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All Journal Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Gesture: Jurnal Seni Tari
Rendina Pradipta
Universitas Negeri Medan
Arts Humanities Education

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Representasi, Spektakel, dan Makna dalam Artistik Pertunjukan Kontemporer Frisdo Ekardo; Rendina Pradipta
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 28, No 2 (2026): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v28i2.31396

Abstract

This study examines representation, spectacle, and the production of meaning in the artistic dimensions of contemporary performance through Cabik, a play written by Ibrahim Ilyas and directed by Zuhair Azka, staged at Taman Budaya Medan on July 10, 2026. The research is grounded in the researcher's direct observation of the performance as the primary empirical source to understand how artistic elements function not merely as visual support but also as media for constructing dramaturgical meaning. Employing a qualitative approach with a descriptive-interpretative method, the study draws upon participant observation, documentation, and artistic analysis of stage design, scenic setting, costumes, multimedia, lighting, and acting. The analysis is informed by Stuart Hall's theory of representation to explain the construction of meaning through systems of signs, Guy Debord's concept of the spectacle to understand visuality as a construction of aesthetic experience, and Patrice Pavis's theatre semiotics to interpret the relationships among artistic elements in shaping the performance narrative. The findings reveal that the transformation of the dramatic text into artistic performance space generates new forms of representation that expand the interpretation of the dramatic text through visual, symbolic, and performative compositions. The artistic components no longer function merely as decorative elements but operate as an integrated system of signs that simultaneously constructs emotion, conflict, and social ideas. Consequently, the spectacle in Cabik serves as an aesthetic strategy that reproduces meaning through the interaction of the actor's body, theatrical space, multimedia technology, and visual composition, creating a reflective, multidimensional theatrical experience that is highly relevant to contemporary performance discourse.
Kajian Skenografi Digital Berbasis Budaya Agraris Jawa pada Maket 3D Pertunjukan Tari Kolosal Gambyong Karya Inggit Prastiawan Rendina Pradipta; Frisdo Ekardo
Gesture: Jurnal Seni Tari Vol. 15 No. 2 (2026): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i2.74704

Abstract

This study aims to analyze digital scenography based on Javanese agrarian culture in a three-dimensional (3D) model of the “Tari Kolosal Gambyong” performance by Inggit Prastiawan, with a focus on video as a strategy for artistic pre-visualization in public spaces. The study employs a qualitative descriptive method using a case study approach. The perspective of digital scenography is utilized to analyze the relationship between spatial composition, visual elements, cultural ornamentation, and the representation of the performance landscape. Data were collected through interviews with Inggit Prastiawan, audio-visual documentation in the form of videos and 3D model images, as well as a review of relevant literature. The analysis focused on artistic forms, Javanese cultural visual idioms, artistic ornamentation, and the role of video in presenting performance space designs. The findings indicate that 3D model visualization videos present stage compositions, the placement of artistic elements, cultural ornamentation, and variations in daytime and nighttime atmospheres. These representations allow the artistic design to be comprehensively examined before it is physically realized. This study highlights the potential of 3D model visualization videos as a digital scenography design strategy that bridges the representation of Javanese agrarian culture with the artistic needs of performances in public spaces.
Co-Authors Frisdo Ekardo