Dewi Nurfatimah
Universitas Pendidikan Indonesia

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Exploring The Sign Behind The Fashion Styles Of FIP and FPOK UPI Students : A Semiotic Study by Roland Barthes Rosi Rahmawati; Dewi Nurfatimah; Kholid Abdullah Harras
Deiksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 13 No 2 (2026): Jurnal Deiksis
Publisher : Universitas Swadaya Gunung Jati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33603/dj.v13i2.11828

Abstract

This study aims to examine the fashion styles of students at the Faculty of Education (FIP) and the Faculty of Sports and Health Education (FPOK) of the Indonesian University of Education (UPI) through Roland Barthes' semiotic approach. The descriptive qualitative method used purposive sampling and data collection through official social media. The analysis focused on the denotative, connotative, and mythical meanings contained in the clothing styles of students at both faculties. The results show that the fashion styles of FIP students represent the values of neatness, discipline, and professionalism that build the myth of ideal prospective educators. Meanwhile, the fashion styles of FPOK represent active bodily functions, physical toughness, and group solidarity that form the myth of strong and physically powerful students. This study confirms that clothing in the campus environment is a sign system that reproduces institutional identity and ideology.
The The Resilience of Mothers in the Shadow of Patriarchy: Reading Nanamama Through Andrea O'Reilly Matricentric Feminism in the Novel Kokokan Mencari Arumbawangi Salama Putri Anugrah; Rosi Rahmawati; Dewi Nurfatimah; Yulianeta; Buyung Firmansyah
Deiksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 13 No 2 (2026): Jurnal Deiksis
Publisher : Universitas Swadaya Gunung Jati

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to examine the representation of maternal feminism in Kokokan Mencari Arumbawangi, a novel by Cyntha Hariadi, using Andrea O'Reilly's matricentric feminism perspective. The analysis focuses on Nanamama as a single mother who faces economic, social, and patriarchal structural pressures in sustaining her family's life and living space. This research employs a qualitative descriptive method with a sociological approach to literary analysis. The data consists of narrative passages and dialogues that represent maternal practices, mother–child relationships, and forms of resistance against patriarchal systems. The findings reveal that motherhood is depicted as an empowered and political practice rather than merely a domestic role. Nanamama develops survival strategies through economic independence, moral courage, social vigilance, and ecological awareness. However, these strategies lead to stigma and social exclusion. This study concludes that the novel presents motherhood as a source of strength while simultaneously exposing maternal vulnerability within patriarchal structures.