continuity of local knowledge. The main challenges faced are limited regeneration of young weavers, a lack of support for production technology, and limited market access. This study confirms that the integration of local wisdom, design innovation, and digital marketing strategies can strengthen the position of Batak weaving as a competitive creative economy product. Thus, developing the weaving tradition is not only a means of cultural preservation but also a path to sustainable economic empowerment for the Batak people.
Semiotics in the Martumpol Traditional Ceremony in the Toba Batak Febe Elnosa Kasih; Ginto Sianturi; Anggun Yuni Sarah Saragih; Revi Angel Sonata Sitorus; Jekmen Sinulingga
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 2 (2026): Maret 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i2.1322

Abstract

This study aims to examine the forms of symbols, their semiotic meanings, and their functions within the martumpol tradition among the Toba Batak community. A qualitative method with a descriptive approach was employed, involving data collection through observation, interviews, and documentation. Data analysis was conducted using a semiotic perspective to understand the system of signs present in the martumpol procession. The results of the study indicate that the martumpol tradition encompasses various forms of symbols, such as verbal, nonverbal, material, ritual actions, and relational symbols. These symbols are interrelated and form a cohesive system of meaning within the cultural context. In semiotic analysis, the meaning of symbols in martumpol is divided into three levels: denotative, connotative, and ideological. At the denotative level, these symbols are interpreted literally, while at the connotative level, they reflect cultural values such as love, respect, and solidarity. At the ideological level, the symbols depict the norms, values, and social structures of the Batak Toba community, particularly within the dalihan na tolu kinship system. Furthermore, the symbols found in the martumpol tradition play a significant role in social life, including serving as a means to legitimize relationships, strengthen solidarity, build trust, and act as a medium for social control and cultural education. This tradition also demonstrates an adaptive nature in response to changing times without losing its fundamental meaning. Thus, martumpol functions not only as a traditional ritual but also as a tool for preserving the cultural values and identity of the Batak Toba community.