<![CDATA[ABSTRACT This dance work raises the core of the story of Babad Dalem Sidakarya as an idea to work on, namely the Pemastu (curse) of Brahmin Keling which is sourced from Pura Mutering Jagat Dalem Sidakarya, South Denpasar, Denpasar City. On the way of Brahmin Keling from the Bali Strait to the Kingdom of Gelgel to meet his brother to Bandana Negara, the chronicle of Pemastu (curse) Brahmin Keling in the Eka Dasa Rudra ceremony at Besakih Temple and Pura Mutering Jagat Dalem Sidakarya, cursed the occurrence of grubug, and was given the title of Dalem Sidakarya, which the stylist poured into Pelegong's new dance creations. The method used in realizing the Legong Bisama Cupar dance work uses the principle of the Angripta Sesolahan method proposed by I Kt Suteja. The method includes 5 parts, namely Ngeplan, Nuasen, Makalin, Nelesin, and Ngebah. The process was carried out with Manubada Art partners, in Br. Apuan, Singapadu Village, Sukawati District, Gianyar Regency. This dance work is packaged into a new dance creation pattern by being danced by seven female dancers, using fan props. Using women's stage makeup and clothes based on classic legong with brown, black and white colors. Accompanied by the Gamelan Gong Kebyar saih lima which supports every atmosphere of the structure displayed, A.A Aditya Perdana, S.Sn as the composer of the 13-minute work, so that this work becomes beautiful supported by the percussionist of the maye-maye art studio, the singing of songs from the tandak. Structure of Legong Bisama Cupar: Pengawit (flashback), Pepeson, Pengawak, Pengecek and Pekaad. In Legong Bisama Cupar there are also new movement motifs such as agem Brahmana Keling, agem right and left, nyondong lamak, tanjek dalem sidakarya. Keywords: Legong, Bisama Cupar, Pemastu.]]>
