<![CDATA[The increasing visibility of Muslim women in Western popular media does not necessarily eliminate stereotypical assumptions about Muslim femininity. This study examines how representations of Muslim femininity are constructed, negotiated, and challenged in the Ms. Marvel TV mini-series (2022), with particular attention to the tension between recognizable cultural expectations and female agency. Using a qualitative research design, the study analyzed six purposively selected scenes from the series’ six episodes, focusing on dialogue, character interactions, visual representation, performance, and narrative situations. The data were analyzed through Fairclough’s Critical Discourse Analysis (CDA) as the analytical approach, while Evelyn Alsultany’s concept of Simplified Complex Representations served as the principal interpretive framework for examining the coexistence of stereotype, complexity, and agency (Alsultany, 2012; Carranza, 2008; Fairclough, 2013). The findings indicate three major patterns: the negotiation of family and cultural expectations, in which Muslim femininity is associated with family responsibility, modesty, and parental authority while characters negotiate individual aspirations; religious identity and self-definition, particularly through the representation of the hijab as a site of social judgment and personal identity; and public participation and female agency, through which Muslim women are represented as active participants in community decision-making and family survival rather than passive or confined figures. Across these patterns, Ms. Marvel challenges reductive assumptions about Muslim women while retaining recognizable cultural and religious markers that make Muslim identity visible and culturally legible. The study therefore argues that Muslim femininity in Ms. Marvel is represented through negotiation rather than replacement, demonstrating how apparently progressive representation can simultaneously challenge stereotypes and preserve familiar representational expectations. This finding contributes to discussions of Muslim representation by showing that increased visibility and agency should not automatically be understood as the complete disappearance of stereotyping; instead, representation can operate through a simplified-complex structure in which stereotype, cultural identity, and agency coexist (Alsultany, 2012; Marvel, 2022).]]>
