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Kontestasi Ideologi Dan Autentisitas Dalam Hijab Cosplay Indonesia Sinaga, Agustinus Alexander; Tambunan, Shuri Mariasih Gietty
JISIP: Jurnal Ilmu Sosial dan Pendidikan Vol 7, No 3 (2023): JISIP (Jurnal Ilmu Sosial dan Pendidikan) (Juli)
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/jisip.v7i3.5568

Abstract

Sejarah panjang Islam dan budaya populer di Indonesia memunculkan fenomena baru yang disebut hijab cosplay pada wala tahun 2000. Diskursus mengenai apa itu hijab cosplay dan bagaimana hal tersebut mewakili identitas grup sebagai perempuan muslim dan pecinta J-Pop amsih menjadi perbincangan yang tabu dan kontroversial di kalangan publik. Bagaimana cosplayer menggunakan dan memodifikasi hijabnya agar sesuai dengan karakter yang diperankan bertentangan dengan autentisitas pertunjukan cosplay. Menggunakan etnografi digital, penelitian ini mengadakan FGD terhadap 10 hijab cosplayer Indonesia yang didapat dari Facebook dan Instagram. Penelitian ini bertujuan untuk mengetahui bagaimana cosplayer berhijab mengartikan autentisitas dan persaingan identitas sebagai perempuan muslim yang berhijab dan sebagai cosplayers. Penelitian ini menunjukan bahwa autentistias hijab cosplay dapat diproduksi dan dinegosiasikan dengan mempertimbangkan konteks budaya dan historitas. Dengan menunjukan autentisitas mereka sendiri, cosplayer berhijab ingin menunjukkan kepada orang bahwa kesalehan ayng ditandai dengan penggunaan hijab tidak menghalangi perempuan untuk melakukan pertunjukan kreatif.
REPRESENTATION OF SOCIAL CLASSS IN PARASITE MOVIE Sihombing, Lambok Hermanto; Sinaga, Agustinus Alexander
Lire Journal (Journal of Linguistics and Literature) Vol. 5 No. 1 (2021): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v5i1.107

Abstract

Film works can be created from various perspectives and production methods by teams in the film industry. Parasite is a South Korean movie present as a production-based film and it raises a big theme of lifestyle differences between social classes. Parasite Movie portrays a new perspective with an astonishing story and plot-twist in the context of film with the issue of social inequality in the modern era. Various awards were obtained by Parasite films on a national and international scale for its beautiful story. The data is collected from the scenes in the movie which later the data is connected with some theories. This study also aims to find out the literary meaning of the movie Parasite, specifically the representation of social class through some literary research.
Tetangga online: Online communities and the role of urban women in the digital sphere Sihanani, Dyah Esti; Sinaga, Agustinus Alexander
INTERNATIONAL JOURNAL OF CHILD AND GENDER STUDIES Vol 12 No 1 (2026)
Publisher : UIN Ar-Raniry Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/equality.v12i1.31716

Abstract

The growth of internet-based home décor communities has introduced new forms of digitally mediated social interaction within contemporary urban society. In Indonesia, studies on women-centered online communities have predominantly focused on fandom or religious groups, leaving domesticity-based digital communities relatively underexplored. This study is aimed at examining the meaning of the term “tetangga online” and to analyze how domesticity, online visibility, and identity negotiation are constructed among urban women in digital environments. Employing a qualitative design with a digital ethnography approach, this research focuses on the Home Decor Tour Indonesia (HDTI) community on Instagram. Data were collected through in-depth interviews with six participants and observations of interaction patterns in captions and comment sections, including the analysis of 68 featured homeowners’ posts. The findings reveal that “tetangga online” represents a culturally embedded form of digital neighbourliness that recontextualizes traditional neighborhood interactions into the online sphere. Furthermore, the online display of domestic spaces through home décor practices functions as a strategic medium for women to negotiate their roles within patriarchal social structures while gaining social recognition, solidarity, and potential economic opportunities. This study contributes theoretically by introducing “tetangga online” as an emic concept of digital neighbourliness distinctive to Indonesian urban online communities.