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All Journal English Language and Literature Journal Sujud: Jurnal Agama, Sosial dan Budaya
R Myrna Nur Sakinah
Universitas Islam Negeri Sunan Gunung Djati Bandung
Religion Humanities Decision Sciences, Operations Research & Management Education Law, Crime, Criminology & Criminal Justice Social Sciences

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Sebuah ANALISIS TANDA VERBAL DAN NONVERBAL YANG TERDAPAT PADA POSTER FILM THE BOY AND THE HERON Dhea Rizky Fitria; R Myrna Nur Sakinah
EL2J (English Language and Literature Journal) Vol 5 No 1 (2026): ENGLISH LANGUAGE AND LITERATURE JOURNAL
Publisher : Fakultas Bahasa & Sastra Universitas Wijaya Putra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38156/el2j.v5i1.66

Abstract

Anything can be a sign, including the elements found in the movie poster of The Boy and the Heron. This research aims to classify the verbal and nonverbal signs contained in the poster based on Peirce's semiotic theory, including examining the meaning contained in it. The method used in this research is a descriptive qualitative research method with Peirce's semiotic approach regarding the semiotic triadic model of signs. Through his triadic framework, namely Representamen, Object, and Interpretant, this study found that the signs do not only convey the setting and brief information, but there is a deep meaning related to the theme of human relations with nature, as well as the meaning that the filmmaking company wants to convey to attract viewers. The poster not only functions as a visual communication tool, but also implies complex symbolic themes
Narrating the Sacred Exodus: Literary Structures and Cultural Paradigm Shifts in Early Islamic Prose Narrative Mela Triana; R Myrna Nur Sakinah
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/yvab5592

Abstract

The Sirah Nabawiyah by Ibn Hisham/Ibn Ishaq has traditionally been scrutinized through the lenses of empirical historiography or theological validation. Such approaches frequently overlook the text’s status as a sophisticated narrative artifact that actively charts social transformation. This study aims to critically analyze the narrative structure, characterization dynamics, and linguistic shifts within the “Hijrah to Madinah” narrative to uncover how the text constructs the cultural transition from the tribal Jahiliyah system to the theo-political community of the Ummah. Utilizing a qualitative-descriptive method rooted in literary criticism, this research integrates theories of spatial narratology (Bakhtin, Turner, Foucault), character archetypes (Frye), and critical discourse analysis (Foucault, Barthes). The findings reveal three primary dimensions: First, space is architectured as a triadic transformation: Makkah as a stagnant tribal dystopia, the Desert (Cave of Thawr) as a liminal zone of identity dissolution, and Madinah as an inclusive social utopia. Second, the characterization of key figures (Prophet Muhammad, Abu Bakar, Ali, Abdullah bin Urayqith, Suraqah) is cast into universal archetypes that deconstruct blood-ties (asabiyah) in favor of alliances based on faith and professionalism. Third, the text records a radical discursive shift wherein the old clan-oriented vocabulary (fakhr, tha’r) is rhetorically subverted and replaced by a new theo-political lexicon (Ummah, Mu’akhah, Aman), institutionalized within the Constitution of Madinah. In conclusion, the Sirah Nabawiyah is not a passive mirror of history but an active agent of cultural definition that validates the establishment of a universal early Islamic social order.
Co-Authors Dhea Rizky Fitria Mela Triana