Azizi Bahauddin
Interior Architecture Programme School of Housing, Building and Planning, Universiti Sains Malaysia

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From script to space: Integrating Nüshu heritage into interior design narratives Yu Qin Lim; Azizi Bahauddin
ARTEKS : Jurnal Teknik Arsitektur Vol 10 No 1 (2025): ARTEKS : Jurnal Teknik Arsitektur | Januari 2025 ~ April 2025
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v10i1.3562

Abstract

Nüshu, or “women’s script”, is a unique calligraphy and female culture traditionally inherited among women in Jiangyong County, Hunan Province, China. Regarded as “the secret language of women”, it has recently been revitalised. Besides the museum dedicated to preserving Nüshu, previous studies have explored its characteristics, linguistic and literacy aspects, cultural significance, and applications in digital technology. Despite its integration into product, fashion, and multimedia designs, widespread awareness remains scarce. This research aims to integrate Nüshu heritage into feminine interior design to honour past women’s wisdom, courage, and creativity with two objectives: to identify significant Nüshu elements for integration into feminine spaces and to develop design approaches for this integration to enhance cultural narrative and depth in feminine interior spaces. This study adopted a qualitative approach where a female interior designer and a female architect in Malaysia were interviewed to gain insights into feminine space designs. Content analysis was also conducted on an exhibition design with feminine attributes, as an example of narrative in feminine spaces. Guided by feminist theory, the discussion centred on infusing feminine interiors with Nüshu cultural symbolisms. Therefore, this paper underscores the significance of incorporating Nüshu elements into feminine interiors to enhance cultural appreciation and connection.
The Nattukottai Chettiar Temple: An architectural manifestation of chettier cultural identity Nurul Izzati Masrom; Azizi Bahauddin
ARTEKS : Jurnal Teknik Arsitektur Vol 10 No 1 (2025): ARTEKS : Jurnal Teknik Arsitektur | Januari 2025 ~ April 2025
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v10i1.3568

Abstract

The Chettiar moneylenders from Chettinad, Tamil Nadu, India, thrived in local and international commerce, especially in the Malay States. Their architecture, influenced by finances, banking, and trade, is simultaneously unique and culturally significant. The Chettiar community in Penang is facing a population decline. Thus, the community's cultural neglect leads to its demise. Despite the Chettiar community's longstanding involvement in commerce, banking, and financial management, more comprehensive research needs to be conducted to explore the influence of these factors on their architectural designs, particularly their temples. The potential demise of Chettiar culture raises significant concerns about the need for more experts in this field, highlighting the urgent need to preserve their architectural heritage. The primary aim of this qualitative method is research to study the architectural features of the Chettiar temple. It delves into the temple's architectural design, exploring the distinctive features that represent a fusion of multiple cultures. The study assesses their impact on enhancing the temple's visual appeal and cultural significance. The temple, a representation of the magnificence and intricacy of architectural craftsmanship, stands as evidence of the Chettiars' economic prosperity. Furthermore, the research examines the functional characteristics of the temple space, offering a deeper understanding of its design and usage. The study also analyses the historical development of trade associated with the Chettiar temple in the Malay states. This study seeks to explain the complex interconnections of culture, architecture, and commerce, with the ultimate goal of preserving the Chettiar community's unique cultural and architectural heritage.