Trisnawati Bura
Universitas Muhammadiyah Maumere, Indonesia

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Me The Symbolic Meaning of the Traditional Wedding Ceremony of the Lio Ethnic Group in Mbuliloo Village Monika Hediana Tanga; Trisnawati Bura; Yeremias Bardi
jurnalalfa Vol 4 No 2s (2026): October
Publisher : CV. Alfa Pustaka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64733/journalalfa.v4i2s.245

Abstract

The traditional wedding ceremony of the Lio ethnic group in Mbulilo’o Village contained various symbols reflecting cultural, social, and spiritual values. However, studies examining the forms, functions, and meanings of these symbols comprehensively in the context of the Lio community remained limited. This study aimed to identify and describe the symbols used at each stage of the ceremony, analyse their social and spiritual functions, and reveal their cultural, social, and spiritual meanings. The study employed a descriptive qualitative method with an ethnographic approach. Data were collected through participant observation, semi-structured in-depth interviews with purposively selected informants, and documentation. The informants included traditional leaders (mosalaki), community elders, and couples who had undergone traditional weddings. Data were analysed through data reduction, data display, and conclusion drawing. The findings identified seven stages of the traditional wedding ceremony containing 14 principal symbols, including doi no bako, ruti nata, majo ine, lewa ke, godo, deke babo, mbendi sau, eda wuru, and pata regu with their respective elements. The symbols performed social functions by strengthening kinship, community solidarity, and reciprocity between families, while also performing spiritual functions by connecting the community with ancestral values and harmonising customary practices with Catholic faith. The symbols conveyed three interconnected meanings: cultural identity and ancestral heritage, social reciprocity and collective responsibility, and spiritual beliefs and hopes for a blessed life. The study demonstrated that the traditional wedding ceremony functioned as a cultural communication system that preserved collective identity, strengthened social cohesion, and supported the continuity of Lio cultural values amid modernisation and globalisation.
An Gender Perspective Analysis of the Novel *Woman at Point Zero* by Nawal El-Saadawi (Mansour Fakih’s Theory) Sintya Dewi; Katharina Woli Namang; Trisnawati Bura
jurnalalfa Vol 4 No 2s (2026): October
Publisher : CV. Alfa Pustaka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64733/journalalfa.v4i2s.248

Abstract

This study aims to describe the forms of gender injustice depicted in the novel “Woman at Point Zero” by Nawal El-Saadawi, utilizing the perspective of Mansour Fakih’s theory. The novel chronicles the life journey of Firdaus, an egyptian woman from an impoverished family who endures various forms of oppression from childhood ranging from domestic violence, forced marriage, and sexual abuse to becoming an independent prostitute ultimately killing a pimp and choosing the death penalty as an act of resistance against the patriarchal system. This research employs a qualitative method with a descriptive approach. The primary data source is the novel “Woman at Point Zero” by Nawal El-Saadawi, while secondary data is derived from Mansour Fakih’s theoretical works and relevant prior research. Data collection was conducted using “read-and-note” techniques and documentation. Data analysis was performed thematically based on the five forms of gender injustice identified by Mansour Fakih: marginalization, subordination, stereotyping, violence, and double burden. The research results indicate that all five forms of gender injustice are prominently present in the novel. Instances identified include marginalization (24 excerpts), subordination (36 excerpts), stereotyping (30 excerpts), violence (27 excerpts), subdivided into physical violence (17 excerpts) and psychological violence (10 excerpts), and double burden (10 excerpts). These findings illustrate how the character Firdaus experiences structural and cultural oppression within Egyptian patriarchal society. Through this novel, Nawal El-Saadawi delivers a sharp critique of gender injustice and advocates for women's awareness and resistance against oppressive systems.