Hilman Cahya Kusdiana
Institut Seni Budaya Indonesia Bandung

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“Sareupna” Reinterpretasi Tradisi Pamali Sebagai Penciptaan Karya Seni Lukis Dilasyaneu Monique; Teten Rohandi; Hilman Cahya Kusdiana
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4506

Abstract

Pamali is an oral tradition that acts as a social control that incorporates ethics and values through prohibitions or taboos, especially in children’s daily life, social life, time and place restrictions. The creation of this final project departs from the phenomenon of the fading value of the pamali tradition, especially the prohibition of activities before Maghrib in today’s younger generation. The visuals of this painting use a parody approach by combining elements of horror and facetiouness, as well as combining traditional symbols. Through humorous and witty visual exploration, pamali is no longer presented as something scary, but rather as a reflective cultural dialog and open to reinterpretation of its meaning. The creation method used is the practice-led research method, which is research conducted during the practice of the work, which is divided into three stages: (1) Pre-image stage; (2) Abstract image stage; (3) Abstract image stage. The result of this creation is a total of 3 canvases using acrylic paint, each illustrating the pamali expressions of Maghrib time.
Kemuliaan Sunan Ambu Refleksi Masa Kini Sebagai Ide Penciptaan Karya Lukis Searsa Nur Aulia Maheswari; Supriatna Supriatna; Hilman Cahya Kusdiana
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4507

Abstract

This creation recontextualizes the noble values of women in Sundanese culture through the medium of painting, by combining the visual strength of traditional culture through a modern aesthetic approach, in this case the mythological figure of Sunan Ambu as the main source of ideas, which is seen as having values of nobility, compassion, wisdom, justice, blessing and help. The figure of Sunan Ambu is metaphorized into a female figure in expressionism style. The process of this work uses the practice led research method, which is the process of creating works through observation, exploration of forms and techniques, strengthening the main idea and implementing the concept so as to produce works as artistic expressions related to the issue of shifting values of women today.