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Pendidikan Tari, Universitas Negeri Jakarta
Arts Humanities Education

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Penciptaan Karya Komposisi Penataan Gamelan Pelog - Salendro Untuk Aransemen Musik Sekolah Ojang Cahyadi
Jurnal Pendidikan Tari Vol 1 No 2 (2021): Dance and Dance of Education
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.126

Abstract

Revealing arranged sounds through the composition of musical works is outlined in the arrangement of gamelan compositions for school music arrangements, motivated by the desire to provide alternative material and special gamelan playing techniques for school music arrangements, so that school students are interested in participating in gamelan learning. The sound in music is something that is alive and in the form of sounds that are arranged and have their own size, so that harmonious tones and rhythmic patterns are formed. The life of the sounds can be seen from the characteristics or character that are determined by the musical instruments, some sound by blowing, rubbing, tapping, hitting, and pressing. The sound of a musical instrument will merge with the soul of the musician as a musician's self-expression. A musician's work of art is an aesthetic experience and personal creative ideas that are incorporated into the work of music. The specific goals and objectives to be achieved in this research are to produce media products and teaching materials that are practical and make it easier for students to play the gamelan, and produce works of Sundanese gamelan arrangement compositions that are suitable as teaching materials. While the methodology in this research is qualitative which produces a product in the form of a Sundanese pelog salendro gamelan arrangement that has the legality of intellectual property rights and sheet music documentation or arrangement composition notation resulting from the research process of this artwork.
Eksplorasi Gerak Untuk Meningkatkan Percaya Diri Anak Korban Kekerasa Keluarga Apriliani Rafika Dewi
Jurnal Pendidikan Tari Vol 2 No 1 (2021): Seni Pertunjukan dan Pengaruh Seni Tari dalam Pendidikan
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.213

Abstract

The purpose of this study was to obtain data on the confidence of children victims of family violence. The study uses an action research model by Kemmis and MC Taggart with the application of motion exploration. The study used two cycles, which included planning, action, observation, and reflection. The results showed that the exploration of motion can increase the confidence of children victims of family violence. Based on the results of the pre-cycle 52.4%, cycle I increased to 74%, and cycle II to 83.6%. The conclusion of the study is that the application of exploration of motion can increase the confidence of children victims of family violence. The benefit of this study is that the exploration of motion can be used as dance therapy to increase confidence.
Penciptaan Tari Furshotu Tsaniyah Menggunakan Methods of Construction Jacqueline Mary Smith-Authard Rahmat Suryo Samudro
Jurnal Pendidikan Tari Vol 2 No 1 (2021): Seni Pertunjukan dan Pengaruh Seni Tari dalam Pendidikan
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.215

Abstract

"Furshotu Tsaniyah" is taken from Arabic, Al-Furshotu which means opportunity, opportunity comes, and At-Tsaniyatun which means second. Furshotu Tsaniyah means second chance. The interpretation of this title is that there is a second chance for those who feel alive again from near death and experience life after death. The dance work "Furshotu Tsaniyah" is based on the basic movements of Sundanese dance combined with contemporary movement techniques that are explored infinitely by the choreographer. Appointed this story into a dance work to give a moral message to the community through dance works. This dance work was created through the methods of construction Jacqueline Mary Smith-Authard which consists of methods of construction 1 - 8. The embodiment of the resulting dance work is in the form of dance compositions developed from processing Sundanese dance movements and contemporary movement techniques as well as supporting elements of dance works like angel wings and whips. The dance work "Furshotu Tsaniyah" uses a dramatic dance type with a single-cone dramatic design and presented in a symbolic presentation mode.
Co-Authors Apriliani Rafika Dewi Ojang Cahyadi Rahmat Suryo Samudro