Alisya Putri Salsabil
Universitas Bina Sarana Informatika, Tangerang, Banten

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Phenomenology of Personal Financial Balance and Fandom Expenditure Through Merchandise Jasa Titip Among Generation Z Bella Sripuspita; Alisya Putri Salsabil; Cindi Apriany; Nabila Khaerunnisa
The Future of Education Journal Vol 5 No 2 (2026): Continued
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v5i2.1870

Abstract

This study aims to explore in depth how Generation Z in Indonesia balances personal finances amid fandom-related spending facilitated by personal shopper (jastip) services for merchandise purchases. Employing a phenomenological approach, the study conducted in-depth interviews with eight informants aged 18 to 26 years who were active members of K-Pop fan communities and regular users of personal shopper services. The findings reveal three major themes: (1) the rationalization of fandom expenditures as an investment in personal identity, (2) adaptive financial management strategies developed independently by fans, and (3) the influence of community-driven social pressure on impulsive purchasing decisions through personal shopper services. The results indicate that participants developed informal mental accounting systems to separate fandom-related expenses from primary living needs. However, these self-imposed financial boundaries were frequently challenged when exclusive merchandise pre-orders became available. The study highlights the complex interaction between personal identity, consumer behavior, and financial decision-making among Generation Z fans. Furthermore, it demonstrates how fandom participation shapes financial priorities while simultaneously encouraging the development of adaptive budgeting strategies. This research contributes to the growing literature on Generation Z financial behavior and opens further discussion regarding the need for financial literacy programs that are contextualized to contemporary fandom lifestyles and digital consumer culture.