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Hartono Hartono
Universitas Negeri Semarang,Indonesia

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Genealogy Of The Inheritance of Grebeg Sabrang Mask Dance in Sanggar Asmorobangun in The Context of Identity Preservation Daniar Hafri Ahsani; Hartono Hartono; Agus Cahyono
Catharsis Vol. 13 No. 2 (2024): November 2024
Publisher : Universitas Negeri Semarang

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Abstract

The motivation for this research is the gaps that frequently occur during the process of inheriting cultural arts, particularly among the younger generation, who are beginning to lose touch with traditional values in the face of modernization. From a genealogical standpoint, the objective of this research is to investigate the inheritance process of the Grebeg Sabrang Masked Dance in Sanggar Asmorobangun Kedungmonggo Malang Regency. With family and local community-based inheritance patterns, this dance has been passed down through generations since the era of Mbah Serun until the fifth generation. This research employs qualitative methodologies, including participatory observation, documentation, and in-depth interviews, as data collection techniques. The validity of the data was verified by conducting a triangulation of sources, methods, and theories. This studio was able to adapt to the demands of the times by innovating the duration and function of dance, both as a medium of education and tourism, in addition to ensuring the sustainability of the tradition, as demonstrated by the results. This preservation process entails strategies that are designed to preserve the traditional essence of the performance form, collaborate between generations, and adjust the performance form in accordance with local cultural values. This research's conclusion shows the significance of the genealogical approach in the preservation of traditional art as a local cultural identity and its relevance in the contemporary era.
Transforming Student Behavior through Internalization of Values Aesthetics-Ethics in Traditional Dance Learning Based on Local Wisdom at SMPN 4 Cepu Kusmini Kusmini; Hartono Hartono
Catharsis Vol. 14 No. 2 (2025): November 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v14i2.41317

Abstract

This study aims to analyze the implementation of traditional dance learning based on local wisdom at SMPN 4 Cepu, with a focus on the process of internalizing aesthetic-ethical values and transforming student behavior through a contextual and experiential learning approach. This study uses a qualitative method with a case study approach, involving participatory observation, in-depth interviews with teachers and students, and analysis of learning documents to collect comprehensive data from the field. The results show that learning takes place in a planned and effective manner through direct practice strategies, teacher demonstrations, and continuous habituation, which successfully integrates mastery of dance movement techniques with a deep understanding of cultural backgrounds, symbolic meanings, and local values. Aesthetic values are internalized through appreciation of movement, rhythm, facial expressions, and the beauty of dance forms, while ethical values are embedded through disciplined practice, group work, mutual respect, and adherence to norms in the affective, cognit ive, and psychomotor domains; this triggers real behavioral transformations in the form of increased self-confidence, discipline, collaboration skills, and appreciation of cultural diversity both in the learning environment and in daily school life. In conclusion, this approach has a positive impact on the formation of local identity and character of students, with suggestions for strengthening school policies through the pro vision of supporting facilities, innovation of teacher teaching strategies, active student participation, and further research to explore long-term effectiveness.​