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All Journal Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya Jurnal Sosiohumaniora Kodepena (JSK)
Rostiyati, Ani
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Religion Arts Humanities Social Sciences Other

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Angklung The Long-Established Art Facing Global Trends Rostiyati, Ani; Ria Intani Tresnasih; Lasmiyati
Jurnal Sociohumaniora Kodepena (JSK) Vol. 5 No. 1 (2024): Jurnal Sosiohumaniora Kodepena
Publisher : Kodepena Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54423/jsk.v5i1.137

Abstract

Initially, art was created as entertainment for leisure and rituals. Over time, when art is appreciated widely by other people, the art is then developed into various elements according to people’s needs. One type of art which is very old is Angklung. In a script written around 1905, it is explained that there was an Angklung performance on May 14, 1704. During that time, Angklung Buncis was developed and was performed by Lingkung Seni Sunda Putra Pajajaran, located in Margaluyu Village, Manondjaja District, Tasikmalaya Regency. Angklung Buncis is one type of Angklung that has been experienced from its golden age until the late 1960s. Thereafter, Angklung Buncis faded away until only a few groups remained in a small part of West Java. The research’s problem focused on how Angklung Buncis can then survive until now in Tasikmalaya Regency, and what efforts are carried out by them to deal with the times. This research was conducted using a descriptive analysis method, with the aim of knowing the efforts used by them to make Angklung Buncis to still keep exist. This study uses the theory from Simatupang that says that the arts facing globalization need to have innovation in the creative process (new ideas), productive (appearing in various events), revitalization (turning on and inheriting), promotion, and also supported by the government in a way to be optimally synergized. The results of the study show that there are several efforts carried out by artists of Angklung Buncis to be improved Angklung Landung. Angklung Landung later proved not only to be enjoyed by certain circles but also by the younger generation.
MEMAKNAI LUKISAN PEREMPUAN DALAM KONTEKS BUDAYA VISUAL Rostiyati, Ani
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 2 (2019): Agustus
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.293

Abstract

Sebuah lukisan adalah objek dalam bentuk visual yang memiliki makna. Sejalan dengan itu, tulisan ini bertujuan ingin memperlihatkan bagaimana suatu lukisan memadatkan gagasan dan nilai tertentu sebagai media untuk menyampaikan pesan. Penelitian ini menggunakan teori budaya visual dari Barnard dan gender dari Megawangi dan Abdullah. Kajian ini mengungkapkan bahwa empat lukisan perempuan Jawa yang dipamerkan oleh kelompok ”pepeling” Surakarta tersebut menggambarkan perempuan sebagai housewifization dan ibuisme yakni peran utama perempuan sebagai ibu rumah tangga yang melakukan tugas domestik. Kesimpulan dari kajian ini adalah Housewifization dan ibuisme ini merupakan identitas visual yang dikontruksi sehingga menjadi sumber pembentukan atau citra perempuan dalam realitas sosial masyarakat Jawa, terutama di pedesaan. Kajian ini menggunakan metodologi etnografis interpretatif yakni suatu pendekatan tafsir yang menggunakan ”teks” sebagai analogi atau model yang memandang, memahami, dan menafsirkan suatu kebudayaan atau gejala sosial budaya tertentu. Dalam pengumpulan data, peneliti melakukan wawancara, studi pustaka, majalah, dan buku.
Co-Authors Lasmiyati Ria Intani Tresnasih