Nadia Rachmaya Ningrum Budiono
Program Studi Tata Rias dan Busana, Fakultas Seni Rupa dan Desain, ISBI Bandung, Indonesia

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Representasi Tokoh Drupadi Pada Desain Artwear Melalui Kajian Semiotika Roland Barthes Nadia Rachmaya Ningrum Budiono; Haidarsyah Dwi Albahi
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7454

Abstract

The legendary Drupadi, which is derived from the Mahabharata's narrative is almost always recited in a traditional manner, and the only reason it is done thus is to serve as a symbol of men's and women's feelings of love and affection. But in the dynamics of contemporary society today, there is a great urgency to reconstruct that image such that it is still relevant to present issues related to empowerment and complexities of women’s identity. In order to provide a solution, this research utilises artwear designs as a form of presentation with the purpose of introducing the character of Drupadi to the metropolitan population. aimed at making the character of Drupadi a symbolic depiction of women’s strength and empowerment in present socio-cultural realities. This Kreative process utilises the method of creation by Prof Dharsono which is done in 4 systematic stages, namely observation, experiment, contemplation and formation. The researcher can dissect the depth of meaning of the character and analyse the denotative and connotative codes of each visual element contained in the artwear design by using Roland Barthes’ semiotic approach. This research through visual exploration of form and colour results in artwear designs that not only emphasise the aesthetic aspect but also convey a deep message about the firmness of identity. The analysis results suggest the visual element is effective in communicating the shift in meaning from passive compliance to active power. The conclusion is that this artwear design has successfully worked as an effective visual communication medium and symbolic element that reflects the Reposisi and identity of women in the midst of heterogeneity of urban society nowadays
Visual Candi Jiwa Dalam Perspektif Practice-Based Research Sebagai Inspirasi Pembuatan Desain Headpiece Dion Darsa Sabrian; Nadia Rachmaya Ningrum Budiono; Wening Gilang Nawangi; Puji Rahmah Shalih
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7579

Abstract

This study explores how the aesthetic values of the Jiwa Temple Site in Karawang can be transformed into an artwear headpiece design. The research is motivated by the need for new approaches to preserving the cultural identity of the Jiwa Temple Site, which is currently facing physical deterioration, natural weathering, and damage caused by human activities due to its location in an open rice-field area. As an alternative form of cultural preservation, this study develops a headpiece inspired by the temple's architectural form and symbolic characteristics. The main objective of this research is to reinterpret the visual and structural elements of the Jiwa Temple Site into a contemporary headpiece design that offers both aesthetic originality and cultural meaning. To achieve this objective, the study adopts a Practice-Based Research approach, supported by descriptive analysis to examine the temple's visual characteristics and semiotic analysis to interpret the cultural meanings represented in its architectural elements. The results show that the transformation process successfully translates the visual grandeur of the Jiwa Temple Site into a lightweight wearable artwork without losing its aesthetic identity. The resulting headpiece not only contributes to the development of artwear design from both practical and theoretical perspectives but also functions as an alternative medium for introducing and promoting local cultural heritage, thereby encouraging greater public awareness of its preservation.