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All Journal Kajian Linguistik dan Sastra Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia
Rahmad Kurniawan
Universitas Muhammadiyah Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media

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Analisis Linguistik Diakronis Bahasa Ogan dan Bahasa Mentawai pada Tataran Fonologi dan Leksikal: Indonesia Rahmad Kurniawan; Fadiil Reza Mombai; Cesario Galang Rosalianto; Dimas Aprilliansyah; Gigan Satria Lanangku; Yunus Sulistyono
Kajian Linguistik dan Sastra Vol. 11 No. 1 (2026)
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/kls.v11i1.16953

Abstract

This research examines the diachronic linguistic relationship between Ogan and Mentawai, two Austronesian languages in Sumatera, at the phonological and lexical levels. Using comparative-historical methods with Swadesh basic vocabulary words, this study aims to reveal sound correspondence patterns and genetic relationships between the two Austronesian languages. Data were collected through reading and note-taking techniques, then analyzed using lexicostatistical methodsand phonemic correspondence analysis. The results show 20 cognate words with a kinship percentage of 18.18%, placing them in the Families of Stock category according to Crowley’s classification. Phonological analysis reveals systematic sound correspondences at word-final positions: /i/ in Ogancorresponds to /ei/ in Mentawai (ati ~ atei ‘hati’, mati ~ matei ‘mati’), and /ə/ in Ogan corresponds to /a/ in Mentawai (duə ~ dua ‘dua’, matə ~ mata ‘mata’). Despite originating from the same proto-language, geographical separation and regional isolation have caused significant lexical divergence. This research contributes to the documentation and preservation of regional languages in the Indonesian archipelago and enriches understanding of Austronesian language development inIndonesia.
Gaya Bunyi dan Majas dalam Puisi “Pengakuan Koran” Karya Dedet Setiadi: Kajian Stilistika Rahmad Kurniawan; Adyana Sunanda
Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 2 (2026): Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indones
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/bb.v11i2.4895

Abstract

This study aims to describe the use of sound devices and figurative language in the poem Pengakuan Koran by Dedet Setiadi through a stylistic approach. This poem was selected due to its stylistic uniqueness in using the personification of newspapers as a speaking subject and the complexity of sound patterns and figurative language contained within it. The research method employed is descriptive qualitative with data collection techniques through repeated reading, identification of stylistic elements, note-taking, and literature study. The data consist of words, phrases, and poetic lines containing sound devices and figurative language, analyzed through stages of data reduction, classification, interpretation, and systematic description. The analysis stages include selecting relevant data, grouping based on types of sound devices and figurative language, interpreting functions and meanings, and drawing conclusions regarding the role of stylistic elements in forming the poem's meaning. The findings reveal that the dominant sound devices include assonance of vowel /a/ creating flowing rhythm and openness impression, alliteration of consonant /m/ producing soft and mysterious effects, alliteration of consonant /k/ giving firm and strong impressions, and initial rhyme with prefix /me-/ strengthening rhythmic structure and inter-line cohesion. The figurative language identified includes personification as the dominant figure bringing the newspaper to life as an active subject, metaphor creating provocative comparisons, hyperbole, simile, irony, and symbolism. The synergy between sound devices and figurative language produces coherent totality of meaning and strong aesthetic effects, while simultaneously conveying social criticism regarding the dominance of mass media in shaping public perception and consciousness in the information age.
Co-Authors Adyana Sunanda Cesario Galang Rosalianto Dimas Aprilliansyah Fadiil Reza Mombai Gigan Satria Lanangku Yunus Sulistyono