Jalaluddin Baginda
UIN Sunan Kalijaga Yogyakarta, Indonesia

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The Reception of Hadith in Popular Music: Aisyah Istri Rasulullah: Resepsi Hadis Dalam Musik Populer: Aisyah Istri Rasulullah Jalaluddin Baginda
Zawayatul Fikr: Journal of Islamic Education Vol. 2 No. 1 (2026): Zawayatul Fikr: Journal of Islamic Education
Publisher : CV. Cendikiawan Global Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.67198/zafie.v2i1.31

Abstract

This study aims to analyze the repression of hadith in the lyrics of the song Aisyah Istri Rasulullah by Mr. Bie using Karl Mannheim's sociology of knowledge theory. The focus of the research includes the authenticity of the hadith used in the lyrics, the socio-historical background of the songwriter, and the objective and subjective meanings contained in the use of the hadith. This study uses a library research method with qualitative use through analysis of the song lyrics, the hadiths used as references, and various supporting literature. The results of the study show that several song lyrics, such as the Prophet drinking on Aisyah's lips and the Prophet running with Aisyah, have a basis in authentic hadith. Objectively, these hadiths contain values ​​of respect for women, compassion, and household harmony. Subjectively, Mr. Bie interprets the hadith as a symbol of love and emotional closeness in the Prophet's family. Through this song, the hadith is reinterpreted into popular culture as a medium of da'wah that introduces Islamic family values ​​to modern society.