Hanifi, Muhammad Luthfan
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RITUAL PERANG DALAM KEBUDAYAAN SUKU DAYAK Hanifi, Muhammad Luthfan
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 2: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (174.223 KB) | DOI: 10.14710/sabda.11.2.83-87

Abstract

This paper is concerned with the rituals of Dayak tribe that are performed before, during, and after a war. Dayak tribe is one of many tribes in Indonesia that is very conservative towards their cultural tradition. The rituals were conserved until Tumbang Anoi treaty in 1894. The rituals are rarely performed as Dayak tribe tries to avoid war with other Dayak tribes since Dayak has 405 clans or other tribes. Before Tumbang Anoi treaty, Dayak tribe was active in performing the rituals as there were wars among their clans or against colonialist. After Tumbang Anoi treaty, Dayak is rarely involved in war except they feel that their pride or tradition is humiliated. Nowadays, the rituals which consist of ceremonies, dances, and headhunting or Kayau are only performed as guests reception except the headhunting part
KRONIK FILMEDIA’S RECEPTION TOWARDS FLORIAN GALLENBERGER’S COLONIA Hanifi, Muhammad Luthfan; Noor, Redyanto
HUMANIKA Vol 27, No 1 (2020): June
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v27i1.29469

Abstract

This paper analyzes the audience’s reception of Colonia, a 2016 film by Florian Gallenberger. As a popular work, Colonia is a docudrama film that presents historical events happened in Chile during the coup of General Augusto Pinochet in 1973. The problems analyzed in this article are the reception process of respondents and the quality of Colonia as popular films. The film is chosen for the study as it received five nominations from German Film Awards 2016 and won Bavarian Film Awards 2016 for Best Production category, but it only has a rating of 26% from 47 reviews by Rotten Tomatoes. The respondents involved in this study are members of Kronik Filmedia of Diponegoro University. Kronik Filmedia is the university film club that focuses on producing short films and appreciating films by conducting film discussions. The purpose of the study is to describe the reception processes of respondents who are affected by their horizon of expectations and to prove that not all of popular works are low literature. The theory used in this paper is the Aesthetic of Reception theory by Hans Robert Jauss. The main concept of this theory is horizon of expectations. Horizon of expectations is a reader’s preferences from the previous experiences or readings. For the methodology, this paper uses qualitative research and focus group discussion as the data collecting method. Focus group discussion is a gathering data method by means of interviewing respondents in a forum consisted of five to eight people. Focus group discussion is an effective method to observe a social phenomenon or a case study. The data obtained is then analyzed as texts to draw a conclusion. The research involves eight members of Kronik Filmedia as respondents. The results of the research show the reception of Kronik Filmedia as Colonia can satisfy and even surpass seven out of eight respondents’ horizon of expectations as the film goes to be more ‘interesting’ and ‘thrilling’. All respondents also view that Colonia is worth to be studied and discussed as those of high literature.