Articles
<![CDATA[The Effects of Covid-19 Pandemic towards Conventional Theaters and online Streaming Services in Indonesia ]]>
<![CDATA[Sihombing, Lambok Hermanto]]>;
<![CDATA[Lestari, Puji]]>;
<![CDATA[Dante T.M, Jonathan]]>
<![CDATA[ International Journal of Communication and Society Vol 4, No 1 (2022): June 2022 ]]>
Publisher : <![CDATA[Association for Scientific Computing Electrical and Engineering (ASCEE) ]]>
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DOI: 10.31763/ijcs.v4i1.337
<![CDATA[The Covid-19 pandemic has drastically disrupted all business sectors in Indonesia such as the arts, cultural, and entertainment industries. This circumstance necessitated the conversion of numerous conventional movie theatres and online streaming providers. This scientific article examined the impact of the pandemic on the entertainment industry, specifically theatres of XXI and CGV and movie streaming; Disney+Hotstar and Netflix. The qualitative method was used to develop this research. The dataset was taken from the survey taken from McKinsey Company website in 2020 and articles. The authors conducted an analysis of the changes based on two theories; New Media from Martin Lister, Jon Dovey, Seth Giddings and Kieran Kelly and Uses and Gratification Theory from Katz, Blumler, and Gurevitch. The research findings demonstrate that internet streaming services can meet the entertainment needs of lonely individuals at home and result in a paradigm shift away from the belief that new films are only released in theatres.]]>
<![CDATA[Writing a Curriculum Vitae on a Digital Platform, Canva ]]>
<![CDATA[Lestari, Puji]]>;
<![CDATA[Sihombing, Lambok Hermanto]]>
<![CDATA[ Journal of Educational Sciences Vol 6. No. 4. October 2022 ]]>
Publisher : <![CDATA[FKIP-Universitas Riau ]]>
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DOI: 10.31258/jes.6.4.p.663-672
<![CDATA[Most of Vocational High School students are designed to work after they graduate. They are shaped to be the professional workers in a company so that they have to master various skills. One of the basic competencies they need to master is writing. Writing skill can help them prepare the application letter when they apply for the job. Thus, this study aims to analyze the students’ creativity in writing a Curriculum Vitae using a digital platform namely Canva. The object of this research was the students of Binakarya Mandiri Vocational High School Bekasi, grade XII majoring Technical Engineering. There were 30 students in the class. However, the researchers took 3 students’ digital creative results as the samples of this research. Through a qualitative approach, the researchers applied the Teaching Principle theory by H. Douglas Brown and Heekyong Lee and the concept of Media Education from Alexander Fedorov. The result shows that the students in grade XII majoring Technical Engineering are more well-prepared and creative in writing the Curriculum Vitae using Canva.]]>
<![CDATA[Indonesian Celebrities on YouTube: An Analysis Using Bourdieu’s Perspective ]]>
<![CDATA[Sihombing, Lambok Hermanto]]>;
<![CDATA[S, Jonathan William]]>;
<![CDATA[Lestari, Puji]]>
<![CDATA[ Celt: A Journal of Culture, English Language Teaching & Literature Vol 22, No 1: June 2022, Nationally Accredited ]]>
Publisher : <![CDATA[Soegijapranata Catholic University ]]>
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DOI: 10.24167/celt.v22i1.4284
<![CDATA[Numerous Indonesian celebrities moving to YouTube have dominated the viewership and trending segments. The researchers chose Deddy Corbuzier, Baim Wong, Raffi Ahmad, and Nagita Slavina as they are celebrities who transitioned to YouTube and achieved success after only a few years of its existence. Using Bourdieu's social capital theory, the researchers identified celebrities' capitals that give them an advantage when transitioning to YouTube. Capitals resulted in dominance and elevated celebrities to celebrity status. According to Bourdieu, cultural capital may play a significant role in pursuing power and position within a community. This condition, we believe, exists as a result of the relationship between celebrities and their fans. Celebrities attempt to attract fans through the use of YouTube in order to achieve power. As a result, YouTube celebrities view these opportunities as business opportunities that eventually lead to financial success.]]>
<![CDATA[The Art of Laughter: Exploring Humor in Warkop DKI Reborn ]]>
<![CDATA[Sihombing, Lambok Hermanto]]>
<![CDATA[ International Journal of Culture and Art Studies Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS) ]]>
Publisher : <![CDATA[Talenta Publisher ]]>
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DOI: 10.32734/ijcas.v9i1.20259
<![CDATA[The art of humor often leaves a lasting impression, especially when it connects to joyful memories. Nostalgia refers to a longing for the past, often tied to moments of laughter and happiness. This study analyzes Warkop DKI Reborn: Jangkrik Boss Part 1 as a modern reflection of nostalgia for the original Warkop DKI films, focusing on the humor that defined the series. The study also examines YouTube comments to understand how audiences perceive the film's humor. A qualitative approach is used, with data from Warkop DKI - Chips (1982) Full Movie on the @LetsuGauki YouTube channel and WARKOP DKI Reborn | Jangkrik Boss Part 1 | Kalau Mau Dosa Sekalian Banyak, uploaded by Falcon YouTube. The analysis draws on the theories of Nostalgia for the Present from Salmose (2019), Mise en Scene from Manon de Reeper (2016), and Media Studies from Ott (2014). The findings indicate that the characters, costumes, humor, and settings in both the original and reborn films evoke a deep sense of nostalgia among Indonesians, demonstrating how the art of humor continues to bridge generations and maintain cultural relevance.]]>
<![CDATA[Writing a Curriculum Vitae on a Digital Platform, Canva ]]>
<![CDATA[Lestari, Puji]]>;
<![CDATA[Sihombing, Lambok Hermanto]]>
<![CDATA[ Journal of Educational Sciences Vol. 6 No. 4 (2022): Journal of Educational Sciences ]]>
Publisher : <![CDATA[FKIP - Universitas Riau ]]>
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DOI: 10.31258/jes.6.4.p.663-672
<![CDATA[Most of Vocational High School students are designed to work after they graduate. They are shaped to be the professional workers in a company so that they have to master various skills. One of the basic competencies they need to master is writing. Writing skill can help them prepare the application letter when they apply for the job. Thus, this study aims to analyze the students’ creativity in writing a Curriculum Vitae using a digital platform namely Canva. The object of this research was the students of Binakarya Mandiri Vocational High School Bekasi, grade XII majoring Technical Engineering. There were 30 students in the class. However, the researchers took 3 students’ digital creative results as the samples of this research. Through a qualitative approach, the researchers applied the Teaching Principle theory by H. Douglas Brown and Heekyong Lee and the concept of Media Education from Alexander Fedorov. The result shows that the students in grade XII majoring Technical Engineering are more well-prepared and creative in writing the Curriculum Vitae using Canva.]]>
<![CDATA[Instagram Feed: Indonesian Selebgram Personal Branding as a Contemporary Literary Expression ]]>
<![CDATA[Sihombing, Lambok Hermanto]]>
<![CDATA[ IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 1 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite ]]>
Publisher : <![CDATA[Institut Agama Islam Negeri Palopo ]]>
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DOI: 10.24256/ideas.v13i1.6524
<![CDATA[This study aims to examine the strategies Natalie Novita used to establish her personal brand through the utilization of the Instagram social media platform. The author employs the concept of Personal Branding from McNally & Speak (2002) to analyze the personal branding phenomenon of Natalie Novita, an Indonesian selebgram, using Instagram features. It utilizes a qualitative methodology, collecting data from the @natalienovita Instagram account, literature studies, and documentation in the form of photographs. This research is framed within the context of Contemporary Literary Expression, analyzing how visual content on Instagram functions as a modern narrative and a form of self-expression in the digital age. The research findings indicate that Natalie Novita's attempts to establish her branding on her Instagram account exhibit three key characteristics: distinctiveness, personality, and consistency. Through these characteristics, Natalie effectively constructs her personal brand, positioning herself as a unique and relatable figure in the digital space, contributing to the ongoing evolution of contemporary self-representation.]]>
<![CDATA[The Concept of Nasionalisme in Indonesian Stand-up Comedy by Pandji Pragiwaksono ]]>
<![CDATA[Sihombing, Lambok Hermanto]]>
<![CDATA[ IJCAS (International Journal of Creative and Arts Studies) Vol 12, No 1 (2025): June 2025 ]]>
Publisher : <![CDATA[Graduate School of Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/ijcas.v12i1.15012
<![CDATA[The integration of cultural beliefs with nationalism is one of the most intriguing aspects of the development of national identity and unity. Pandji Pragiwaksono, an Indonesian stand-up comic, consistently integrates shared cultural values and representations into his performances to contribute to understanding Indonesian society towards nationalism issue. In his stand-up comedy performance, he emphasizes the importance of nurturing a sense of nationalism toward Indonesia as a nation. This article aims to investigate how Pandji incorporates cultural assumptions and representations into his performances, Nasional.is.me. This study used Stuart Hall's Representation theory as the data and Relevance theory for analysis to examine how he integrates shared cultural knowledge into his performances. In the performance, he engages in creative interactions with cultural beliefs and representations to mediate and negotiate the principle of nationalism. Konsep Nasionalisme dalam Komedi Stand-up Indonesia oleh Pandji Pragiwaksono Abstrak Integrasi antara keyakinan budaya dan nasionalisme adalah salah satu aspek yang paling menarik dalam pengembangan identitas dan kesatuan nasional. Pandji Pragiwaksono, seorang komika stand-up Indonesia, secara konsisten mengintegrasikan nilai-nilai dan representasi budaya bersama ke dalam pertunjukannya untuk berkontribusi dalam memahami masyarakat Indonesia terhadap isu nasionalisme. Dalam pertunjukan stand-up comedy-nya, ia menekankan pentingnya memupuk rasa nasionalisme terhadap Indonesia sebagai sebuah bangsa. Penulisan ini bertujuan untuk mengetahui bagaimana Pandji memasukkan sudut pandang dan representasi budaya ke dalam pertunjukannya, Nasional.is.me. Penelitian ini menggunakan teori Representasi dari Stuart Hall sebagai data dan teori Relevansi untuk menganalisis bagaimana ia mengintegrasikan pengetahuan budaya yang dimiliki ke dalam pertunjukannya. Dalam pertunjukannya, ia terlibat dalam interaksi kreatif dengan kepercayaan dan representasi budaya untuk memediasi dan menegosiasikan prinsip nasionalisme.]]>
<![CDATA[The Role of New Media towards the Way K-Pop Fans Do Fashion as Their Self Representation ]]>
<![CDATA[Sihombing, Lambok Hermanto]]>
<![CDATA[ Kalijaga Journal of Communication Vol. 7 No. 1 (2025) ]]>
Publisher : <![CDATA[Communication and Islamic Broadcasting Study Program, Faculty of Da'wah and Communication, Universitas Islam Negeri Sunan Kalijaga Yogyakarta, Yogyakarta, Indonesia ]]>
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DOI: 10.14421/kjc.03.2025.2025
<![CDATA[Korean pop (K-pop) culture has become a global phenomenon, significantly influencing youth lifestyles and fashion trends, especially in countries like Indonesia. This study investigates how new media acts as a central platform through which K-pop fans engage with and adopt fashion styles inspired by idols, and how these styles are used for identity construction and self-representation. The research focuses on Indonesian youth aged 15–25 who actively follow BTS, EXO, and Blackpink, the groups with the largest and most engaged fandoms in the country. Using questionnaires and visual documentation from social media, this study draws on theories of new media, fandom, and self-representation. The findings reveal that new media platforms not only disseminate K-pop fashion trends but also empower fans to creatively express their social identity and sense of belonging through personalized fashion choices aligned with their fandom.]]>
<![CDATA[The Stereotype of Indo-Chinese Portrayed in Ernest Prakasa’s Stand-up Comedy Material ]]>
<![CDATA[Sihombing, Lambok Hermanto]]>
<![CDATA[ KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 1 (2025) ]]>
Publisher : <![CDATA[Fakultas Dakwah UIN Saizu Purwokerto ]]>
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DOI: 10.24090/komunika.v19i1.12219
<![CDATA[Stand-up comedy has emerged as a dynamic medium within the media industry, capturing the interest of both comedians and audiences alike. In Indonesia, it serves not only as a form of entertainment but also as a cultural platform to reflect and critique various social issues—one of which is ethnicity. This study explores how Indo-Chinese identity is represented in the stand-up comedy material of Ernest Prakasa, a prominent Indonesian comedian of Chinese descent. Employing Van Dijk’s critical discourse analysis, this qualitative research examines the ways in which ethnic stereotypes are constructed, negotiated, and commodified through humor. The data is drawn from Prakasa’s performance titled “Gua Ernest dan Gua Cina”, as broadcast on the KompasTV YouTube channel. The findings reveal that humor in Indonesian stand-up comedy functions beyond mere entertainment; it also operates as a cultural commodity that both reinforces and challenges ethnic stereotypes. Specifically, Ernest strategically uses self-deprecating humor and irony to normalize Indo-Chinese identity in the public sphere while simultaneously critiquing the underlying prejudices. This dual function of humor suggests that stand-up comedy can serve as a subtle yet powerful tool for social commentary and ethnic negotiation in contemporary Indonesian society.]]>
