Abdul Rosyid
Institute of Al-Qur'an Science (IIQ) Jakarta

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A Comparative Analysis of Waqf Sign Systems in the Indonesian Standard Braille Mushaf and the Madinah Braille Mushaf: An Application and Capability Approach Study at the Hikmah Mata Hati Foundation Abdul Rosyid; Inayah Mardhatillah
SALAM: Jurnal Sosial dan Budaya Syar-i Vol. 12 No. 3 (2025)
Publisher : SALAM: Jurnal Sosial dan Budaya Syar-i

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/sjsbs.v13i1.53204

Abstract

This study aims to conduct a comparative analysis of the waqf sign systems in the Indonesian Standard Braille Mushaf (MSB) and the Madinah Braille Mushaf (MBM), to examine their application in Braille Qur'an learning, and to evaluate their effectiveness through the lens of the capability approach. Employing a qualitative method with a comparative case study design, data were collected through observation, in-depth interviews, documentation studies, and limited trials at the Hikmah Mata Hati Foundation. The findings reveal that both mushafs share a fundamental functional similarity as tactile guides for waqf and ibtidā’ based on tajwid principles. However, significant differences exist in the quantity of signs, the Braille symbols employed, the presence of positional marker codes, and their underlying institutional standards. Users demonstrated adequate capability in recognizing and applying the waqf signs, which directly contributed to reading accuracy, fluency, comfort, comprehension of verse structure, and increased independence in reading the Braille Qur'an. Nevertheless, the dot marker code (3-6) system in the MSB was identified as potentially causing ambiguity, particularly with the lā waqfa fīh sign. It is concluded that both waqf sign systems are effective in facilitating reading capability, with their effectiveness highly dependent on the interplay between symbol design, learning processes, and user experience. Keywords: Waqf Signs, Standard Braille Mushaf, Madinah Braille Mushaf, Braille Qur'an, Capability Approach
The Fahmi Qira'atil Qur'an (FQQ) Method: A Historical and Pedagogical Analysis of an Indigenous Indonesian Quranic Learning Approach Abdul Rosyid; Sirrotul Ilmi Matdoan
SALAM: Jurnal Sosial dan Budaya Syar-i Vol. 13 No. 1 (2026): Spring Edition
Publisher : SALAM: Jurnal Sosial dan Budaya Syar-i

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/sjsbs.v13i1.53217

Abstract

The development of Qur'anic literacy among Indonesian Muslims has long been a central concern of Islamic education, prompting the emergence of various indigenous methods designed to accelerate and simplify the process of learning to read the Holy Qur'an. This study examines the Fahmi Qira'atil Qur'an (FQQ) method, a Qur'anic learning approach developed by Ahmad Bardji Matdoan in Ambon, Maluku, in the late 1970s. Employing a qualitative descriptive methodology with historical and pedagogical analysis, the research investigates the method's origins, characteristics, instructional design, and distinctive features through examination of the primary textbook and supplementary sources. The findings reveal that the FQQ method emerged as a response to the limitations of the Baghdadiyah method, incorporating a unique three-stage hijaiyah letter recognition system organized alphabetically, combined with simultaneous introduction of letter forms in initial, medial, and final positions. The method integrates tahajji (spelling), talaffuzhi (phonetic), and qiyasi (latinization) approaches within a single-volume textbook structured across three instructional levels from beginner to intermediate. Distinctive features include the classification of fourteen challenging letters with Latin equivalents, the use of fourteen reading sign formulas, and specific terminological variations in tajwid concepts compared to other Indonesian methods. The FQQ method has demonstrated significant longevity, spreading from Ambon to the Tual region of Southeast Maluku, where it continues to be utilized in Taman Pengajian Al-Qur'an institutions and government-sponsored literacy programs. This study contributes to the documentation and analysis of Indonesia's diverse Qur'anic pedagogical heritage, highlighting the importance of preserving and studying locally-developed Islamic educational approaches within their sociocultural contexts. Keywords: FQQ Method, Qur'anic Literacy, Islamic Education, Tajwid Pedagogy, Maluku, Indonesian Islam, Baghdadiyah Method
Alif and the Harmony of Script, Sound, and Meaning in the Qur'an: An Analysis of Ḥażf, Ziyādah, and Ibdāl Ḥurūf Abdul Rosyid; Said Aqil Husin Al-Munawar; Muhammad Ulinnuha
SALAM: Jurnal Sosial dan Budaya Syar-i Vol. 13 No. 1 (2026): Spring Edition
Publisher : SALAM: Jurnal Sosial dan Budaya Syar-i

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/sjsbs.v13i1.54243

Abstract

This article examines the function of the Arabic letter alif in the Qur'anic text through the lens of three orthographic mechanisms: ḥażf (deletion), ziyādah (addition), and ibdāl (substitution). Drawing on classical works of Qur'anic orthography (rasm 'Uthmānī), recitation sciences (qirā'āt and tajwīd), and Jacques Derrida's deconstructive hermeneutics, the study analyzes selected examples from Surah al-Fātiḥah and Surah al-Baqarah where identical words are written differently across the Qur'anic corpus. The analysis demonstrates that these orthographic variations are not arbitrary but function as a unified system in which script, sound, and meaning interact dynamically. The article argues that alif, as the most frequent letter in the Qur'an, serves as a nodal point where orthographic presence and absence, phonological realization and silence, and semantic stability and openness converge. Through Derrida's concepts of différance, traces, and aporia, the study interprets these phenomena as evidence that the Qur'anic text deliberately preserves interpretive possibilities that resist closure. The findings contribute to Qur'anic studies by demonstrating that the orthography of the muṣḥaf is not merely a technical convention but an integral dimension of the text's meaning-generating capacity. The study concludes that the harmony between script, sound, and meaning in the Qur'an operates through a logic of supplementarity rather than correspondence, inviting continuous engagement with the text's semantic potential.