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Journal : MOMENTUM : Jurnal Sosial dan Keagamaan

Debus Banten: In Between Myth, Belief, And Culture Sihombing, Lambok Hermanto; K, Aditya; H, Barik; A, Kerin
MOMENTUM : Jurnal Sosial dan Keagamaan Vol 10 No 2 (2021): MOMENTUM OKTOBER 2021
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Sekolah Tinggi Islam Blambangan (STIB) Banyuwangi

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Abstract

Debus is one of the martial arts from the province of Banten, Indonesia.It is considered an art that is still controversial about its origin because this art shows the ability of people who are immune to sharp weapons, hydrochloric acid, and other dangerous materials that can be very harmful to human. It is still debatable that Debus is being associated with religion or belief for there is some ritual that is conducted during the practice. By using Cultural Identity as our main theory and encoding-decoding theory by Stuart Hall, the authors try to find out whether Debus Banten is still relevant in this current society and unpack the complexity of the diverse comments appearing on YouTube regarding the tradition. The data is taken from the comments from YouTube videos that use Debus Banten as the content. The result of this study suggests that topics appearing in the comments are not limited to the fight or the fighters. Interestingly, the topic is also about a debate that Debus Banten is a pure traditional martial arts or black magic.
The Portraits Of Two Different Social Milieus Depicted In The Pariban: Idola Dari Tanah Jawa Movie Sihombing, Lambok Hermanto
MOMENTUM : Jurnal Sosial dan Keagamaan Vol 11 No 1 (2022): MOMENTUM MEI 2022
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Sekolah Tinggi Islam Blambangan (STIB) Banyuwangi

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Abstract

The movie of “Pariban: Idola dari Tanah Jawa” shows the setting of a metropolitan city, Jakarta and the beauty of Samosir Island in North Sumatra. The use of language uttered by the main character, Halomoan Brandon Sitorus who lives in Jakarta is totally different from his relatives who live in his hometown, North Sumatera. In this scientific article, the author aims to observe how the camera works and the dialogue contributes to our understanding of Halomoan’s life in his hometown on the contrary to his life in the city. In order to help the author doing this analysis, the author first watch and identify every scene and shot of the movie and then collect the data that could help author for the analysis. To help with the analysis, Mise En Scene approach from Manon de Reeper and Theory of Representation from Stuart Hall are used for this study. The result of this study shows that this film represents the portraits of two different social milieu, Jakarta and Samosir Island. What the major character portrays in the movie through the scene and dialogue represent the different condition and reality of two compared cities.