Article Per Year (5 Year)
p-Index From 2021 - 2026
0.751
P-Index
This Author published in this journals
All Journal Jurna lAntropologi Indonesia Jurnal Syntax Transformation Journal of Socio-Cultural Sustainability and Resilience
Prihandoko Sanjatmiko
Department Of Anthropology, University Of Indonesia
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
A Critical Review of Hardin’s Tragedy of the Commons Model (1968): A Case Study of the Segara Anakan Community, Cilacap, Central Java Prihandoko Sanjatmiko
Antropologi Indonesia Vol 39, No 1 (2018): Antropologi Indonesia
Publisher : Department of Anthropology

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper aims to contribute to the theory of common property that has been developed since the 1960s by explaining the dynamics involved in the management of resources that are in transition, from being held “in common” (common pool resources) to being privately owned (as private property) or vice versa, through compromises made among the actors in the communal legitimacy. Qualitative research was conducted in Ujung Alang and Klaces village, Kampung Laut sub district, the Cilacap regency, Central Java, Indonesia. The findings of this study indicate that landscape changes can cause changes in the agrarian structure in the form of changes in resource ownership as the resources convert from common property to private property. At the same time, some other resources are transformed from private property to common property. Both processes are possible due to the roles of actors who are capable of using their power relations. Hardin’s previously established Tragedy of the Commons model can be expanded into a dynamic theory through the incorporation of the theory of the actors’ access to power relations.
Industrial Partnership and Local Wisdom in the Rattan Furniture Industry: An Anthropological Perspective in Maintaining Cultural Heritage and Innovation Boike Janus Anshory; Prihandoko Sanjatmiko
Jurnal Syntax Transformation Vol 4 No 12 (2023): Jurnal Syntax Transformation
Publisher : CV. Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jst.v4i12.854

Abstract

This research aims to the partnership between the rattan furniture industry and local wisdom from an anthropological perspective has become an important part of the cultural heritage of certain communities, and illustrates the close relationship between humans and nature and traditions that continue to be preserved from generation to generation. With the development of technology and globalization, challenges arise in maintaining cultural authenticity while still innovating to meet changing market demands. The stage is to explore how a solid partnership between the rattan furniture industry and the local community can be the key to maintaining and appreciating local wisdom. Anthropology as a scientific approach will assist in understanding the important role of culture and traditional values in the production process and design of rattan furniture. This research is a relevant and meaningful forum for discussing how the rattan furniture industry can collaborate with anthropology-based local communities. By applying an anthropological perspective in an industrial context, a deeper understanding of the role of rattan furniture as part of cultural heritage and local identity will be obtained. Descriptions of creative and innovative ways to integrate traditional values and local wisdom in the rattan furniture production process will have an impact on sustainable and mutually beneficial partnerships between industry and local communities will be discussed to maintain and appreciate knowledge and skills that have been passed down from generation to generation. The role of the rattan furniture industry is expected to be able to adapt to the challenges of globalization, while still maintaining the authenticity of their products and supporting cultural sustainability in the context of implementing local values, the design and marketing of rattan furniture products in the global market will be an important focus point. By analyzing the impact of globalization and technology on the rattan furniture industry, it is hoped that it will encourage active participation and collaboration from industry players, academics and local communities in maintaining cultural wealth and creativity in the rattan furniture sector
From static to social: Museum-date and the reimagining of urban museums in the disruption era Farasabila, Tuffana; Sanjatmiko, Prihandoko
Journal of Socio-Cultural Sustainability and Resilience Vol. 3 No. 1: July (2025)
Publisher : Institute for Advanced Science, Social, and Sustainable Future

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61511/jscsr.v3i1.2025.1933

Abstract

Background: This study addresses the shifting public perception of museums in the era of disruption, particularly among urban communities. One manifestation of this shift is the emergence of the museum-date phenomenon, in which museum visits are reimagined as interactive, experiential, and lifestyle-oriented activities. This study aims to investigate how this transformation reflects broader changes in how urban society engages with tourism and cultural institutions. Methods: A qualitative ethnographic method was applied to explore this phenomenon. Data collection involved direct observation, in-depth interviews with key and additional informants, and documentation techniques. Fieldwork was conducted at the National Museum of Indonesia and Lawang Sewu to gather insights into the practices and perceptions surrounding museum-dates in an urban context. Findings: Findings indicate that the disruption era has significantly influenced the dynamics of museum engagement. The concept of the museum-date is not only shaped by disruptive innovations—such as digital culture and social media—but also by a tension with conventional museum frameworks. Visitors are increasingly transforming their museum visits into personalized and performative experiences, reflecting broader changes in urban lifestyles and consumer behavior. The museum-date represents a repackaging of tourism experiences that aligns with the sensibilities of the digital and disruption-driven generation. Conclusion: The study concludes that the museum-date trend signifies a reconfiguration of museum functions in response to disruption-era influences, offering new potential for museums to remain culturally relevant and socially integrated in urban life. Novelty/Originality of this article: This article offers a novel contribution by examining the museum-date as a cultural response to the era of disruption, highlighting how innovation and social media have reshaped urban tourism and museum engagement in Indonesia. It provides a new lens to understand how urban society adapts cultural spaces to meet evolving social needs.
Co-Authors Boike Janus Anshory Boike Janus Anshory Farasabila, Tuffana